Snap - Maquetas (1988-1991) LP

Nueva referencia en Discos Regresivos!!!

Novedades y reposiciones / New & Restocks

Todo el catálogo aquí...
Catálogo Discos Regresivos


[PARAMECIUM RECORDS]
AUTOMATICS WHEN THE TANKS ROLL OVER POLAND 7" 6€
TELEVISION PERSONALITIES WHERE'S BILL GRUNDY NOW? 7" 6€ (ÚLTIMAS COPIAS)

[1977 RECORDS]
FRESHIES, THE EARLY SINGLES BOXSET 6x7" 60€

[WINDIAN RECORDS]
BARRERACUDAS 7TH TIME AROUND 7" 6€
HEAVY TIMES K9 7" 6€
PERSONAL & THE PIZZAS TEARJERKER 7" 6€
STATIC EYES TROUBLE 7" 6€
SUNS OF GUNS 5000 WATTS 7" 6€
TERRY MALTS LIVING WITH THE HUMAN RACE 7" 6€
TWO TEARS IM SO OUTTA IT, I CANT GET IN TO IT 7" 6€

[DIRTNAP RECORDS]
EXPLODING HEARTS GUITAR ROMANTIC LP 12€
LOW CULTURE SCREENS LP 12€
STEVE ADAMYK BAND, THE THIRD LP 12€
WHITE WIRES II LP 12€
SONIC AVENUES TELEVISION YOUTH LP 12€
RED DONS AUSLÄNDER 7" 5€

[DAMAGED GOODS]
CYANIDE PILLS STILL BORED LP 11€
GIUDA RACEY ROLLER LP 11€
CUTE LEPERS, THE CAN'T STAND MODERN MUSIC LP 10€
CYANIDE PILLS S/T LP 10€

[RAVE UP]
SPIKE PENETRATOR! YEAH! YEAH! BABY LP 12€
STILETTOS, THE PUNK TRAMPOLINE LP 12€
DEAD NITTELS EARLY SONGS 1981-1983 LP 12€

[BURGER RECORDS]
RESONARS, THE CRUMMY DESERT SOUND LP 11€
MMOSS I LP 11€
PEACH KELLI POP S/T LP 11€
FLETCHER C JOHNSON – SALUTATIONS LP 11€



[TIME FOR ACTION]
RIOTS, THE TIME FOR TRUTH LP 11€
WHITE TRAINERS COMMUNITY, THE THE LONG PLAY LP 10€

[LAST LAUGH RECORDS]
NORMALS, THE SO BAD, SO SAD LP 14€
VILLAGE PISTOLS BIG MONEY 7" 6€
CARTOONS, THE SHE'S A ROCK AND ROLLER 7" 6€

[METADONA RECORDS]
ASPIRINA INFANTIL ETS ES MILLOR 7"FLEXI 5€
ASPIRINA INFANTIL S/T 7" 5€
ASPIRINA INFANTIL / MONJO,LOS S/T 7" 5€

[BACHELOR RECORDS]
CHOOSERS, THE HANGING UP ON YOU 7" 5€
BARRERACUDAS DOG FOOD 7" 5€
SHIRLEY MACLAINES, THE WANT YOU TO GO 7" 5€
MISS CHAIN & THE BROKEN HEELS RAINBOW 7" 5€
MISS CHAIN & THE BROKEN HEELS THE DAWN LP 11€


[VARIOS]
V/A LAND OF NOD: AN ATLANTA PUNK AND HARCORE OMNIBUS [SCAVENGER OF DEATH] LP 13€
20/20 GOING UP WITH MY GIRL [RADIO HEARTBEAT] 7" 5,5€
V/A BILBAO, MIERDA Y R'N'R (VOMITO PUNK ROCK RECORDS) LP 12€
BUREAUCRATS FEEL THE PAIN (UGLY POP) 6€
POINTED STICKS WHAT DO YOU WANT ME TO DO? (UGLY POP) 6€
SYMBOL SIX S/T (DR STRANGE) LP 12€
CRY!, THE & CONNECTION, THE SPLIT S/T (MOOSTER RECORDS) 7" 5€
NIGHT BIRDS, THE FRESH KILLS VOL.1 (GRAVE MISTAKE RECORDS) LP 12€
DICKS, THE HATE THE POLICE 7" (1-2-3-4 go) 5,5€
STEVE ADAMYK BAND, THE s/t (DEAD BROKE RECORDS) LP 12€
LOW CULTURE S/T (DEAD BROKE RECORDS) 5€
PERSONAL & THE PIZZAS I WANT YOU (TROUBLE IN MIND) 7" 5,5€
ALLEY CATS, THE NOTHING MEANS NOTHING ANYMORE (FAN CLUB) 7" 5,5€
101'ERS, THE KEYS TO YOUR HEART (FAN CLUB) 7" 6€
BLACK FLAG 1983 DEMOS 7" 6,5€
CONFUSE NUCLEAR ADDICTS 7" 6€
GG ALLIN FOR THOSE WHO CAN TAKE IT RAW 7" 6,5€
JERKS GET YOUR WOOFING DOG OFF ME 7" 6,5€
LSD DESTROY 7" 6€
SCREAMERS LIVE AT THE MASQUE 7" 6,5€
SKREWDRIVER YOU'RE SO DUMB 7" 6,5€
SKREWDRIVER BACK WITH A BANG 7" 6,5€
THE VICTIMS TELEVISION ADDICT 7" 6€
THE VICTIMS NO THANKS TO THE HUMAN TURD 7" 6€

Cómo Pedir / How To Order

Esta es una distri y sello duit yurself ,hazlo tù mismo o cómo la quieras llamar, así que el método es bien fácil. Mándame un correo, a discosregresivos@yahoo.com, con los discos que te interesan, te respondo con lo que tengo y listo.
Los gastos de envío son los de correos, y si eres de Madrid pues te los puedes ahorrar.

Hay una entrada para los singles y otra para los elepés con descripciones de los discos y su portadas.

También puedes descargar el listado de todos los discos:
Catálogo Discos Regresivos

For foreign punks, shoot me an email to discosregresivos@yahoo.com with the records that you want... and i let you know about availability, shipping costs and payment options.
Download here the complete catalogue:
Catálogo Discos Regresivos

Ediciones Discos Regresivos & Anti Guays & Ayto. de Madrid

Estas son las ediciones que he sacado tanto con el sello Discos Regresivos como con el Ayuntamiento de Madrid (gracias al concejal Sergio) y en Anti Guays (gracias al camarada Demi). Si habrá más o no en el futuro no se sabe, pero si tenéis un grupo de punk o derivados y quieres que os editemos, mandad una maqueta y a ver qué pasa.

Escucha todo aquí

http://discosregresivos.bandcamp.com

DR-10 SNAP - MAQUETAS (1988-1991) 500 Copias Mayo 2013.
DR-09 FLYING LADIES - ABURRIDOS COMO TARDES DE DOMINGO EP Tengo el placer de anunciaros un nuevo disco de Discos Regresivos, la novena sinfonía ha llegado. Editado por Against You Records, Muerte a Tipo, Discos Subterráneos, Discos Regresivos y Tuca-Raca. Flying Ladies nace en verano de 2005 en Logroño (La Rioja) fruto de la unión de cinco amigos a los que la oscuridad y el aburrimiento les inducen a hacer punk rock pues no saben hacer nada más. Tras 3 trabajos en Cd (uno compartido con sus paisanos Antibióticos) por fin se lanzan a registrar unos temas en acetato. Cansados de oír los mismos fraudes una y otra vez, Flying Ladies desafían a la tediosa realidad con cinco canciones nuevas en un lujoso single en vinilo, rebosante de punk rock acelerado y actitud a raudales. Infórmese de qué misteriosos mecanismos hacen funcionar a una banda de rock de Europa meridional, diviértase escuchando una recopilación de las mentiras más repetidas de los últimos tiempos o descubra los beneficios que una ocupación militar tiene sobre las conciencias de sus víctimas, entre otras muchas cosas. Grabado en los estudios Blue Planet por Víctor Rubio, con un cuidado diseño. 500 Copias Enero 2013.
DR-08 LA STASI - LA ÚLTIMA ESPERANZA DE LA LOCURITA LP La última esperanza de la locurita es la última esperanza del punk. Punk 77 mezclado con el garrulismo de los 80 y con unas letras ácidas,irónicas y costumbristas a la par que divertidas. Despúes de cuatro años la Stasi sigue demostrando que no hacen falta artificios, ni poses,ni consignas mil veces repetidas para hacer punk. 12 temazos y una locurita que demuestran que tantos años después siguen siendo los más grandes del punk patrio le joda a quien le joda. Todo el arte es por obra y gracia del gran Adso (adsoweb.es). Edición: 500 copias, 50 de ellas con pack especial "Anti guay". Precio normal:10€. Precio "Anti guay":12€. PUNK!!!! 500 Copias Julio 2012.
DR-07 ZORRAS ADOLESCENTES - AULLOLUNASOLO LP Por fin un LP de las zorras mañas, 5 años después de sacarles un single, Discos Regresivos tiene el honor de sacar este LP (junto con Bazofia,Go Mongo y Collectors Series) a estos punkis verdaderos.Discazo!! PUNK!!!! 500 Copias SEptiembre 2012.
DR-06 TRANCE - DEMO EP Desde Mallorca nos llega la demo en formato EP de TRANCE, estos jovenes veteranos nos deleitan con 3 canciones propias y una versión de Ultimo Resorte. Aquí podemos encontrar frescura playera, Punk Rock a raudales. No se que les dan de comer en Mallorca, pero últimamente todas las bandas que nos llegan desde allí nos sorprenden gratamente, en lo que a buen sonido y originalidad se refiere. Por la versión que tocan ya os podeis imaginar que palo llevan esta gente, Punk del de toda la vida, pero del que ya pocos se atreven (o son capaces) de facturar. Buenas lineas de bajo, guitarra con poca distorsion y una batería que nos recuerda al mismísimo Marky Ramone. Escuchando estas canciones te entran ganas de ir a la playa con la chupa de cuero puesta, a vacilarles a los guiris mientras tomas unos Daikiris.(EL TETE) Coeditado junto a Metadona Records, Disundead y Muerte a Tipo. 525 Copias Julio 2012.
AG-01 THE STIFFS - EXTREEMAGER 500 Copias Abril 2012.
DR-05 EP NTNZ - S/T EP En demasiadas ocasiones la vida y en este caso el punk puede ser de un injusto que te cagas. Cuantos miles y miles de grupazos nos habremos quedado sin escuchar/ver por culpa de su mala suerte, su brevedad, su indolencia, su mala ubicación geográfica o en el caso que nos ocupa de todas estas cosas a la vez. En la época clásica del punk poco importa, todo el mundo esta ávido de reeditar, comprar y pajearse con cualquier grupo que sea, yo el primero, que conste. ¿Pero que es lo que pasa con grupos de por ejemplo la década pasada?. Este fue el caso de NTNZ, hubieran pasado sin pena ni gloria salvo para 4 o 5 incondicionales, lo cual sería injusto y una putada para ellos pero sobretodo para cualquier buen aficionado al Punk que se habría quedado sin escuchar estas canciones repletas de mala leche, amateurismo y genialidad agraria Y es que amigos solo unos cuantos fuimos los que pudimos conocer en su día a NTNZ sin lugar a dudas disfrutamos de lo que fue un genuino grupo de punk, el mejor que haya salido nunca de la ciudad del acueducto y los cochinillos, tanto por lo poco que duraron y lo poco que se prodigaron en directo. Solo dos veces les pude ver en directo (a la mayoría de grupos de esa época, al que menos les habré visto cuatro veces) y fue algo de lo más bizarro y caótico que he visto (sin tan siquiera pretenderlo, lo cual le dio más valor a mis ojos). Por ejemplo: he visto a muchos grupos hacer barrabasadas imposibles, algunas más graciosas e impactantes, otras menos, pero a día de hoy no he visto a nadie que en mitad de un concierto deje de cantar para coger el teléfono móvil y ponerse a hablar con vaya usted a saber quien, o que a los pobres los echen unos maromos del escenario tras media canción por llegar tarde de cojones. Así que ya sabéis, tecleen, llamen o acudan a su proveedor favorito y disfruten con otra de esas joyas perdidas del Punk, y después podrán invitarme a una cerveza para agradecérmelo pero esta vez no hará falta viajar hasta en siglo pasado y si pasan de este humilde texto que les de por culo un elefante cabreado. Ravishing Punk 200 Copias Diciembre 2011.
AYDM-02 EP RUMANIA - FIESTA DEMOCRÁTICA (AGOTADO) No deja de ser paradójico que la última esperanza blanca del punk en España no sea precisamente española, sino procedente de un tan denostado país comunista. Como ganadores del I Concurso para Colectivos de Inmigrantes Disminuidos Funcionales y Psíquicos, organizado por el consistorio madrileño recientemente, sale a la luz esta grabación realizada en un entorno mágico, una tarde veraniega en la costa levantina. La formación la componen: -Un cantante de un sospechoso parecido a Freddy Mercury pero con una voz similar a la de Jello Biafra si hubiese bebido cazalla desde los 12 años. -Un guitarrista con la mente totalmente desquiciada por las drogas y el sexo. -Un bajista que presume de ser descendiente directo de Ceauşescu y lo único que puede descender es su equipo favorito. -Un baterista que igual toca la batería con el grupo, que la pandereta con otros compatriotas en la calle Preciados o el acordeón en solitario. Esto que gracias a los esfuerzos de este Ayuntamiento que vela por un Madrid mejor tienes entre tus torpes manos, son 6 trallazos de punk idiota hecho por y para idiotas, como una maceta desde un quinto piso directa al dedo gordo de tu pie. Ritmos simples y crudos, melodías “incómodas” y letras que recogen las vivencias con sus compañeros en el centro de acogida." AYUNTAMIENTO DE MADRID - EL PUNK NO ES CULTURA 300 Copias Diciembre 2009. http://myspace.com/punkrumano
DR-04 EP REY MUERTO - ¡VIVA EL REY MUERTO! Lo mejor sin ninguna duda es escucharlo, una y otra vez las canciones de estos cuatro chavales del barrio del Pilar, que me han demostrado una vez más que lo que me gusta de punk, aunque este en estado terminal, aún no ha muerto. ¿Y que es lo que me gusta del punk?, pues canciones sencillas, directas, divertidas y rabiosas al mismo tiempo, letras que parecen absurdas, pero que tienen más fondo que cualquier pseudo poesía del yonki de Extremoduro, que en este caso hablan de cosas cotidianas retocadas por el tamiz de lo absurdo y lo esperpéntico (lo Valle-Inclán jejejeje), ni más ni menos que como los mismos Ramones, ese grupo tan admirado y explotado pero a cuyos fanes se les ha olvidado que y como eran las cosas que tocaban y cantaban los melenudos neoyorkinos, porque sino no me explico ese rechazo desde tantos frentes supuestamente punks a la música que me/nos gusta. ¡¡¡¡¡NO MÁS REYES PUESTOS, VIVA REY MUERTO!!!!!!!!!!!!! 300 Copias, 20 Vinilos Amarillo con póster A3 a cargo del gran ADSO. Diciembre 2008. http://myspace.com/reymuerto2004
DR-03 LP LA STASI - LLAMANDO AL MANZANARES Imagina un día lluvioso,es tu cumpleaños, lleno de asquerosa gente atravesando ojos con paraguas, en el que te gustaría mandar al de al lado a la mierda ,insultar y huir cual cobarde, acabando en un parque con un abuelo bohemio. Ese día, tú cáncer de nalga no te dejará mantener tu humor guay, ni podrás disfrutar la peli porno cómo te gustaría.Pero siempre podrás rendir pleitesía a tu ídolo Javier Clemente y pensar en matar enamorados en San valentín o a algún icono de la movida madrileña. Ese día es como el LP de la Stasi..................... 500 Copias, 50 Copias con Parche y 20 con póster A3 a cargo del gran ADSO. Junio 2008. http://myspace.com/lastasi
AYDM-01 LP CONCEPCIÓN GLORY BOYS - CUANDO SUEÑES ELLOS TE AYUDARÁN El Ayuntamiento de Madrid se enorgullece de presentar el LP debut de los madrileños Concepción Glory Boys. 9 Gloriosos Himnos. El Mejor (Si no el único) grupo que reinvidica los sonidos más Punks del Revival (Sema 4, Chords, Crooks,...) y los más Pop del Oi! (Crack, Cock Sparrer, Guitar Gangsters...). Edición Limitada a 500 copias, las 30 primeras con regalo especial para ser un Glory Boy. Hoja interior con letras formato A3. Junio 2008.
DR-02 EP ZORRAS ADOLESCENTES - VÉNDETE A LA OSCURIDAD Un disco concebido en la oscuridad por y para el momento de la unica verdad. Si tu corazon es negro...no dudes un momento y véndete a la oscuridad. 5 temas mutantes en un trozo de plastico negro con bordes afilados,ten cuidado no te cortes!....con version de The Wipers. 499 Copias, 50 Copias en Vinilo Rojo con póster A3 a cargo del gran ADSO. Octubre 2007. http://myspace.com/zorrasadolescentes
DR-01 EP LA STASI - S/T (AGOTADO) No busques punteos ni canciones interminables. 6 Temas en los que sólo encontrarás Punk y Diversión. 499 Copias, 40 Copias con póster A3 a cargo del gran ADSO. Noviembre 2006. http://myspace.com/lastasi

Lista de LPs/10"

A GIANT DOG - FIGHT [TIC TAC TOTALLY] 2012 Punk (USA) Just off the presses too!! Hot wax from diggity-dogs A GIANT DOG is unleashed. A great chunk of meaty punk sizzlers, and flat out head-scratchingly overdue for these vets (get it! VETS!!!! Do-oi-oiii...). Female pipes yowlin' on top o' dissonant hooks knee deep in country-fried, blues-tinged LA punk musicality a-la THE EYES and FLESH EATERS in ye olde songwriting department is on point. I guess the inevitable comparison here is to X, but swap Billy Zoom's pretty production with the drunken scuzzy sheen enlisted to do the master's bidding! Oh, and Sabrina Ellis delivers ten-fold as front woman. Great pipes serving her rendition of a less-throaty Exene but with way more range and great, creeping, soulful yowl. What a bitch (Get it!!! A FEMALE DOG!!! Ooofffff!!!!). It all wickedly compliments the lyrical content of Cashen/Ellis' tunes/blasted punk rocking underneath. This 15-track long player SMOKES! Overloaded like the mothafuckin dog kennel! YOOoowww!!!!! LP includes download, and record includes the music!	12 EUR
ABOUT BLANKS, THE - S/T [P TRASH] 2011 Punk (ALE) Bandmembers for the LP: Jasper Hood (Black Jaspers, Shakin Nasties, Moorat Fingers), Daniel Distration (Frantic Romantics), Lotze (The Shocks), Chris Blank (The Bottrops), now with new live drummer John Boy Adonis (King Kahn & The Shrines)! If this is how boredom sounds....well then let me dwell in Bore-o-Rama forever SHAKIN' my NASTIES, compulsively fidgeting with my MOORAT FINGERS in forbidden privates and blasting this record while trying not to stain Vanessa del Rio's shirt like a FRANTIC ROMANTIC. Jasper Hood and Daniel Distraction have been dauntless Knights of Kings Assi's Round Punkrock Table since the beginning of time. Together with Don Lotzo of the SHOCKS and Chris Blank of THE BOTTROPS they ride once more as THE ABOUT:BLANKS and do what they do best: Unsheate the Punkrock sword to kill the mainstream dragon with some fabulous '77 sound that oozes with sticky melodies and snotty vocals. We all grew up listening to the traditional ditties of the BUZZCOKS, THE SEX PISTOLS and COCK SPARRER and today the MODERN PETS, THE BRIEFS (and all their follow-up projects) and the ABOUT:BLANKS make sure we will always go back to blank in our heads. Let's all surrender to insanity while ''Kill your boyfriend'', ''Your pretty face is going to the jobcentre'' or ''I don't wanna be a homosapien'' fill the white space of our padded cell. The last song ''Come again'' even has some SPITS like synthie lines that are suitable for funeral play. Seriously boring shit THE ABOUT:BLANKS come up with on this record that will help you empty out your exciting life, Punk!	11 EUR
ANHREFN - LIVE [INCOGNITO RECORDS] 1991 Punk (UK) 2 live-sets ("powerhouse london" and "reithalle bern"). much more powerful versions than on the studio-lps.	6 EUR
APACHE DROPOUT - BUBBLEGUM GRAVEYARD [TROUBLE IN MIND] 2012 POP (USA) Hasta que esta banda de Indiana no vió su single editado en Trouble in Mind para mi eran unos perfectos desconocidos. Éste es su segundo trabajo grande, (su primer disco se lo auto editó la banda) con una portada que puede recordar a las “Emanaciones Lisergicas” de los Fuzztones en vena pop. Tras escuchar  “Archie’s Army”,  el tema que abre el disco, uno no puede dejar de pensar en este artefacto porque  con una extraña mezcla de sonidos consiguen un fórmula  en donde psicodelia, pop, garage, glam rock  y teatrismo vocal conviven a la perfección. Por momentos pueden recordar en las voces a Jeff Lescher de (Green) con esos amagos de falsete vocal o pueden ser perfectamente capaces de prender fuego al tema de 1910  Fruitgum Company “1-2-3 Red Light”, además de hacerse pasar por la mas flipada banda psicodélica tejana cuando las guitarras vuelan en ese “Quaaludes ‘68” .Además reviven el sonido de las “semilla” invocando a Sky Saxon en “Ghost Stories”, inquietan con “Lady Blood”, se fijan de soslayo en la época en RCA de mis idolatrados Kinks cuando ejecutan “Robbin, the bank”, tanto en el sonido como en la ironía del las escuetas letras, y firman pequeños pedruscos de garage psicodélico como “Katie Verlaine” que se escapan a los clichés del genero. Cierran con una joyita a medio tiempo con guiño, de nuevo, a los hermanos Davies como es “Hey Valentine”. Me temo que este este disco va a terminar de desgastar, definitivamente, la maltrecha aguja de mi tocadiscos.(Oscarkotj-2012)	12 EUR
APURTU- TIK TAK [HOEHNIE RECORDS] 2012 Punk (ESP) Despues de varios albumes en K7 y CD y mas de 20 años en la carretera llega por fin el primer album en vinilo de esta banda de culto. Encontraras punk con grandes melodías con un aire al punk del 77. Edición limitada a 300 copias, incluye CD de regalo. las copias están volando.	10 EUR
ARRIVALS, THE - MARVELS OF INDUSTRY [RECESS RECORDS] 2007 Punk (USA) Of all the great albums released this year so far, this is the one that surprised and grabbed me the most. This is the first full release I’ve heard from these guys and they remind me of many of my favourite bands, but at the same time not sounding exactly like any other band. Think powerful, no bullshit punk rock with a heavy Leatherface/Jawbreaker influence, especially vocal-wise. The melodies and harmonies are so spot-on that it really is the perfect fast-paced summer record everyone hunts for each summer. Yes, Paddy from D4 plays bass on this record, and no, I’m pretty sure he has not contributed any vocals. The funny thing is that their singer's voice is so clear yet mumbly that it really doesn’t matter that only Paddy's bass abilities are on this one. On first listen, I say the last two songs were the only ones that were really special ("Dangerous" and "The Joke"), but after spin number eight or so, it all seems infectious, every song stuck in my mind and never to leave. The band doesn't necessarily stick to the exact same style all the way through the album, too -- there’s one song that reminds me of a certain Irish psychobilly band. The Arrivals have delivered one of 2007's punk rock gems with Marvels of Industry. Marvelous.	10 EUR
ARRIVALS, THE - VOLATIL MOLOTOV [RECESS RECORDS] 2010 Punk (USA) The Arrivals-Volatile Molotov LP with gatefold jacket Free download with the LP as well! CD packaged in the bossest digipak! Modern intelligence ain’t really much to write home about. The sad thing is that it doesn’t take much to NOT be a total dumbshit in this climate. I think, more than i probably should, to myself “Why aren’t The Arrivals the biggest band in the world?!”. They write some of the greatest songs with some of the best hooks ever. The lyrics to these masterpieces are, gulp, er, actually intelligent. Not just exclusively book intelligent, and not just street smarts neither. I guess something vital and relevant for and by 30-something punks that can translate and inspire anyone at any age. And I’m not talking about “Rectospective granulator cosmopheric ramulator” shit, but stuff we can all understand like THE END’s “You may anticipate the end With great devotion You may worship and defend a source to every motion”. It gives me goosebumps because I know what Isaac Thotz is talking about and the hook is easily appetizing. What I’m saying here is that I don’t need to be pumped up with watered down political sloganeering for 12 year old’s.Volatile Molotov includes paranoia, desperation, and even some humor. 3 great ingredients for an album. If anyone is listening, I wanna be buried with a copy of this album! Black vinyl copy will be just fine. So it could be that we don’t know how to sell records or people are just too stupid. Or maybe both. Should we tell em to just dumb it down? It’s not like they are unaware of the fact that rock n roll, itself, is a dumb thing to be involved in. They could get career type jobs and move on. They collectively and individually have done some dumb stuff. And like The Beatles did with Ringo, they even let Ronnie sing!	11 EUR
ATTENTION!, THE - GETTIN' ALL [SCREAMING APPLE] 2012 RHYTHM'N'BLUES (AUT) Two years after the release of their highly acclaimed self-titled debut-album the ATTENTION! from Vienna, Austria return with a BANG! delivering their brandnew longplayer 'Gettin' all ...' to those who are desperately waiting for more insane dance action and give the bleached out face of classic r'n'b a bright new robe. Those guys celebrate the mod-aesthetics of the swingin sixties in perfection. Stylish from head to toe they deliver a frantic mixture of traditional blues, soul, beat and r'n'b to all the smart dancers worldwide and re-create a sound which hasn't been heard since those glory days of acts like Bo Diddley, the ANIMALS, the YARDBIRDS, THEM and the SPENCER DAVIS GROUP. Did you ever shake your tailfeather to the sound of Rock’n-Roll!? Well, here’s your chance – THE ATTENTION! - five lads, armed with their love for Rhythm&Blues, fuse their infectious beats, catchy riffs and haunting melodies into an explosive, one-of-a-kind mix, that makes you wanna shout and shimmy! These five hipsters learned their lessons in bluesy licks, soulful shouts and pumping rhythms frighteningly well. So watch out for the heatwave that is called THE ATTENTION! rolling over your town. Make sure to put on your finest pair of dancing shoes and celebrate! Just a handful of bands like THE JAYBIRDS, THE WHAT...FOR! and THE MOVING SOUNDS were able to capture the spirit of the distinctive r'n'b sound as precise as THE ATTENTION! YOU WILL SHOUT AND SHIMMY!!!	11 EUR
AUTHORITIES - PUPPY LOVE [GET HIP] 1983 PUNK (USA) REISSUE Remastered reissue of the Get Hip-EV 1996 release in high-quality 180-gram vinyl! The Authorities explode with 14 fast, short ones on this album. Recorded in 1982 –1983 and sounding a bit like early Descendents without the juvenile or pop sensibilities, this Stockton, CA band falls into the punk rock vein as opposed to hardcore. The very popular Killed By Death series brought attention to some obscure Punk bands that otherwise would have been totally ignored. One of these bands is the Authorities, a Californian early 80's Punk combo. Their almost classic single I Hate Cops/Radiationmasturbation was featured in Killed By Death Vol. 1 and created a great interest among punk collectors. Well, now a full length release is available for everybody to enjoy. The 14 tracks included here were recorded in 1982 and 1983 in Modesto, Ca. and Stockton, Ca.	12 EUR
AUTISTIC YOUTHS - IDLE MINDS [TAKEN BY SURPRISE] 2010 PUNK (USA) We've come a long way, baby... Long awaited 2nd album from hardworking PDX youngsters, following up “Landmine Beach” LP, as well as singles. Driving, melodic punk/hardcore (but NOT “melodic hardcore” if ya get the distinction) with dark, swirling undercurrents. Catchy but not at all vapid. Sounding like a cross between Portland, Southern California, and Copenhagen, you could compare this to bands like THE OBSERVERS, NO HOPE FOR THE KIDS, REAGAN YOUTH, or ADOLESCENTS.	10 EUR
AUTISTIC YOUTHS - LANDMINE BEACH [TAKEN BY SURPRISE] 2009 Punk (USA) Hailing from Portland, Oregon these 4 youngsters are influenced heavily by classic 80's bands like the WIPERS or ADOLESCENTS but also more recent outifts like THE OBSERVERS or THE EXPLODING HEARTS. On this LP they deliver 11 songs of anthemic and heartfelt punkrock that will make you dance dance dance! The first press will be 1000 copies, 800 on black and 200 on orange vinyl. All of them will have a silkscreened cover. In cooperation with the cool cat from SABOTAGE RECORDS	10 EUR
AUTONOMIA - NECROLOGIA: DISCOGRAFÍA 2002-2006 [CORROSION CEREBRAL] 2007 Punk (PER) Discazo de de esta banda hardcore punk politiko de peru que fue grabado entre los años 2002 y 2006 que rekopila todo el material ke ha grabado esta banda, empezaron a tocar en 1989 y durante todos esos años grabaron dos kasets, 3 splits 7", un 3 way LP, un CD discografia y muchas participaciones en compilatorios en varias partes del mundo.	6 EUR
AVENGERS - S/T [BOOTLEG] 1983 PUNK (USA) REISSUE Uno de los clásicos, conocido como "pink album", imprescindible es poco.	10 EUR
BADDAT FOR TRUBBEL - DET HÄR ARINTE NEW YORK [1-2-3-4 GO! RECORDS] 2012 PUNK (SUE ) Baddat For Trubbel "Det Här Är Inte New York" LP. Finally a US issue of this modern Swedish punk classic. Now with their ISO 9004 7" added. 20 songs total now blazing through in just 28 minutes. There are 100 Clear vinyl copies for mail order. 500 on Black for this run. Now in a full color cover with an insert that translates the swedish lyrics in to english!	11 EUR
BARBARAS - 2006-2008 [GONER RECORDS] 2012 GARAGE-PUNK (USA) In the late 2000s, Memphis had The Barbaras, a handful of early-20s music heads colliding in the midtown bar scene and making a racket that captured VOM and Del Shannon in a blender. The band was great, the live shows were insane. One thing they didn’t do? Record an album. Although they tried. Jay Reatard recorded them in fits and starts between touring, but after taking two Barbaras (Hayes and Pope) for his road band and touring constantly over the next few years, the group flamed out. The Magic Kids formed in their wake. When Hayes and Pope eventually left Reatard’s band and joined Wavves, he told them that he erased all of the Barbaras recordings. In 2011, Goner was excited to find the sessions safe and sound right where Reatard had left them, on his digital recorder. Alicja Trout helped the band finish recording and mixing the tracks, and when paired with their own recordings (plus some heavy-duty work from Jason Ward at Chicago Mastering) it was clear their legacy held more than just a great (and now out-of-print) single. There’s a Barbaras album after all—and it’s a doozy.	14 EUR
BARE WIRES - CHEAP PERFUME [SOUTHPAW-10"] 2010 ROCK (USA) 10" - BARE WIRES patent their own brand of electrified garage punk, fusing glam glitter pop with garage punk grime, producing a sound that has been called everything from "Soft Punk" to "Leather Jacket Rock". The Oakland-based trio started in 2007 as a side project of MATTHEW MELTON with the release of a crude garage punk single entitled "Voodoo Doll," released on European label Solid Sex Love Doll. Adding his own analog recording system into the mix in search of a rawer sound, Melton continued to record under the name Bare Wires, releasing the Artificial Clouds LP on Tic Tac Totally in 2009. With solid mid-fi production and a minimalist aesthetic, Artificial Cloudsdisposed the jagged, proto-punk edges of the previous recordings and moved towards a smoother, hook-laden, but no less scrappy sound. Bare Wires new "smooth punk" aesthetic was expressed on the “Let Down” 7" (Milk n Herpes), a dirty, sleazy pair of fuzz-doused songs with guitars ripping through a crunching amplifier on a hazy cloud of smoke. With their latest album, Cheap Perfume, Melton delivers ten stadium-ready tracks of glam-infused, rock n' roll gems, still remaining true to the sincerity and authenticity that has become his songwriting trademark.	11 EUR
BARE WIRES - SEEKING LOVE [CASTLE FACE] 2010 ROCK (USA) Amplifying the pared down “smooth punk” of their 2009 debut LP Artificial Clouds, BARE WIRES nods to the bubblegum chomping, power pop stompers of ‘70s glam rock with their sophomore album Seeking Love. What started as the side project of MATTHEW MELTON and ALICJA TROUT in Memphis has now solidified as a three-piece based out of Oakland, CA with Melton, drummer NATHAN PRICE and bassist FLETCHER JOHNSON. Released on BRIAN LEE HUGHES & JOHN DWYER’s (THEE OH SEES) Castle Face imprint, the ten songs on Seeking Love boast handclap heavy, stadium-ready production reminiscent of early ‘70s glam rockers Gary Glitter and Slade, while still speaking to the sincerity and authenticity that has become Melton’s songwriting trademark.	11 EUR
BEAT, THE - LIVE 1979 [LADY KINKY KARROT] 2012 POWER-POP (USA) Lady Kinky is beyond honored to present to you an amazing live show from 1979 by The Beat, feat. Paul Collins of The Nerves and The Breakaways, Mike Ruiz (drummer for Milk n Cookies), Steven Huff and Larry Whitman. Classic powerpop songs, played to perfection by The Beat at an exciting period in their career, when they were first starting! The show was played at the Palladium on December 13, 1979. One side only! 500 Handnumbered copies.	11 EUR
BELLEVUE - DISCOGRAPHY [STATIC AGE RECORDS] 2011 PUNK (SUIZA) A really nice release compiling the complete works from Bellevue. Bellevue were from Switzerland and were from the same scene that spawned Kleenex/Liliput, Sperma and Neon among others (members of Liliput actually play on this) and released two obscure 7"s at the start of the 1980's, both are reproduced here alongside some unreleased songs and some great quality live tracks (that actually add to the release and are not typical rave-up esque filler!). Bellevue sang in German and English, lyrically dealing with issues such as government surveillance, the army, drugs and genetic engineering. This is definitely an interesting release and worth checking out if you have any interest in post punk, or if you are a fan of bands like Kleenex.	11 EUR
BLACK HUMOR - LOVE GOD - LOVE ANOTHER ONE [SUPERIOR VIADUCT] 2012 PUNK (USA) REISSUE BLACK HUMOR was an experimental rock band from San Francisco in the early 80's. (Not to be confused with "blackhumor," alias of noise artist Frazer Hall.) They released just one, very hard to find LP on Fowl Records in 1982. Only 1,000 records were pressed, each with unique handmade covers: thick slabs of paint, collage, parrot feathers, dirt, whatever else happened to be laying around their Tenderloin flat. Many of these have since gone for high, collector prices or ended up in oblivion. Existing in a parallel universe to other bands of the era, BLACK HUMOR's music is filled with jarring images of urban decay and desperation, bass-driven melodies, and layers of dissonant guitar and percussion. And perhaps the only known recording of a parrot that was taught to say "Fuck You." This first time reissue uses the originally intended artwork for the album cover. Fully authorized and mastered from the original analog tapes. Includes new insert with liner notes by singer George Miller and engineer Tom Mallon.	11 EUR
BLACK FEET - S/T [DIRTY FACES] 2012 PUNK (ALE) This quartet, formed around the talents of former KAMIKATZE-member Tess Torner, presents its first album containing ten enchanting songs that mix punkrock, garage and powerpop. And there even are appealing flashes of late '70s new wave.	10 EUR
BLINDS - ON OUR OWN [WASTED SOUNDS] 2006 Hardcore-Punk (SUECIA) For fans of Regulations and Insurgent Kid. Think of Black Flag, Circel Jerks and Decendents. This is perhaps on of the best LPs in this genere so faar!!	5 EUR
BOYS NEXT DOOR - MASTURBATION GENERATION [FAN CLUB] 1977 Punk (AUS) REISSUE Nick Cave's first serious band. In 1980 changed name into The Birthday Party and moved to London. Rest is history. This is The Boys Next Doors earliest known gig. Mostly covers, only few originals. Good sound quality. The Boys Next Door 19.08.1977 Melbourne	13 EUR
BROMA DE SSATAN, LA - ASÍ HICIMOS LA GUERRA [RADIKAL 1977] 2008 PUNK (ESP) MITICO DISCO KE SE EDITO DE LA BROMA DE SSATAN EN EL AÑO 1982 , CON EL DISEÑO KE EL GRUPO KERIA KE SE HUBIESE EDITADO Y DISCOS VICTORIA LES CENSURO. INCLUYE LIBRETO HECHO EN IMPRENTA DE 12 PAGINAS TAMAÑO DIN A4 CON LETRAS,FOTOS,COMIC… PUNK 80´S	8 EUR
BURNING ITCH - S/T [TIC TAC TOTALLY] 2011 PUNK (USA) Three dudes from Knoxville, TN where the GG Allin runs like the shits and the water is tainted with moonshine piss. Burning Itch are pure, unadulterated punk rock inspired as much by getting fucked up as they are by obscure, KBD-private-press vinyl. S/T is their first LP and does not disappoint...so long as you WANTED a payoff on the promise of their "machine-gun-toting" self-released 7", and the subsequent ragers on both Goodbye Boozy and Leather Bar. Yessir, the boys n girls with a hankering to get drunk to some loud, completely unpretentious punk rock ought to get their rocks off on this bad boy just fine. Recommended pairing: goes great with shooting fireworks off the Smokey Mountains at college students.	11 EUR
BUSY SIGNALS, THE - S/T [DIRTNAP RECORDS] 2007 PUNK (USA) The Busy Signals make it look it easy. Their self-titled 2007 debut deserves being mentioned in the same reverent breath as their one-time lablemates, the Exploding Hearts, as it has the same unabashed hero adulation and the same brash attempts at reaching those impregnable heights. Their overall sound never varies, with plentiful hooks and searing guitars that recall plenty of 1970s punk rockers and power-poppers like the Buzzcocks and likely a dozen more obscure acts. There's no hoarse screaming, political posturing, or desperate panting from lead singer Ana McGorty; just a frontwoman who sings and acts like she belongs up front. There are only so many words to relay this record's spot-on reverence, really; the relentless guitars, the harmonies, the treble, the echo, the energy-- they're all here, faithfully delivered and impeccably produced. The Busy Signals is a well-executed stab at punk rock comfort music. But within that tried-and-true formula, the band finds ample room for variation and surprise-- the album is consistent without ever getting homogeneous, and without really reveling in how exacting the songwriting is. "Plastic Girl" is a patchwork quilt dizzy from chord changes you'd never notice for its infectiousness and it's devilishly simple chorus, while "Look the Other Way" has slick single-note guitar leads and a short cool down with bassist Jeremy Thompson (formerly of Carbonas) raising his voice before, yes, another great chorus. All the songs show that the devil is in the details: a windmilled chord up against a well-timed, economic lead; a sudden unaccompanied bass part that pivots and pushes; an boy/girl baton hand-off vocal in "Matter of Time"; just an "Oh" or "woah-oh" at the right moment. Songs like "Matter of Time" and "Patterns" are the most hero-cribbing, but stand ably on their own with clean, simple guitar lines that sound almost like Western soundtracks in how they wrangle and lead the song. But like many a band of spurned and jilted outcasts before them, the Busy Signals' bratty attitude lifts to reveal a bruised interior: the energy of the record hits first, but more listens reveal the hopeless romanticism of tracks like "Tell Me" or "Kiss and Tell", doo-wop laments in overdrive. One side of the band shakes out their troubles to instantly-memorable songs like "Stereo", the other gives teary-eyed relationship woes a pretty stirring soundtrack in their own right. Both sides are worth checking out and keeping tabs on, and, as McGorty sings "young, young, young" over and over in "Patterns," they all sound like their unyielding enthusiasm will never dim.	11 EUR
CAPITÁN ENTRESIJOS - FURIA CHICHARRA [BIG BLACK HOLE] 2008 PUNK (ESP) Nuevo artefacto del Capitan para Beat Generation bajo el titulo “Furia Chicharra”en el que la energía, potencia y duración del disco forman unos ingredientes básicos en la confección de este nuevo trabajo. Sonidos punkoides en los que el Capitán refleja el excelente estado de forma en el que se encuentra y yo me marcho directamente a la “playa nudista”.	5 EUR
CASE - AIN'T GONNA DANCE [DAMAGED GOODS ] 2011 SKA-PUNK (UK) This is the first ever album of recordings by legendary UK band CASE, formed in Croydon in 1979 after being introduced to each other by Slimy Toad from Johnny Moped. Case played the pubs of south London and finally released their one and only 7”, the ‘Wheat From The Chaff’ EP in 1983, it reached the top of the independent charts and led to them being played heavily on BBC radio including plays by John Peel, Janice Long & Kid Jensen. They recorded a live Radio 1 ‘In Concert’ which was broadcast twice. Originally, in 1980, CASE played primarily at a (fairly rough) pub in North Croydon, called “The Star” and built quite a following there before larger, occasionally more salubrious, venues beckoned. They famously played at The Rainbow in November 1981 - where smoke flares and buckets of maggots flew into the crowd as the band played, the Marquee Club (where they were banned for playing an encore – the only band to be banned for this since the Rolling Stones), Hammersmith Palais, 100 Club, the BBC Paris Theatre, ICA, & the Woolwich Tram Shed (and Chislehurst Caves!) amongst other less-prestigious venues. With better management who knows where CASE may have ended up – as it is - they retain a legendary status among the legions of punk/ska fans...and graffiti historians. Back in 1981 case had a vociferous and die-hard following who, in substantial numbers, took to daubing the walls with graffiti championing their support for the band. These expressions of support for the band are now the stuff of social commentary – see, for example, the New Cross item at transpont.blogspot.com. Something about CASE seemed to attract fanatical fans, several claiming to have seen every gig, since the early days in Croydon, and one in particular who, whilst working in London, spent his lunchtimes visiting public toilets all over the city - unrolling the rolls of toilet paper and writing CASE on each sheet on the roll, with a biro, before rolling them up again. These were strange times.	9 EUR
CAT PARTY - RHAPSODY IN BLACK [SABOTAGE RECORDS] 2011 POST-PUNK (USA Cat Party started in 2007. They are a post-punk band from Orange County, CA. Since then they're released a hanful of records and been playing shows non stop. They've played up and down the west coast states as well as the southwest. This year their send full length entitled "Rhapsody In Black" is being released. Sticking to their DIY roots the band is releasing limited versions of the cd while Sabotage records out of Germany is handling the vinyl. Release date for the new record is scheduled to be May 16, 2011. Rhapsody In Black was recorded at Cal State University, Domiguez Hills. Our friend Josh McKendry (Jisaw Thoughts 7", The Aftertaste/Cut City split 7", Heartache Over Headache EP) was finishing up school, getting his bachelors in sound engineering. We recorded everything there as part of his final project and later fixed up 25% of the record (bass/vocals) down in San Clemente at Jasmine Studios. This record was done entirely by Ryan and Roger, Roger on drums and Ryan handling guitar, bass, and vocals. We are very proud of this record. There's some typical Cat Party tunes on here as well as some songs that took on a new direction/approach. I hope everyone enjoys the record, we worked extremely hard on this one.	10 EUR
CHEAP TIME - WALLPAPER MUSIC [IN THE RED RECORDS] 2012 ROCK (USA) Hailing from Tennessee, Cheap Time has been around in one incarnation or another since 2006. The nucleus has always been Jeffrey Novak, who writes and sings in addition to playing guitar and keyboards. The band began with members of the band Be Your Own Pet rounding out the lineup—theirs was a sound of a teen punk band with more attitude than musicianship, owing more than a little to early Redd Kross. By the time Cheap Time recorded their debut album, the personnel had changed drastically and, in addition to improved musicianship, Novak brought in influences of ’70s glam and power pop acts like Sparks and The Quick. The band followed this with more lineup shuffles and a sophomore album, Fantastic Explanations (and Similar Situations), that was darker, moodier and more complex than its predecessor. Despite the many changes, however, Cheap Time has always been a sum of its parts. A quintessential ingredient is the low-fi bombast with which they scuzz up their otherwise lightweight brand of simplified 1970s glam punk, packing an impressive amount of adolescent snottiness into two-minute blasts of sound with both precision and melody. Cheap Time are now back with their third and by far strongest record to date. Recorded in Novak’s new home studio, Wallpaper Music distills perfectly all the phases through which the band has passed to date. Retaining both the punk moves and pop-damaged glam jams, the band delivers their most realized, cohesive record yet. Songs like “More Cigarettes” and “Another Time” are Aussie-esque punkers in a Saints-like vein, while “Underneath the Fruit Flies” shows that Novak has found a happy medium between his punk tendencies and his desire to experiment. This latest installment will satisfy anyone who has been keeping track of this band’s trajectory and make them look forward to what might come next.	13 EUR
CHRONIC SICK - CUTEST BAND IN  HARDCORE [NO WAY RECORDS-12"] 2010 Punk (USA) REISSUE.12".Chronic Sick might well have been the first American punk band to go the direction of full-on irony. I think they were really trying to out-punk the punks. See, they caught a lot of flak in their day for dressing like fuckups (punk), flirting with with swastikas and other ignant symbology (really punk), and writing lyrics that pissed of the burgeoning hardcore scene across the land (PUNX). Mostly it was the first tune off this LP that caused the real controversy, "There Goes the Neighborhood," about some new folks moving to town — "oh my god they're black!" But here's the thing, rather than being an actual racist anthem, these dudes were pointing out the ignorance embodied by bigotry. And in that light — impersonating people you disagree with to point out their flaws (think Colbert) — they're actually a brilliant band (The Landlords had a similar song about rape — in the liner notes they annotated it with "some people actually think like this!"). The rest of the tunes follow similar lines; rather than saying precisely what they mean (a la early Minor Threat, say) you might have to flex your head a bit to get what's going on. Not only that, but they play some mean riffs. Today, this might be considered pop-punk, or at least going that direction. At the time they were probably just more influenced by 70's punk more than Black Flag, so it comes out really melodic and approachable — ironic, considering the title this EP claims for them. Anyway, sound quality's pretty good considering its age, and the content is just as applicable today. This is a real gem of a record.	10 EUR
CINEMA READ AND BLUE - S/T [WHAT'S YOUR RUPTURE?] 2010 Pop (USA) Cinema Red and Blue is a pop music collaboration between members of Comet Gain and Crystal Stilts, with guest appearances by Gary Olson (Ladybug Transistor), Hamish Kilgour (The Clean), Linton(aislers Set) and a host of others. Heavy rec room vibes, lotsa booze, lots to do and little time to do it... the supersesh lives on, with a host of David Feck originals and a bunch of covers (the Chills, Julian Cope, Dead Moon, Len Bright Combo and Vic Godard), assembled in the belief that something good can come from the stored memories and shared experiences of friends who play music.	9 EUR
CITY SWEETHEARTS - SLEEPING THROUGH MODERN TIMES [P TRASH] 2010 PowerPop (CAN) You won't catch no sleep with this record. It's the sound blaring from your car stereo when you hit the city for a wild night out, all revved up and ready to shake some action. A record smelling of sleazy bars, too much booze and cigarettes, lipstick stains and broken hearts. Toronto City Sweethearts Curtis Dixon of VICIOUS CYCLE and Vassil of the MARVELOUS DARLINGS and ex-HEARTATTACKS keep you awake with the fast and rolling rockers "Wrong directions" and ''Hot ten''. They make you bring out the air guitar and shout along to the sticky chorus of ''Guys with guitars'', buy you a drink in the howling blues ''Just one night'', make you go hip-shaking crazy in the lascivious NEW YORK DOLLS/JOHNNY THUNDERS styled ''Trouble tonight'', ''New girl in town'', ''Little rocker'' and the perfect ''Cry all night'' and let the monkey on your back dance the cha-cha with the wilder stomper ''War in my head''. All perfectly fixed up by Mr. Ben Cook in a dry and sleaze-o-phonic 70-sound that make you LOVER! and CHEAP TIME fans out there forget the modern world around!	12 EUR
CLAP - HAVE YOU REACHED YET? [SING SING RECORDS] 1972 Rock (USA) REISSUE Like most followers of rare seventies rock esoterica I first heard about HAVE YOU REACHED YET? via the pages of the now-legendary BOMP fanzine. It was the surf issue if I recall correctly, and editor Greg Shaw, in the course of a pretty positive review, mentioned Clap's ability to mix up what seemed like a healthy late-sixties punk rock attitude with the prevailing hard rock winds of the early-seventies from whence this album came. The album was a charm with the hefty Rolling Stones influences so common of the day being reshaped by a strong Shadows of Knight snarl all filtered through an early seventies heavy metal consciousness giving us...a sound and style that although part and parcel to the stoner seventies mentality had a totally unique and refreshing approach that sounded as if it could stand on its own not only in 1972 but 1966 or even 1987 for that matter. It was teenage rock & roll that continued to sound so long after the entire teen mystique of the sixties and seventies shriveled away, yet it was hard enough for even the most experienced pothead at the supermarket to roll joints to during his coffee break. So for you youngsters here's an example of what "do it yourself" rock used to mean when you pretty much had to create your own fun, energies, and lives even from scratch and for your oldsters, now's the time to drag out the boas, the mascara and the nylons and re-live the post-Vietnam era the right way. Of course if you get arrested don't come complain' to me, but then again wouldn't that only add to the overall glam/slam effect so common during those rather peculiar times? (Chris Stigliano).	11 EUR
CLASH, THE - LIVE JAMAICA 27.11.82 [FAN CLUB] 2012 PUNK (UK) Another killer Clash bootleg from the vaults. You know the year, you know the era, you know the band... In memory to the all mighty Strummer! 1) Introduction 2) London Calling 3) Police On My Back 4) The Guns Of Brixton 5) The Magnificent Seven 6) Armagideon Time 7) The Magnificent Seven (reprise) 8) Junco Partner 9) Spanish Bombs 10) One More Time 11) Train In Vain 12) Bankrobber 13) This Is Radio Clash 14) Clampdown 15) Should I Stay Or Should I Go 16) Rock The Casbah 17) Straight To Hell 18) I Fought The Law	11 EUR
CLASH, THE - THE CLASH ON BROADWAY OUTAKES [FAN CLUB] 2011 PUNK (UK) Rare, new, limited edition Europian Sealed vinyl LP. Tracklist: A) King Of The Road, Blonde Rock'n'Roll, White Riot, Know Your Rights, 1977, Overpowered by Funk (instrumental), Louie Louie, Garageland, House Of Ju Ju Queen (demo). B) YMCA Sing A Long, Rock The Casbah (w/Rankin' Rogre), Guns Of Brixton (outtake), Train In Vain (outtake). White Man In Hammersmith Palais (rock against racism studio version).	11 EUR
COIL - HORSE ROTORVATOR [FAN CLUB] 2010 POWER POP (USA) REISSUE.Horse Rotorvator is the second LP released by the British industrial group Coil. It was named one of the Top 100 Albums of the 1980s by Pitchfork Media who ranked it 73rd.	13 EUR
COLLINS, PAUL - KING OF POWER POP! [ALIVE] 2010 POWER POP (USA) FEATURING NIKKI CORVETTE , WALLY PALMAR of the ROMANTICS , DAVE SHETTLER FROM SSM AND THE SIGHTS, ERIK BLAKELY on guitar, artwork by WILLIAM STOUT and produced by JIM DIAMOND. King Of Power Pop! is the new studio album by Paul Collins, one of the originators of the power pop sound. Paul got his start in the late seventies as the drummer for the legendary NERVES, (with Peter Case and Jack Lee,) later forming The BREAKAWAYS with Peter Case, and finally starting The BEAT, or PAUL COLLINS BEAT in 1979. King Of Power Pop! is a complete return to his roots, to power pop, the sound he helped create and popularize, a sound that has seen a resurgence in recent years, a sound that is here to stay! Produced and engineered in Detroit by Jim Diamond (Dirtbombs, The Go, White Stripes, to name just a few), King Of Power Pop! also features Eric Blakely on guitar and backing vocals, Diamond on bass, and Dave Shettler on drums (SSM, The Sights). Motor City guests include Wally Palmar of the legendary power pop hit-makers the ROMANTICS, as well as pop icon Nikki Corvette of NIKKI & The CORVETTES. The catchy cover pop art is the work of legendary artist William Stout. The album includes 11 new songs, one new recording of the Breakaways classic "Many Roads To Follows" (the demo version featuring Peter Case can be found on the Breakaways release "Walking Out On Love"), and two covers, for a total of 13 great high-energy power pop songs. "For me this is the record that connects the dots, from The Nerves to The Breakaways to The Beat to today? this is the record that puts it all together!"	11 EUR
COLOURED BALLS - BALL POWER [SING SING RECORDS] 1972 ROCK (AUS) REISSUE Coloured Balls were one of the best pure rock n roll groups to emerge from the early 70s Australian scene.  Sure, The Saints and Radio Birdman stayed together longer and released a slew of fine albums during the punk era but it was the Coloured Balls who pioneered the proto punk sound earlier in the decade.  Their wildcard was Lobby Loyde, Australias premier guitar hero whose pivotal roles in beat/psych/blues rock groups The Purple Hearts, The Wild Cherries and Billy Thorpes Aztecs made him a major home-grown star down under.  Ball Power is full of raw, hard guitar rock and proto-punk. It's not only the Coloured Balls greatest album but also the finest music of Lobby Loyde's long, fabled career. (Rising Storm) Release Country: Australia Release Year: 1972 / Reissue Date: 12.12  Original Label: EMI	15,5 EUR
CONCEPCIÓN GLORY BOYS - CUANDO SUEÑES...ELLOS TE AYUDARÁN [AYTO DE MADRID] 2008 Punk-Mod Revival (ESP) El Ayuntamiento de Madrid se enorgullece de presentar el LP debut de los madrileños Concepción Glory Boys.9 Gloriosos Himnos. El Mejor (Si no el único) grupo que reinvidica los sonidos más Punks del Revival (Sema 4, Chords, Crooks,...) y los más Pop del Oi! (Crack, Cock Sparrer, Guitar Gangsters...).Edición Limitada a 500 copias, las 30 primeras con regalo especial para ser un Glory Boy. Hoja interior con letras formato A3.	4 EUR
CONEJOS, LOS - S/T [AGAINST YOU RECORDS] 2012 PUNK (ESP)  Los Conejos llegan para contagiarnos a todos la mixomatosis y hacer nuestras vidas más felices. Punkrock con toques new wave y postpunk. Odian a las liebres, la revolución será coneja o no será.	8 EUR
CONSUMERS, THE - ALL MY FRIENDS ARE DEAD [IN THE RED] 2012 PUNK (USA) The Consumers were originally just three guitar players with no rhythm section—Paul Cutler, Mikey Borens and lyricist / lead singer David Wiley, all bonded by love of psychedelic Euro-prog jazz like Henry Cow, Gong and Robert Wyatt—who’d stopped listening to rock ’n’ roll after Bowie’s Spiders from Mars came out around 1972. By ’77 our guys had re-discovered rock through Britpunk pub raunch like The Sex Pistols and The Damned. Cutler and high school bud Wiley had even driven all the way to L.A. determined to hunt down a copy of The Pistols’ “Anarchy in the UK” single. In the pre-Internet days there wasn’t a record store anywhere in Arizona that had even heard of it, let alone stocked it. All My Friends Are Dead was The Consumers’ “fuck you” to Phoenix since nearly all their gigs there ended in brawls with long-haired rockers and other redneck gnarlers pounding on the band for daring to play punk rock in public in 1977! It didn’t take long to suss. Head on out. Just before they packed for L.A. in early ’78 the band managed to get themselves on tape during a single session blow-out frenzy. All My Friends Are Dead successfully captures The Consumers as a pissed-off-yet-still-fun, no-frills, punk-rockin’ band... exactly who and what they were during their extremely short and sweet existence. After a few months of violent and intense live shows at The Masque and other local punk dives, the band finally imploded. Some headed back to Phoenix and some stayed on in L.A. to form new bands. Cutler went on to form the goth / punk 45 Grave and still later joined the Dream Syndicate. Wiley formed the Pasadena art rock Human Hands. Sadly, today there are only two surviving members of The Consumers. Sadder still, what passes for punk rock today is easy listening when compared to All My Friends Are Dead.	13 EUR
CORDURA - EL INCENDIO MÁS LARGO DEL MUNDO [OJALA ME MUERA] 2010 ROCK (ESP) Es el 3º disco de estos bilbaínos. Hacen Rock, algunos dicen que más Postharcore, Postpunk, Punk... El caso es que tienen alma propia y en éste sí que han logrado plasmar mejor como suenan en directo y han estrujado bien las canciones. Por si no les conocéis y queréis probar. Se puede bajar libremente, ellos mismos pusieron los enalces antes de que saliera a la venta. Y una recomendación personal, si pasan cerca vuestra y queréis vivir un concierto. Pasaros, yo me quedé acojonado tras verlos y me enganché del todo al grupo	8 EUR
CREEKS, THE - S/T [DIRTY FACES] 2007 PUNK (ALE) Very nice 77 punk, for hose who liked The Shocks. 15 tracks sung in german and english.	7 EUR
CRISIS - HYMNS OF FAITH [LA VIDA ES UN MUS] 1980 PUNK (UK) REISSUE 'Hymns Of Faith' by Crisis is finally re-released after some thirty years and yet it seems like only yesterday that I bought it upon its release. For thirty years, I have championed Crisis, like some kind of leper in the musical wilderness. I still cannot believe that La Vida Es Un Mus finally heard me. Very few records deserve the tag of classic, but 'Hymns Of Faith' is a classic record! Recorded by a band that was in the throes of death, this mini-LP features seven tracks of political punk (although some would describe it as post punk, an insult of the worst kind), covering the political spectrum from the Italian Red Brigades to the Kanada Kommando of Auschwitz. The LP may have lacked the bite of the earlier singles, but 'Hymns' was innovative and original, and has never been bettered, yet alone equalled. Forget 'Killed By Death', this my friends is the real deal! After Crisis, Douglas P and Tony Wakeford formed Death In June and Luke Rendall joined Theatre Of Hate. Kneel and bow in reverence to 'Hymns Of Faith'!	11 EUR
CRUSADERS OF LOVE - TAKE IT EASY…BUT TAKE IT [FDH RECORDS] 2012 POWER-POP (FRA) French combo delivers contemporary power pop & punk sure to please fans of The Exploding Hearts, Gentleman Jesse, The Undertones, or White Wires. The follow-up to their 2010 full-length debut on Douchemaster	12 EUR
CRUSADERS OF LOVE - NEVER GROW UP [DOUCHEMASTER RECORDS] 2011 POWER-POP (FRA) Another power pop gem from DOUCHEMASTER RECORDS. Crusaders of Love are the real deal. Hailing from Lille, France and with members from another great band, HAPPY BURGER, on this, their debut LP, they bring us the perfect summer record. If you're into power pop just the slightest than this is a must have.	12 EUR
CRY, THE - S/T [TAKEN BY SURPRISE] 2012 POWER-POP (USA) THE CRY! is a music sensation emerging from the eclectic arts scene of Portland, OR. With heavy power-pop influences like THE BEACH BOYS, EXPLODING HEARTS and THE SWEET, the band has re-crafted the 2 minute pop song for a new generation. THE CRY! effortlessly merges 50's style vocal harmonies and the jangle of 60's pop hooks with the raw punkish emotion of the PDX street culture from which they come. 12 tracks on this debut LP, here's what Lord Rutledge had to say about the LP: "The Cry! is a remarkably upbeat record considering how many of its songs are about heartbreak and unrequited love. Love may suck, but The Cry! most certainly do not. Where do you turn when a broken heart has got you down? To pop music! If this album doesn't put an immense and permanent smile on your face, there is literally no hope for you. Its energy is invigorating. Its melodies are contagious. It will make your bad days bearable and your good days even better. It's way too premature to use a term like 'classic', but from a pure pop perspective it doesn't get much more perfect than this. If you're a powerpop fan and you're not hip to The Cry!, get with it!?"	10 EUR
CURASAN - CURASANGRE [OJALA ME MUERA] 2012 POST-HARDCORE (ESP) Curasan es un cuarteto donostiarra con mucha solera, buenos músicos y mejores personas y capitaneados por el espiritu del haztelo tu mismo acaban de sacar un discazo de cojones, la presentación es digna de sibaritas. Un pedazo de vinilo con once temas, presentado con mucho amor, la carpeta hecha una a una junto a cuatro postales, una pegatina fluor de Chernobil con el codigo para que te lo descargues de la red. Un lujo para los tiempos que corren. Y si a parte de un bonito arte te ofrecen once temazos, que mas les puedes pedir, que no paren de sacar discos porque son unos jefazos.	8 EUR
CUTE LEPERS, THE - CAN'T STAND MODERN MUSIC [DAMAGED GOODS] 2008 Punk (USA) Steve E Nix & The Cute Lepers debut album ‘CAN’T STAND MODERN MUSIC’ is released exclusively in Europe on Damaged Goods.It’s an 11 track LP & CD, the LP will, in true Briefs style, be available in lots of different colour vinyl editions.The album is very poppy-punk mix of influences from Mod, Power Pop and New Wave, think of The Cars first two singles, The Jag’s Back of my hand, The Boys first two albums with a good measure of The Chords thrown in and you’ll get the idea.Also lookout for a 7” of ‘Out Of Order’ (damgood305) which has an exclusive b-side called ‘Lonely Boy’, a cover of the Sex Pistols Cook ‘n’ Jones classic.The LP will be on lots of different colour vinyls no exact details yet…The CD won’t.The Cute Lepers are heading over to Europe for a full tour in May 2008 including a date at Londons 100 Club on the 6th of May.Who are the Cute Lepers I hear you ask...? Formed by Steve E Nix & Kicks from The Briefs (who are taking a break for the next year or so) along with Zache Out on Guitar, 'Tude & Yelps, Josh Blisters, Drums and children, Bent Rewd Leper III on Vox, Tambo, Big Handclaps, Analisa Leper, Vox, Tambo, Medium Handclaps & Miss Meredith, Vox, Tambo, Little Handclaps	10 EUR
CUTE LEPERS, THE - ADVENTURE TIMES [DAMAGED GOODS] 2011 Punk (USA) Adventure Time is the third Cute Lepers full length and they continue to navigate the same territory pioneered by bands like The Buzzcocks, The Beat, The Jam, and The Boys pioneered a generation before but with the quirks and crooked teeth you'd expect from two guys who used to be in The Briefs. In fact, in a huge nod from that generation, Duncan Reid of The Boys wrote the song "77" and gave it to the Lepers for this album. In addition to the usual Cute Lepers formula there are also a number of new subtle tweeks including the best saxophone use in a punk song since The Saints "Know Your Product" on opening track "Tribute To Charlie". The song itself is an ode to UK Subs frontman Charlie Harper by name and a number of other die-hards in spirit. Like the last two LP's this record is an undeniable ear worm. I defy you to not wake up tomorrow after hearing the LP without "Tribute To Charlie", "All Of This Attention Is Killing Me" or "Head Over Heels" in your head first thing.	9 EUR
CUTE LEPERS, THE - SMART ACCESORIES [DAMAGED GOODS] 2010 Punk (USA) “Smart Accessories”  is the second album from Seattle’s Cute Lepers who, as I’m sure you know, are a six/sometimes seven-piece band from Seattle, WA equally influenced by first wave punk, mod-revival, power pop, with the spirit of Johnny Thunders... together with occasional hints of doo-wop, early 60's rock 'n' roll and a load of female back-up vocals. Led by chief songwriter Steve E. Nix & Kicks (yes that’s Steve E. Nix & Kicks from seminal Seattle band The Briefs!). After a couple sold out singles and lengthy tours of the United States and Europe, summer 2008 their debut album "Can't Stand Modern Music"  was released on DG in Europe and Blackheart Records (yeah... the label Joan Jett started up a few decades ago!), it combined the attitude of punk rock, the style of mod, and the polished sound of pop. The album went on to win the Best Punk Album category in the 8th Annual Independent Music Awards. Now their back with their second album “Smart Accessories” follows much the same path, 13 new tracks including the recent single ‘Berlin Girls’ along with 12 other future punk-pop classics. The band will be doing a lengthy European tour throughout November and December. Lookout for more tour news and singles soon. PRESS QUOTES Their Pop sensibilities shine through in their unashamedly retro tunes in short sugary blasts. - BIG CHEESE This is exactly the type of hook-laden short, sharp shock modern music needs at the moment—a warning shot across the bows to all wannabe stadium rockers. POPMATTERS.com The Cute Lepers bring it all back, shaming any band that thinks all it takes to be a punk is a Mohawk and an amp. VENUS MAGAZINE A rather fine album, a boisterous treat RECORD COLLECTOR TRACK LISTING 1/Some Hits Hurt 2/Smart Accessories 3/Thanks For Not Showing Up 4/You Don't Have To Belong To The Religious Right 5/No Escape 6/Berlin Girls 7/Dirty Baby 8/Bob Forrest Song 9/What Happens Next10/World Of Suspense 11/Police Lights 12/Young Hearts13/Fall to Pieces	9 EUR
CYANIDE PILLS - STILL BORED [DAMAGED GOODS] 2013 Punk (UK) The most talked about band at last year's Rebellion Festival was without a doubt Cyanide Pills. They took to the stage unsociably early on the Saturday afternoon and gave a truly amazing performance that cemented their reputation as one of the country's best, kick-ass live punk pop/new wave bands. Their self-titled debut LP came out in 2010, and now the lads' second album Still Bored is ready to hit the shelves. It's a storming 17 track punk pop blast dealing with alienation, despair, politics and impotence. There's also a punk rock/geography/history lesson with “Johnny Thunders Lived In Leeds”. Cyanide Pills will be doing a mini tour in the UK in April with dates in Germany to follow in May. Like the previous album, Still Bored was recorded at The Billiard Room in Leeds by Wedding Present producer Carl Rosamond. ng their eponymous debut album on the 5th July 2010, with another single ‘Conquer The World’ a couple of weeks after.	11 EUR
CYANIDE PILLS - S/T [DAMAGED GOODS] 2010 Punk (UK) The Cyanide Pills may just be the greatest band in the world…but we could be wrong… So far we’ve released three 7” singles by the Leeds Based punk band, all of which are quite frankly brilliant! First came the catchy punk pop blast of “Break It Up”, followed by future classic “Suicide Bomber” and finally ‘Conquer The World’ all of which are on 7” snotty coloured vinyl. This all started after receiving their demo which was the best demo we’ve heard in years. Think of The Boys, Buzzcocks, The Briefs and you won’t be far out. We’ll be releasing their eponymous debut album on the 5th July 2010, with another single ‘Conquer The World’ a couple of weeks after.	10 EUR
DAHLMANNS, THE - ALL DAHLED UP! [SCREAMING APPLE] 2011 PUNK-POWER-POP (NOR) Female fronted Power-Pop-Punk from Norway at it's best. Incl. members of the YUM YUMS, the KWYET KINGS and the COSMIC DROPOUTS!!! They sound like a mix of the RAMONES, the PRIMITIVES and ... THE YUM YUMS	11 EUR
DAVILA 666 - LIVE AT THIRD MAN RECORDS [THIRD MAN RECORDS] 2011 GARAGE (PUERTO RICO) DJ COVER WITH RINGWEAR (CAME THAT WAY FROM THE LABEL) Live recording from the performance at Third Man Records on 03.06.11 Setlist Si Me Vez... Obsecionau Cobre Y Amor La Pingorocha Y La Diva Rockera La Kilel Bitch Robacuna Hanging on the Telefone Me Va Mul Mal Basura Mala Ratata Patitas Noche De Terror El Lobo	12 EUR
DAVILA 666 -12" EP [ROB'S HOUSE RECORDS] 2010 GARAGE (PUERTO RICO) rhr058: DAVILA 666 - '12" EP' Review: davila 666 [website] are in full-on take no prisoners mode. we asked them for a couple songs for a 7" and what we got was 5 near perfect pop anthems that would never fit on a 7". of course we wanted them all so we threw them on a 12" and what youre getting is probably their best release to date. these songs are instantly addicting but unlike other puerto rican imports consumption is no crime, it's encouraged! on top of that their live show is one of the best around and their constant touring has left a path of amazed fans. its no wonder that when we booked the atlanta mess around the legendary urinals asked specifically not to be placed after davila 666 in the lineup!! who in their right mind would want to follow davila 666? ...better to follow 'em with a shot of something equally strong. Release Date: May, 2010. Pressing Details: 700 pressed; black vinyl. 200 repressed; 150 repressed; black vinyl. Track Listing: Ohhh, Dos O Tres, Mariel, La Killer Bitch, Y Me Pregunto.	9,5 EUR
DEAD NITTELS  - EARLY SONGS 1981-1983 [RAVE UP] 2013 Punk (AUT) Formed in 1980, in order to show them all! The Schaeffer brothers Josef (bass ) and Manfred (drums) brought Herbert "Lörkas" Langer (guitar) on board, who had recently quit the Punk combo Pöbel. With singer Hannes the first line-up was complete. After the HEINZ NITTEL assassination (city councilor of the social democratic party in Austria who was murdered by palestine group ABU NIDAL on the first of may on his way to town hall) the band name was an obvious choice - DEAD NITTELS (following our musical heroes the DEAD KENNEDYS). The space in the Wiener Gassergasse (referred to as GAGA) offered by the autonomous youth centre was used as a rehearsal room. GAGA soon would become the nucleus of [close] viennes punk. A lot of legendary DEAD NITTELS concerts took place in that time. Their first concert however was a gig as a supporting act for the female punk band A-Gen53. after several reshuffles considering the position of the singer, Christian Koczera, nicknamed Hulk, took over. With him a second guitarist in the person of Michael Neumann, joined the band. In this line-up the DEAD NITTELS recorded the so- called green Kassette AntiNewWaveLiga. CRUDE AND STRONG EURO PUNK!!!	12 EUR
DECIBELIOS - OI! [MUNSTER RECORDS] 1985 Punk (ESP) REISSUE .The title says it all. One of the pillars of the Spanish Oi! music scene, originally released in 1985. Decibelios are one of the pioneers and main reference points when talking about Oi! music in Spain. Formed in 1980 in Barcelona, their beginnings mixed late 70s punk and hard rock but they gradually introduced ska elements into their sound, always accompanied by a combative and in-your-face attitude. The culmination of that sound and attitude took shape in the 1984 LP "Caldo de pollo" and the mini-LP "Oi!" from 1985, reissued now on vinyl for the first time. The latter presents the band and their proposal at their peak and is one of the essentials records of Oi! music recorded in Spanish. It contains fierce highlights from the band's repertoire such as 'Viento de libertad' and 'Subversión', ska gems like 'Ningún nombre de mujer' and a tremendous cover of The 4-Skins' 'Chaos'.	14,5 EUR
DEFECT DEFECT - S/T [TAKEN BY SURPRISE] 2010 Punk (USA) Fighting their way out of the basement comes Portland’s DEFECT DEFECT with their best record to date! After two quality Eps and constant touring, Defect Defect hit it just perfect with their catchy-as-hell melodic punk style that hits hard with Colin’s spastic and blunt vocal style with Adam’s excellent song writing. Tracks like Stolen Ground and Post Apocalypse are perfect bookends of this argent and essential LP. Featuring ex and current members of the Observers, Autistic Youth, the Minds, Clorox Girls and the excellent Arctic Flowers this record will stick out over the pile of vinyl coming out in 2010. Do not miss out on this exciting band! US version is out on the outstanding RESIDUE RECORDS out of Chicago, IL!!	9 EUR
DENTIST - S/T [MEMOIRE NEUVE] 2009 Punk (FRA) Dentist is a french punk from Nice, founded in the late 70's. They played fast & they played well. Dentist chose superbly their covers ranging from Otis to Radio Birdman, from The Stooges to Question Mark, essential songs exclusively... Even more, Dentist got to writing their own material inspired by the models that they were caught up in, producing an original sound that was neither ridiculous or immature. The A side of the album presents the 1978 session and on side B their 1979 session. Sliding towards a more 60's sound which was an early sign of things to come and the end of the group. Late 1980, Dentist split to leave space for another story: Les Playboys. All in all a classic punk rock tune.	13 EUR
DERBY DOLLS - EXTREME PROBLEM [P TRASH] 2011 Punk (ALE) Exactly 30 years ago (in June 1981) the German NDW band NICHTS released their first LP "Made in Eile" on the independent record label Schallmauer-Records. With it they produced one of the earliest and most important NDW records, directly compared to "big names" like IDEAL and NEON BABIES... Already one year later the major label WEA signed them. Now it's that time again where a young German band with NDW punk roots releases an awesome hit record! After two split EPs here's finally a full length album from Tübingen's 4 head Powerpop/NDW Combo. 10 Songs between NICHTS, HANS-A-PLAST and BUZZCOCKS, sounding like the No Fun and Schallmauer Records stuff from the early 1980s. The mixed German/English lyrics shuttle between life doubts, adapted subjects and people on the go, always with an irresistible and beat-twitching tendency to drag you to the dancefloor. The weighty female lead vocal of Helen totally reminds you of NICHTS singer Andrea Mothes. Now come and check it out yourself right now! Limd. 300 black wax, yellow booklet.	11 EUR
DICK SPIKIE, THE - BEGINNNING OF THE END [HELEN OF OI!] 1998 Street-Punk (JAP) THE DICK SPIKIE son una banda de streetpunk de Japón.	12 EUR
DIE SCHWARZEN SCHAFE - JETZT KOMMEN DIE JAHRE [CAMPARY RECORDS] 2010 Punk (ALE) Die Schwarzen Schafe have been around since 1985 and have released more than 20 records, that's really impressive. They have probably influenced bands like Rasta Knast, Dritte Wahl and lot's of other german bands. "The Black Sheeps" is very energetic and melodic and there is almost some Oi! vibes in their music. Is the german punk scene underrated? I would say yes. The more I look for good band, the more I find. There is so much more than just Die Toten Hosen, a band I never have been very keen of. I wish my german was better because the lyrics are in German and they seems to be interesting. Please, translate them to english next time. I had never heard Die Schwarzen Schafe before so I don't know much about their earlier sound but I have read some other reviews of this album and it seems like many reviewers think that they just get better and better. Even if it's lot's of melodies is there a few tracks that is more aggressive like "Das ist nicht mein punk", "Schrei" and my favorite tracks "Nein nein nein".	9 EUR
DIE SCHWARZEN SCHAFE / NAKED AGGRESSION - SPLIT [CAMPARY RECORDS] 2012 Punk (ALE) N.A. is great political female-fronted punk rock from USA. DSS is old-school punk rock from Germany.	9 EUR
DIGITAL LEATHER - MODERN PROBLEMS [FDH RECORDS] 2012 PUNK (USA) Just in time for Valentine’s Day, Digital Leather, the musical project of multi-instrumentalist Shawn Foree, is releasing his 5th LP Modern Problems. Written and recorded after a brief stint in Berlin following the death of his good friend, collaborator and former manager Jay Reatard, Modern Problems is an exercise in raw beauty, tender grieving and finding a way to move on. Recorded entirely on tape in his bedroom and usually in one or two takes as the Arizona native/Nebraska transplant Foree is want to do; the purity of sound in such an intimate setting permeates each song with a soulful immediacy often missing from the perfectly edited digital recordings in today’s studios. Like your favorite scratchy record, Digital Leather’s allure lies in the vintage-sounding keyboards and buzzy guitar as well as Foree’s charmingly lonesome vocals. Passionately catchy beats and synthy punk-flavored hooks give ample levity to the weighty, personal lyricism of Modern Problems. Like I said, the LP comes out February 14th 2012 on FDH Records. Fittingly, as what is a valentine if not a poignant labor of rock n’roll love such as this?	12 EUR
DISCHARGE - EARLY DEMOS [ANTISOCIETY RECORDS] 2011 Punk (UK) DISCHARGE was formed in 1977 by Ivan Rivera (vocals) and Roy Wainwright (guitar). They soon recruited Terry's younger brother Tony Roberts on lead guitar, Nigel Bamford on bass and Tony Axon on drums. The band recorded their 1st demo, and saw them supporting bands such as The Ruts, The Clash and The Damned. This line-up recorded a demo in 1977. The musical style of the band was initially influenced by 1977-era punk bands such as the SEX PISTOLS, THE DAMNED and THE CLASH. This LP is limited to 1000 copies. This is where it all started for the band from Stoke, sounding more like SEX PISTOLS, but still a great history of where the band came from.	11 EUR
DISPUTA - ÚLTIMO REDUCTO [GRITA O MUERE] 2009 D-Beat (ESP) Trabajo debut de esta banda dis formada por un único componente, Tonyo Becerra, más conocido por ser el batería de los míticos Violent headache y otras mil bandas...dis y más dis es lo que vas a encontrar aquí, la portada ya prevee lo que vas a escuchar, la portada es una foto de todo de discos de míticas bandas d-beat punk del Estado y de todo el Mundo. 100% dischargero, letras cortas y sin pelos en la lengua...nada de tecnicismos y demás mierdas! auténtico PUNK!!	7 EUR
EARTHMEN AND STRANGERS - S/T [FDH RECORDS] 2009 GARAGE-PUNK (USA) Earthmen and Strangers - self titled LP - I love when bands bridge the gap between punk and indie without losing or getting lost in any of the above genre's charm. These Arizona boys come off as a lost treasure on flying nun records whilst taking in some of its neighbor's (RADIO BIRDMAN and the SCIENTISTS) hook-driven pull. I'd almost put my imaginary house on it these boys rock the CLEAN and the VERLAINES every second day whilst blasting the WIPERS in between. Not a single duffer; every track becoming an instant new fad, sounding old in the warmest sort of way, a beautiful tonic to the worst Monday bluesI've ever had. Now I'm off to spread the word: We have found this year's best record." -MRR Ryan Rousseau saw that Tokyo Electron was about to become a much less active band and started a new project. He recorded a handful of demo tracks and started to put together a new band. Well here is the result. 10 tracks recorded with his new band recorded and mixed at Cardiac Studio. This first offical output from the band will be limited to 500 copies (as a first press at least)	12 EUR
ELS MASTURBADORS MONGOLICS - S/T [MUNSTER RECORDS] 2012 Punk (ESP) Legendary unreleased recordings from 1978 by one of the first punk bands to come out of Barcelona. They lasted just over a year, played naked on stage and caused outrage wherever they went. A short-lived but essential band of the late 70s Barcelona scene whose recordings are at last deservedly rescued. Els Masturbadors Mongòlics were one of the first punk bands from Barcelona, formed in 1977 by Lluis Miracle and with an ever-changing line-up which had guitarist Paco Martínez as its other constant member. Among the people involved was Manel, later guitarist of Decibelios. In the same way as legendary bands like La Banda Trapera del Río, the usual lack of resources and general incomprehension towards Els Masturbadors brought them all kinds of problems, only made worse by their completely irreverent attitude, which caused chaos almost everywhere they played, including their participation in the festival Canet Rock of 1978. All of which led to the break up of the band at the end of that year, just over a year after they first got together. Before that, they managed to record a number of tracks for EMI, which never saw official release and are now made available for the first time. It's the evidence of a crucial period for the later changes in Spanish music, which were only possible thanks to the transgressive and no holds barred behaviour of bands such as Els Masturbadors Mongòlics.	17 EUR
EPIDEMICS - WALKING UP THE DEAD [NY VAG] 2008 Punk (SUE) BEWARE! The EPIDEMICS is spreading! What you hold in your hands is the debut album of EPIDEMICS, ex DISCONVENIENCE, from Umea / Sweden. Great super catchy Punkrock with female Vocals!! “Waking up the dead” was recorded in January 2008 at Tonteknik Studios (where among others REFUSED recorded their “The shape of punk to come” album) and produced by Inge Johansson from The (international) NOISE CONSPIRACY. EPIDEMICS' take on punk rock is an explosive mix of the energy you will find in a crowded, sweaty, loud hardcore show in someone’s basement and that perfect pop song that you fell in love with the first time you heard it. “Waking up the dead” is a true story about social change, urban angst, electric shock therapy, zombies, pollution and warfare. This is passionate punk that will fill the dance floor, make your ear drums bleed and leave you wanting more more more!!!	8 EUR
ERGS, THE - THAT'S IT…BYE [DON GIOVANNI] 2008 Punk (USA) Fuck the Ergs! Splitting up like that. They weren't ready to go. They left us with one classic long player, one hit and miss follow up, and a hodge podge of other bits and pieces. For such an awesome band, they were woefully inconsistent. Which is rather peculiar. This departing three tracker hints at what might have been. "Anthem for A New Armada" is a grown up pop punker. With wurlitzer (?), and typically Ergsian lyrics and Descendents-esque riffs / bass, it hits all the right spots and makes one somewhat misty eyed. It barely even comes to an end before they've started on "...and the true believers". Both of these songs would have been more than at home on their epic "Dork Rock Cork Rod" LP, which gives you some indicator as to their goodness. Wistful pop music of the very best kind. Things draw to a conclusion on Piltdown Man, who I believe is a fake caveman or something. Sadly, this song is not really that good, maybe because not the awesome vocalist sings. Oh well. The other two songs are shit hot at least. Goodbye to the Ergs! Failures the world over will miss you very much.	10 EUR
ESCROTO DE RATA - PUNK ROCK SEX BASURA [LA VIDA ES UN MUS] 2011 Punk (ESP) MUS51 ESCROTO DE RATA - Punk Rock Sex Basura LP ESCROTO DE RATA are in our humble opinion Barcelona's best kept secret. Their iconoclastic punk brings to mind bands like KGB, TNT or LARSEN. They have the most inspiring nihilistic lyrics we have come across in a long time and their art and approach to their existence is raw and even filthy.ESCROTO DE RATA play punk of the brand that punk bands used to play it before it became formulaic and sterile. Crunchy and under-produced yet catchy and timeless. They would fit perfectly in DRO's 1983 PUNK QUE PUNK? Compilation or in BLOODSTAINS ACROSS SPAIN. ‘Punk Rock Sex Basura’ is a repress of their second full length CD-R from 2008. LVEUM will also release their 3rd one after the summer and some new tracks before the end of the year.	11 EUR
ESCROTO DE RATA - PUNK ROCK SEX BASURA [LA VIDA ES UN MUS] 2012 Punk (ESP) Por segunda ocasión LVEUM prensa en plástico una autoedición de estos punks afincados en Barcelona. Estos tíos no se han pasado al tecno pop, así que aquí tienes otra dosis de actitud punk que en lo musical va en la línea de Larsen, KGB y el sonido '83 del Punk qué Punk. Edición de 500 copias, carpeta doble.oble.	11 EUR
ESKORBUTO - ESKIZOFRENIA [MUNSTER RECORDS] 1984 Punk (ESP) REISSUE REISSUE.En Munster Records están orgullosos de reeditar "Eskizofrenia", el primer álbum de Eskorbuto y uno de los álbumes definitivos del punk español, de influencia enorme en la escena de aquí y Latinoamericana. El disco muestra las señas de identidad del grupo: actitud radical, un estilo único aprendido por su cuenta y letras crudas y directas. La edición limitada en vinilo incluye dos ediciones de 500 copias, cada una con uno de los diseños originales, la de Twins y la de Discos Suicidas.	14 EUR
ESKORBUTO - YA NO KEDAN MÁS COJONES.. [MUNSTER RECORDS] 2011 Punk (ESP) REISSUE REISSUE.	14 EUR
ESTRANGED, THE - SUBLIMINAL MAN [SABOTAGE RECORDS] 2010 POST-PUNK (USA) Past and present members of Portland, OR hardcore mainstays such as Remains Of The Day, Hellshock, Warcry, Lebenden Toten, etc. pull a 180 and dish out 10 tracks of icy, ominous post-punk. Since their last release, The Estranged have dialed back the explicit aggression of their early singles a bit, and dialed up the textured, atmospheric, layered sounds of prime '80s deathrock/post-punk. 'The Subliminal Man' was painstakingly, impeccably recorded at Type Foundry Studios in Portland and features eight new ones, a re-recording of 'Statue In A Room' (originally released as a split 7' with Autistic Youth) and a rather stunning cover of The Flys' 1978 classic 'Love And A Molotov Cocktail.' Vinyl version includes download.	10 EUR
ESTROGEN HIGHS - IRRELEVANT FUTURE [TROUBLE IN MIND] 2012 GARAGE-ROCK (USA) The anxiously awaited follow up to the Estrogen Highs excellent self-released 2011 album "Friends and Relatives" is finally here and let us be the first to say that if you aren’t already a fan of these guys, you are about to become one. After two LP's, one 12" EP, four 7-inches, and one cassette, the project that started as Stefan Christensen in 2007 playing and recording everything by himself has now fully jelled into a rock-solid, full-band quartet.	12 EUR
EXPLODING HEARTS - SHATTERED [DIRTNAP RECORDS] 2010 POWER-POP (USA) vinyl issue of CD singles/rarities comp that came out last year on Dirtnap.	11 EUR
EXPLODING HEARTS - GUITAR ROMANTIC [DIRTNAP RECORDS] 2009 POWER-POP (USA)	12 EUR
EYE FOR AN EYE - KRAWEDZ [CAMPARY RECORDS] 2012 Punk (POL) Vinyl version new album this great polish hardcore punk band with female vocal. Great stuff!!!!	9 EUR
EYE FOR AN EYE - CISZA [CAMPARY RECORDS] 2009 Punk (POL) Great HC-Punk from Poland with female vocals!	9 EUR
FAB MODS, THE - S/T [CLOSE UP] 2011 MOD REVIVAL (FRA) Formed in 1978 in London, The Fab Mods released their first LP in 1979, and were part of the New Wave Punk explosion in England with The Jam, The Clash , Stiff Little Fingers, The Members. One year later, please cut the crap! That's a big lie. In fact the Fab Mods are from Paris (France). The Band has just released its first vinyl LP in 2011: 14 tracks in the pure English Punk Rock style from the late 70's. Real songs with real melodies to be sang together or in the shower. Only if you take short showers (no longer than 3 min.). The four-piece band is quite famous for its explosive and full of energy live performances. They have been touring for more than a year in Paris and other parts of France with bands such as The Members, The Kits, The Last Killers, La Souris Déglinguée" The Fab Mods wear the fingers and voices out to offer what Rock should be: strong structures, catchy rhythmics and implacable melodies. But sometimes music is better than a thousand words, so listen to their music and sing their songs ! The Fab Mods are: Laurent (lead singer), Yann (Guitars), RXC (Bass) and Yano (Drums). "	10 EUR
FAMILEA MIRANDA - DRAMONES [OJALA ME MUERA] 2011 POST-ROCK (ESP) Nuevo trabajo, cuarto de su carrera de este trío chileno afincado en Barcelona con un amplio bagaje a sus espaldas. Diez temas de enérgico y atronante post rock, delirantes ritmos de batería en armonía con envolventes riffs de guitarra que aislan tu mente, el bajo completa una perfecta sección rítmica. Vinilazo de 12" con amplio protagonismo de los intrumentos sobre las partes vocales.	8 EUR
FEAR - PARADISE STUDIO DEMO 1978 [BOOTLEG] 200? PUNK (UK) FEAR, Paradise Studio 1978. These demos document the genius Lee Ving and his brother Spit Stix laying down some heavy punk rock blues. As noted in the previous post, FEAR have a special place in our hearts. Even though these recordings would never surface commercially, tape traders and bootleggers worldwide were clamoring to get their hands on these tapes. 30 years later, now you can hear why.	12 EUR
FINDERS, THE - FINDERS KEEPERS [CHEAP REWARDS] 2013 POWER-POP (USA) THE FINDERS continued the power pop path set by their previous incarnation, the Rockers. After solidifying a new line-up consisting of John “Rock” Perga, Phil Schraub, Bryan Allinsmith and John San Filippo, the band began working on a series of demos before entering the studio to record their first single featuring “It’s So Insane” and “Which Way.” The band created a theatrical stage show which included John puking into a toilet during their song “Bad Food,” the B-Side of their second single. The A-Side was a track called “Calling Dr. Howard,” which paid homage to the Three Stooges. When Moe Howard’s daughter saw the cover of the picture sleeve which illustrated John throwing up beside a poster of the Three Stooges, she had a cease and desist letter sent out which forced the band to change the cover image. Nonetheless, the song became a popular local radio hit and they even made a music video for it that saw rotation on MTV. The Finders later added a second guitar player named Mark Newcomb and went in the studio to record a full length album with former Move manager Tony Secunda producing. After completion, they found their label had gone belly up and things spiralled downhill from there with the band ultimately splitting up in the summer of 1983. The tapes from their last recording session sat in the Mobius Studios vault for over 20 years before Phil and Dennis rescued them. Now for the first time ever on vinyl, Cheap Rewards Records is honored to deliver the best recordings from those session along with quality studio and demo material in one great package.	13,5 EUR
FINE LINES, THEE - SET YOU STRAIGHT [SCREAMING APPLE] 2006 GARAGE-PUNK (USA) Straight outta Springfield, Missouri USA (yep, that’s right, Springfield Missouri!) it's THEE FINE LINES!! Playing their first show on Halloween of 2001, the ripple effect left modsters across the country wondering just what just blew their pants off! They sharpened their teeth on Billy Childish concoctions, and formed something phenomenal… Their songs are a perfect mix of love-turned-sour lyrics and "I-gotta-do-the-Pony!" beats… so whether you just broke up with that good-for-nothin ex of yours, or your friends came over for a dance party, THEE FINE LINES will indeed satisfy! 2004 saw the release of the widely popular Self-Titled full length out on Licorice Tree Records, hitting top ten lists across the globe, and deemed "Record of the Year" on Billy Kelly's Teenage Wasteland radio show on WFMU outta New Yawk. The year 2005 brought another astonishing release, the "Looking Everywhere" 7" 4 song ep. Quickly becoming your favorite rock and roll band of all time, Thee Fine Lines will seek you out in your home town, drag you into the street and beat you silly with some of the best 3 chord rave ups you ever wanted to hear. In the great year of 2006 Thee Fine Lines were featured at the Primitive 3 festival in Rotterdam Holland with other noteworthy bands such as The Cynics and Thee Mighty Caesars! This little trip over the pond also included a show at the infamous Dirty Water club in London, England! THEE FINE LINES are now ready to offer the world some more of their wild garage/beat-punk mayhem with their brandnew album "Set you straight".	8 EUR
FIX-IT - WHO'S THE PIG [P TRASH] 2011 Punk (FRA) The Paris Punk Commune already Kill Kill Killed us with their superb entrée LP in 2008 and are now ready to dish up another main course tres tres formidable that will be instantly decorated with the maximum of 5 Trashelin stars. Spinning fast and relentlessly stirring the sauce, the boys only slow down a little on ''Blind'' and ''Before the storm'', which is refined with some melodic UK Mod-Punk and smacks of the young Jello Biafra singing. Tender WIPERS finish opens the ouevre with ''29'', followed by some fast, ratty and steady Punkrocking in ''Last call'', ''Broken'', ''Self destruction'', Hostile sex'' and ''Poor life'' and even salted with some dark synthie rafinesse in ''Slow down''. If your pleasure is to dine on the early US Punk of the ADOLESCENTS and DEAD KENNEDYS, the fast and melodic Canada Punk of STATUES and alikes, plus you enjoy those unforgettable moments de JAY REATARD. Then the hog for this record is you! And don't forget: If it ain't broken - FIX IT!	11 EUR
FLETCHER C JOHNSON – SALUTATIONS [BURGER RECORDS] 2012 ROCK (USA) FLETCHER C JOHNSON'S DEBUT LP "SALUTATIONS" OUT NOW ON BURGER RECORDS!!! Amanzing album chock full of hits!!! Burger approved!!!	11 EUR
FOREIGN OBJECTS - NO SENSATION [VINYL RITES-12"] 2011 PUNK (USA) Foreign Objects blast through eight songs of upbeat punk, somewhere between Dangerhouse, '77 pogo, riot grrl and early post-punk. They get compared to Wire and Bikini Kill a lot, I hear more Electric Deads and X. 8 songs on 45rpm. All copies on black vinyl with printed inner sleeve, full color cover and art by Meghan Minior.	10 EUR
FORGOTTEN, THE - CONTROL ME [TAANG] 2002 PUNK (BYO) Unseen/Casualties fans listen up! The Forgotten are here to claim their spot on the pedestal with their own style of fist-to-the-face punk rock! Featuring members of Lars Frederiksen and the Bastards, and The Transplants, THE FORGOTTEN are poised to conquer the world!	5 EUR
FRESH TRASH - LA JUNGLA [SELL OUR SOULS] 2010 HC-Punk (ESP) Primer larga duración de Fresh Trash, la banda antes conocida como Vicious Circle. El disco incluye cupón de descarga en MP3 con un tema extra como Bonus Track.	6 EUR
FRONT - BITTE RECHT FREUNDLICH [DIRTY FACES] 2007 PUNK (ALE) Front started in 2003 as a cover band devoted to early german punk bands like Male, Abwärts or S.Y.P.H. Soon they wrote some songs of their own and I am glad they did. They really managed to transpose the vibe of pre-deutschpunk german punk into today’s pitch. With a mix of Mittagspause and Trend they play songs that simply kick ass as fuck. Their lyrics are awesome and totally authentic early 80s style just that they sing about up to date topics like this fucking new patriotism in germany, cctv and media bullshit. In a way it is so ironic that they complain about retro chic in “hier liegt ein irrtum vor” while they themselves sound like were casted directly from the bar at Ratinger Hof in 1979. Each song on this thing is a total hit and if they split up before I got to see them live and do massive fingerpointing to all these killer choruses I’m gonna be fucking angry. If you are into punk before 1984 at least the slightest bit you must love this.	10 EUR
FU2 - PUNK ROCK [1-2-3-4 GO! RECORDS] 1977 PUNK (UK) REISSUE Fake Punk can be some of the best punk! The late 70's had a bevy of great punk/power pop one off bands. Often secretly and not so secretly fronted by members of famous/semi-famous rock groups. The Pack, Pork Dukes, The Greedies, The Monks (UK) top amongst them but one of the longest and loudest lauded is F.U.2.. Raw, snotty, and jammed up with hooks and attitude. The group was essentially the 60's garage/freakbeat band Downliners Sect under an assumed Punk name and recorded over a case of Vodka. What came out is some of the realest fake punk you'll ever here. THE EXPLODING HEARTS would later cover their classic "Sniffin' Glue" which many incorrectly think was a Hearts original. The album has been bootlegged many times since it's release over 30 years ago and is finally being treated to a legitimate reissue sourced from the original tapes! Limited run so grab it while you can.	14 EUR
GAYE BLADES, THE - S/T [NORTON RECORDS] 2011 POWER-POP/GARAGE (USA) Ten spectacular new recordings featuring members of the Black Lips, Gentleman Jesse and his Men and the Carbonas! Nine originals plus an amazing Sanford Clark cover! Pretty Boy/You Were With Him/His Girl/We Are Only Gonna Die/Jesus Didn’t Try Hard Enough To Save My Soul/Cry Of The Castrati/O So Far Away/I Wanna Join The James Gang/Still As The Night/Don’t Get Married	13 EUR
GENTLEMAN JESSE & HIS MEN - LEAVING ATLANTA[DOUCHEMASTER RECORDS] 2012 Power-Pop (USA) Since Jesse’s first album came out in the summer of 2008, he’s had plenty of excuses to put the “Gentleman” part of his act to bed. In fact, the Mr. Nice Guy routine landed him in bed for a month after being mugged and beaten with a table leg while he was trying to help two strangers change a tire. When the economy shit the bed, violent crime in Atlanta hit home in a big way and really made the city a dreary place to live for a while. In addition, several tragedies strongly affected the Atlanta music scene and the DMR family. It was a bad time and Jesse took it very personally. He seemed close to throwing in the towel and retiring to a dark room with cheap beer and You Tube videos. To cope with the reality of living in a place that seemed to be going straight to hell, Jesse went down to the basement of his house and wrote twenty songs that would become Leaving Atlanta. What could have easily become a bummer record ended up being nothing short of inspiring. The record kicks off with “Eat Me Alive”, an anthem of perseverance that Jesse undoubtedly used as a demon-exercising tool. The album is bookended by another mover titled “We Got To Get Out of Here,” a song that turns out to be less about getting out of an actual location and more about getting out of a state of mind that makes you afraid of it. Stylistically, Jesse never strays from his bread and butter, which is short, hook driven, and delicately patterned rock n roll songs. We could compare him to Nick Lowe, Elvis Costello, or Paul Collins till the cows come home but at this point in his career, Gentleman Jesse sounds like Gentleman Jesse. Leaving Atlanta is Jesse hitting his personal and musical stride.	12 EUR
GG KING - ESOTERIC LORE [ROB'S HOUSE RECORDS] 2011 PUNK (USA) When the Carbonas died, Atlanta wept.Mothers and children, left orphaned by the deceased, wandered the streets with tears streaming mottled faces. Strong and silent men struggled to maintain composure, and they retreated to basement workbenches, biting lips, cracking knuckles, running hands through thinning hair, sullenly wondering: "Why?" Skies darkened. A palpable feeling of devastating loss plagued the city. Nay, the world. Thankfully, ex-frontman Greg "GG" King wasted little time in yanking up his knickers and pursuing new noise. He wrote a series of tunes not unlike those he contributed to the Carbonas – that winning mix of hyperstrummed '70s Europunk and brawny stateside r'n'r pummel intact – and amassed a crew of friends and former bandmates to help him flesh out the din. He released a handful of solid teaser singles, played a number of good shows. He reasserted himself as one of Atlanta's greatest exports. And now, with the release of Esoteric Lore, his first full-length longplayer, the venerable GG King moves beyond his old guard, skindiving in new sinkholes. Yes, herein we find some highly Carbonic moments – traces of Hubble Bubble, The Kids, Zero Boys, et. al. – but we also hear the King & Co. vamp on vibes harnessed only previously by goth-punk forebears: early Christian Death, 45 Grave. We sense smudged traces of minimal mania a la 100 Flowers. We catch whiffs of the emblematic hardcore of the Germs & T.S.O.L., feel the plod 'n' thud of Negative Trend. We're treated to bits of hijacked shortwave, aural static clinging 'tween songs proper, bleeding into the tunes themselves. And we hear a walloping wayward punk rec that nods knowingly toward L.A.-circa-'82, but in melding its influences, somehow sounds distinctly Atlanta, and right now.	10 EUR
GIRLS,THE - YES, NO, YES, NO, YES, NO [DIRTNAP RECORDS] 2008 Punk (USA) Seattle's THE GIRLS play brisk, well-constructed synth-punk that splits the difference between the hookiness of British new wave, the slick professionalism of the Cars, and the weirder strains of synth-punk. Ten tracks of twitchy, keyboard driven poppy post punk.	11 EUR
GIUDA - RACEY ROLLER [DAMAGED GOODS] 2012 GLAM ROCK (ITA) CLAP YOUR HANDS, STOMP YOUR FEET… HERE COMES GIUDA! UK VERSION OF THE DEBUT GIUDA ALBUM 500 COPIES ON GREY VINYL (GIUDA pronounced JEW-DA) Giuda are an Italian Glam/Glittler/Boot Boy band from Rome, born from the ashes of one of the finest European punk rock groups: Taxi. They play the most exciting kind of retrosounding pub rock and junk shop glam and they have the look of true working class heroes (boots, polos, chequered shirts, leather jackets and short or shaved hair)… actually they are the perfect party band, but with a tough attitude. They have a couple of singles and an album out and they’re playing all over Europe like there’s no tomorrow. Catch them before they become huge… They are currently working on their second album which is due out on April 2013	11 EUR
GLOW KIT - S/T [FDH RECORDS] 2012 Garaje-Punk (ESP) Based in Denmark and featuring members of Cola Freaks, Bliglad and Snow Kite, Glow Kit blasts thru a mix of Power Pop and Garage Punk with a touch of psych guitars that will have fans of LOVER!, The Manikins, and Carbones fans strip off their protective gear and dance in spasms in a lethal mushroom cloud. This debut LP follows up a 7” on P.trash records from Germany. This North American release is limited to 200 copies on reverse stock covers (The German release on P.Trash will have standard covers). This LP will find its way into the New Testament of the Garagepunk-Bible”	13 EUR
GOVERNMENT ISSUE - JOYRIDE [DR STRANGE] 2012 Punk-HC (USA) REISSUE Repress of their 1984 classic! 12 songs, European sleeve pressing, a MUST have!	10 EUR
GOVERNMENT ISSUE - FUN NEVER ENDS [DR STRANGE] 2012 Punk-HC (USA) REISSUE Repress of this awesome release from 1985 plus 4 unreleased bonus tracks!	10 EUR
GOVERNMENT ISSUE - S/T [DR STRANGE] 2012 Punk-HC (USA) REISSUE Their 1986 classic lp with bonus tracks, remastered by Tom Lyle [guitarist] himself.	10 EUR
GREGOR McKENZIE & THE MISANTHROPES - TORTURE THAT GIRL [RAVE UP] 2007 Punk (USA) Finally available the definitve anthology of Minnesota's Misanthropes! The band released four great and rare singles on the cult label Break'er Records between 1978-81. Some of these tracks appeared on various 'Killed by Death' and 'Hyped by Death' compilations during these last years. Their crude and weird music is a mix of influences that reminds The Gizmos, Residents and ... Frank Zappa! Absolutely non conventional sound! The album includes also many unreleased tracks. All studio material!!! Be fast, buy it right now...this is a pure touch of genius!!	10 EUR
GRUBERGER BROTHERS, THE - GREETINGS FROM READING, PA [RERUN RECORDS] 2011 PUNK (USA) A full LP of never-before-heard Punk and Fanzine Rock 1978-1980! From the same guys who brought you proto-punk legends O.Rex and '77 punk gawds the Afrika Korps! Jay and Solomon Gruberger were born to play music. They formed the legendary proto-punk/living room band O.Rex in 1973, when younger brother Jay was a mere 12 years old. Future Gizmos’ lead singer Kenne Highland joined the band for sporadic jam sessions in the Gruberger's Brooklyn home. Beating most punks to the punch, O.Rex managed to release a three song maxi-single on their own Oral Records in late 1976. By that time, Kenne was a member of the Gizmos as well as a full time Marine! Within a few months, Kenne and the Grubergers would meet Kim Kane of the Slickee Boys, and it was this meeting of the minds that would form the Afrika Korps. They immediately set about recording what would become their monster, 22 song debut LP. Music To Kill By was released to great critical acclaim in late 1977, but the Grubergers would soon part ways with the rest of the Korps. Those who stuck around would drop the Afrika and release a second album. Meanwhile, Solomon and Jay relocated from Brooklyn to Reading, PA and tried to form a new band. Having trouble finding a drummer but determined to keep things moving, in early 1978 they recorded an eight song EP under the name Spike. They took photos for the cover and even titled the EP "90 Miles Per Hour", but the record never made it to press. The Grubergers would continue to record at the same studio over the next couple years but nothing was released from those sessions. Jay would go on to work as a bass player for hire until his tragic death in 1993, and although Solomon continued to play for enjoyment, they never did play their own material for the public after moving to Reading. It was during the production of Gulcher’s O.Rex double CD collection in 2009 that we learned of these recordings. We knew they shouldn’t remain unheard, so we collected the Spike EP and the other, unreleased studio sessions from 1978-1980 for an LP that hints at what a second Afrika Korps LP could have sounded like if  the Grubergers had stuck around. Mastered from the original tapes, and we even got Kenne Highland (O. Rex, Gizmos, Afrika Korps, etc.) to give us his reactions to these recordings! Pressed in an edition of 500 copies on black vinyl, with full color cover and insert with liner notes.	12 EUR
GUMBABIES - LOVE, PISS & UNDERPAYMENT [CAMPARY RECORDS] 2011 Punk ( ALE ) 12" A-SIDED.„Strictly d.i.y., no sympathy fort the music industry“ prangt der Slogan auf dem Textblatt der neuen, einseitig bespielten Gumbabies 12“. Diese Einstellung ehrt die Münchener und wenn ich mir die Platte so ansehe und anhöre, kaufe ich ihnen diese Haltung auch voll und ganz ab. Leider, leider habe ich den Eindruck, dass man mit dieser Einstellung immer mehr zu einem Schattendasein verdammt ist. Wer auf etwas leiseren Sohlen unterwegs ist und nicht jeden noch so cleveren Marketingkniff voll ausschöpft, dem wird nicht unbedingt die Aufmerksamkeit zu Teil, die man eigentlich verdient hat. Wenn es gerecht zuginge, sollten die Gumbabies eigentlich schon Dank ihrer vorherigen Veröffentlichungen weit über die Grenzen der bayrischen Landeshauptstadt bekannt sein. Bis auf die Nummer „In a nutshell“, die eher durchschnittlich ist, haben die 4 Songs auf „Love, piss & underpayment“ auf jeden Fall das Zeug zum Ohrwurm, wunderbar melodisch, zwischen 77er UK Punk und Glamrock. Große Klasse ist auch das Public Toys Cover „Safetyp pins on television“. Auf 500 Stück limitiert und den Download Code gibt’s auch noch dazu.	9 EUR
GUNDOWN, THE - A TRIBUTE TO ISOLATION DEMO [WALK ALONE] 2011 PUNK (ESP) 10"-Primer e interesantísimo trabajo de este grupo de Tarragona. Punk rock pegadizo a lo Hot Water Music.	10 EUR
HANNA HIRSCH - GA HEM ÖVER HIMLEN [12"-ADAGIO830] 2011 POP (SUE) Hanna Hirsch deliver 6 new songs that follow up the great debut LP tala svart on RTB & Adagio830. The continue w/ 6 tunes of powerful pop w/ swedish lyris sung by Siri. Another masterpiece of beautiful powerpop made in sweden. All records come w/ a digital download card Mastered againby John Golden (Sonic Youth, Superchunk etc) and the laquer got cut at the famous Abbey Road studios. check out a new tune here: http://soundcloud.com/adagio830/hanna-hirsch-en-v-g-av-ljus-en	10 EUR
HAPPY THOUGHTS - S/T [HOZAC RECORDS] 2011 POWER-POP (USA) We’ll admit, this finished album landed at our headquarters late last summer, but it just seemed unfair to release it in the Fall or Winter months, since this debut LP by the Happy Thoughts is such an incredibly classic-sounding “Summer album” in all aspects of the term. How do guitar riffs like these clear the clouds away so well, while embracing a pure freshness in such a familiar sense? You’ll feel like you’ve been listening to these songs your whole life. As clean and crisp as the early 60s-infused rock’n roll backbeat holding onto these songs for dear life, each track sticks right to your ribs, and with the addition of a full band, compared to the previous solo recordings, it’s a richness you didn’t even know you deserved. Purity, harmony, and true, unabridged happiness come bleeding through this collection of songs even more impressively than on the other bands Eric LaGrange has played a pivotal part in, namely, the excellence of the Cave Weddings and Romance Novels (the latter of which, chosen by Nobunny for support on his first US tour). It’s got the boyish charm of The Bobby Fuller Four humming along ’64 Bang-era Neil Diamond hooks, in that same magical way Nobunny channels the ghost of Buddy Holly so well. Yet, The Happy Thoughts’ raw innocence is so irresistible, so untouched by this cruel world’s evil clutches, it’s like that first kiss, that first warm breeze of Summer, that first wave of excitement you get when you got your first taste of freedom. It’s so heartwarming in certain spots, that it’s almost intimidating to a point, where the sheer optimism and elation of being alive soaks up all the blackness stuck in the darkest corners of the human heart. A true Midwest, Summer classic that will win over even the most hardened souls and the perfect remedy for every level of depression known to man. Recommended If You Like:Bobby Fuller Four, Nobunny, Bang -era Neil Diamond, Fevers, Buddy Holly, Shoes, Romance Novels	11 EUR
HOLLOWS - VULTURE [TROUBLE IN MIND] 2012 GARAGE-ROCK (USA) What a year it’s been for the four ladies & one gentleman in Chicago band Hollows - after releasing their Trouble In Mind debut (the "Bobby Blueheart" single) in late 2010, the quintet has played a score of shows (including a hi-profile gig in Millennium Park, performing to approximately 10,000 people), & honed their singular sound into a razor-sharp musical talon! Hollows have taken the girl-group influence of their debut album and time warped 20 years, creating a sound that has more in common with Kate Bush than Ronnie Spector and more Go-Go’s than Shangri-La’s. Their sophmore effort "Vulture" finds them mining more sophisticated & nuanced sonic territories - the opening track "V is for Vulture" sets the tone for the album, with its yearning throb that swells into a (literal) symphony of bittersweet horns & strings, and "Ma Cat" is a somber ode to a lady trucker, with vocalist/organist Maria Jenkins cooing o‘er it’s soothing melody.	12 EUR
HUSSY, THE - WEED SEIZURE [TIC TAC TOTALLY] 2012 Garage-Punk (USA) THE HUSSY are a two-piece garage/punk/trash band hailing from the politically charged cheese rectum that is Madison, Wisconsin. Consisting of BOBBY and HEATHER, the band has spent the last three years releasing a slew of singles, tapes, and a critically recognized debut LP Cement Tomb Mind Control (released in May 2011 Slow Fizz Records). Weed Seizure is the follow-up to The Hussy?s sold out debut and is released via the Tic Tac Totally Records imprint based in Chicago (Bare Wires, OBN IIIs, Moonhearts, etc.). The new LP was recorded and mixed by Bobby Hussy and mastered by JUSTIN PERKINS (Jaill, Goodnight Loving, etc.). It features 13 of the scuzziest garage stompers this side of the Oblivians. Think Ty Segall angst meets Reatards rampage with a batch of ?60s girl group pop charm. Melodies that stick and rot, drums that pummel and guitar that throws you on an endless LSD loop. Weed Seizure is a psych punk classic for the masses. Artwork designed by legendary outsider artist BEN LYON, most known for his incredibly illustrated fliers.	12 EUR
HYGIENE - PUBLIC SECTOR [LA VIDA ES UN MUS] 2011 PUNK (UK) On their debut album Public Sector, Hygiene take the listener on a post-pub stagger through the concrete walkways and underpasses of Britain's decline. Daydreaming at their offices on a weekday or at home with their record collection on a Saturday night, the members of Hygiene are dislocated in both time and space. Their LP has one DM boot in the past and the other longwing brogue firmly up the backside of the present. Public Sector hearkens back to a time of Polytechnic radicalism, Special Patrol Group repression and O Level temptresses yet evades the pitfalls of vapid historicity and pastiche. Hygiene see historical continuities and follow them to their logical conclusions, reducing their influences down to their essential constituent elements and reassembling them into now music for now people. Flouting Rockist conventions with equal doses of stark minimalism and plodding fury, these post-punks resolutely refuse the "post" prefix.	12 EUR
HZERO - CANYA ANTIGUA [SELL OUR SOULS] 2009 HARDCORE (ESP) Después de estar un año trabajando en grabaciones, mezclas y diseños varios el primer LP de HZERO es una realidad. Larga duración compuesto por 8 trallazos de CAÑA ANTIGUA (riffs de la muerte, bajos crujientes y voces de perro) con buenas dosis de Rock y conservando sus raíces Hardcore. Mete en un tren a toda ostia a BLACK FLAG y NEGATIVE APPROACH, y en direccion contraria otro con POISON IDEA y TURBONEGRO. El estallido entre ambos te golpea directo a la cara, asi suenan HZERO. 8 temas en menos de veinte minutos, a 45 revoluciones y con una bonita y cuidada presentación a cargo de Screaming Mario Loco.	6 EUR
ICEAGE - NEW BRIGADE [WHAT'S YOUR RUPTURE?] 2011 Punk (DIN) REISSUE REISSUE.Here's what we know about Iceage: They are four friends, ages 18 and 19, from Denmark. Their debut LP, New Brigade, has actually been out in their home country since January, with a much smaller, limited run coming to the United States earlier this year. These are the essentials. Over the past few months, as New Brigade has been passed back and forth online with increasing enthusiasm, there has been a remarkable amount of chatter, some of it focused on their age, some of it on their music, some of it on faraway mystique. Not long ago, a Danish daily deemed them "teenage punks full of anger and anxiety," a line galvanized by bloody post-show photos of smiling audience members published on their blog. Questions like "Are they the saviors of punk music?" have been posed, as though punk music needs saving. They just played their first show in the U.S. this past weekend, in Brooklyn. It sold out. The New York Times and The New Yorker have weighed in. They're set to return to Roskilde this summer. As you may have already realized, there's a swirl of information and interest surrounding this band right now, at the heart of which is their music. And it turns out that New Brigade is a refreshing and extraordinary debut. These four have located a punk-rock sweet spot: mixing the black atmosphere of goth, the wild-limbed whoosh of hardcore, and the clangor of post-punk. It's a feat made all the more impressive by one very important intangible: energy. While they still have room to grow as songwriters, the energy in every atom of New Brigade's charred, sub-25-minute rush is seductive. From the moment "White Rune" starts to quake until those last tangles of guitar conk out on closer "You're Blessed", there's little escape from this record's grip. Even the foreboding mash and march of "Intro", its wordless, 46-second pulse of a prelude, is enough to make you feel like you need to fling yourself in the direction of someone else. That said, despite the typically direct, blunt-object nature of "punk," much of New Brigade is also impressionistic. Elias Rønnenfelt's words (sung in English rather than Danish) are largely unintelligible, leaving a lot up to the heart and imagination. Rønnenfelt finds an effective way of sharing just enough room for listeners to fill in the blanks. As if mimicking the motions of his own guitar, he scythes his way through each song, usually to anthemic heights. That you can hear in the gasp of "Collapse" and starry-eyed bounce of "Remember". Even more so in aforementioned climax "You're Blessed", a song that sounds like a more irritable cousin to the poppy, post-hardcore emo that came of age here in the 1990s. The album's grit has nothing to do with fidelity. While Iceage employ decidedly abrasive no-wave textures, New Brigade was recorded in a proper studio. The result is a recording whose snare hits and basslines announce themselves with real fury. And though a lot of this music might seem from a distance like a dozen ideas thrown together in the space of a single song, what they've done here is deceptively precise and exists on a deeply personal, unfiltered plane. All these lurches and groans and crashes and bangs and stutters and roars come together to form one consistently rousing, emotionally immediate whole. From them to you.	12 EUR
IMMEDIATOS, LOS - FOUR TICKETS TO WONDERLAND [SUNNY DAY RECORDS] 2012 Pop (ESP) Sin duda uno de los grupos más talentosos del pop español en los últimos años, encarnación del espiritu adolescente del beat, creadores de melodías pop que desarman y artesanos de los arreglos, pocos pueden presumir de un curriculum como el suyo. Los Immediatos se han convertido, por méritos propios, en todo un referente en la escena 60′s española de los últimos años; arrastran un extenso kilometraje que les ha llevado a recorrer numerosos escenarios a lo largo y ancho de toda la península y pisar afamados escenarios europeos en eventos como el Primitive Festival (Holanda) o el Festival Beat (Italia). Su experiencia y saber hacer les ha permitido compartir escenario con un montón de bandas de renombre, desde los míticos Pretty Things a los incombustibles Trashmen pasando por los Fleshtones o los británicos Wildebeests... vamos, son lo que se dice unos auténticos veteranos dispuestos a montarse en la furgoneta a la más mínima oportunidad. De Beau Brummels a los Brincos, de Hollies a Powder, de Squires a … Los Immediatos.	12 EUR
IMMURED - S/T [GRITA O MUERE] 2009 HC (ALEMANIA) Nuremberg-based IMMURED, uncompromisingly rooted in the worldwide Underground scene for almost two decades, return with their second full-length onslaught. AN UNENDING HELL continues where 2005 album FAKE NEW WORLD and 2007 self-titled EP left off: Blistering DARK HARD PUNK delivered with venom and wrath.Recorded and mixed at almost legendary local Lonestar Studio (Amen 81, Genetiks, Missouri), then sent to Austin/TX to get mastered by Jack Control (Severed Head of State, World Burns to Death) to give this 8 song ripper the final polish.Comes in a top-notch finish on 140g vinyl with matt varnished 300g sleeves plus 12 page booklet made with passion and attention to detail. Additionally, there’s a die-hard edition of 50 copies on grey marbled vinyl with japanese lettering silver foil only available through the band.Hard-charging grim black as night Hardcore Punk Blitzkrieg!	6 EUR
IMPOSIBLES, LOS - EN ESPIRAL [SUNNY DAY RECORDS] 2011 Pop (ESP) Grupo madrileño formado a finales de 1980, su carrera comenzó en los bares de Malasaña en tiempos de revival garagero y rockero, pero a ellos lo que les gustaba era el beat de los Beatles, el pop de los Brincos, el folk-rock de los Byrds o el rhythm and blues de los Animals, eran un grupo que avanzaba en dirección contraria, sin destino, pero convencidos de lo que hacían. Llegaron momentos de experimentación con la psicodelia , posteriormente se atrevieron a crear una “poperetta” que dejó a todo el mundo boquiabierto por la descomunal muestra de tal compañía para crear complejas y preciosistas joyas de pop que remitían a obras maestras del pop clásico de los 60 como el “Forever Changes” de Love, el “Odessey & Oracle” de Zombies o el “Sgt. Pepper’s…” de Beatles. Con el paso de los años, Los Imposibles desenmarañaron sus melodías para acercarse a la pista de baile, entrelazando sus habituales gemas pop con temas de rhythm and blues y soul. Vientos y alma negra que dieron paso en su último disco del 2007 a aires de nueva ola y powerpop descarado.	12 EUR
INFAME - II [GRITA O MUERE] 2009 HC (ESP) Versión en vinilo del segundo trabajo de esta banda barcelonesa, más de lo mismo...hardcore con letras mayúsculas, toques escandinavos y japoneses. Con componentes y ex-componentes de un montón de bandas....	6 EUR
INSOMNIACS, THE - SWITCHED ONE [ESTRUS RECORDS] 2004 POWER-POP (USA) Plug In...Power Up...SWITCH ON! Those Mod-Pop mavericks THE INSOMNIACS offer up twelve hits of sticky sweet candy coated arsenic on their fourth full-length fuzz fueled fandango, the “SWITCHED ON!” LP/CD. Mr. Sinn & the Brothers Wojz divide by three and multiply by four the power pop formula perfected by such like minded hook huckers The Stems, The Shoes and The Fallouts and the sum is a shatteringly strong collection of pure fuzz pop perfection. Recorded by ex-Original Sin Dan McKinney in a series of sessions fueled by Sugar, Caffeine and cheap Beaujolais “SWITCHED ON!” finds THE INSOMNIACS tossing some new ingredients into their already tasty trademark hookified power pop pie --- a pinch of Eastern Pysch, a splash of fuzz bust stomp, a dab of big beat Balladry, a dose of ‘70’s swagger and a whole lotta sugar, baby, SUGAR! So, get ready to power up and “SWITCH ON!” with THE INSOMNIACS!	11 EUR
INSOMNIACS, THE - S/T [10" -ESTRUS RECORDS] 1994 POWER-POP (USA) 10"-Head for the concrete bunker, crank up yer generator and get ready for a buzz-pop blitzkreig courtesy of New Jersey's own INSOMNIAC's! This six- song sub-killer is the fourth release from the band following two self-released singles on their own Umbrella Records and more recently a German-only 7" e.p. These cats combine the best of '60's British Mod & late '70's Power-Pop and churn out tunes that are both fast and melodic...sorta a cross between the Easybeats and The Shoes, or better yet The Fall-Outs with a fuzzbox. THE INSOMNIACS 10" is limited to 2,000 copies and comes with late show induced artwork designed by Art Chantry.	10 EUR
INVASIONEN - HELA VÄRLDEN BRINNER [NY VAG] 2010 POWER-POP (SUECIA) The Lost Patrol Band in swedish!	10 EUR
IRRITONES, THE - PENIS ROMANTIQUE [P TRASH] 2011 Punk (FRA) Second longplayer from the almighty Irritones!! An incredible earcandy hitmachine that you expect from a band, consisting of ex band members from THE HATEPINKS and AGGRAVATION. First class 77 snotpunk punk rock that show a dynamic blitzkrieg between sweet melodies and classic headcrushing stompers. LP LIMITED TO 300 COIPES AND COMES WITH A FANCY FOLD OUT POSTER!! LP LIMITED TO 500 COPIES WORLD WIDE!!	11 EUR
JABBERWOCKY - FINGER POPPIN' TIME [INCOGNITO RECORDS] 1997 PUNK (HOL) The second album by this dutch band. loud, fast and melodic mid-fi Punkrock. 17 ass-kickin' songs.	6 EUR
JOHNNY MOPED - THE COMPLETE BOOTLEGS VOL I & II [2LP-DAMAGED GOODS] 2007 PUNK (UK) Well first off lets say how totally honoured we are to be releasing a Johnny Moped Record, the bootlegs have always been one of my favourite tapes and the 7" that Chiswick released with the first album is legendary. Hopefully there will be more from where this came from... Keep 'em Peeled! So Johnny Moped then... well... This is 'borrowed' from the lovely Trakmarx website... www.trakmarx.com and from Dave Berks sleeve notes in the Chiswick CD 'Basically' "Johnny Moped had all three ingredients necessary for maximum rock'n'roll: amateurism, mayhem & humour. As the proud owner of a pair of Slimey Toad's shorts I give my full endorsement to this silver digital beermat. Essential punk rock!" Billy Childish (1995) The Myth Of Johnny Moped's Assault & Buggery: Johnny Moped: essential punk rock. Billy Childish knows, you know.	13 EUR
JOHNNY THROTTLE - S/T [DIRTY WATER] 2011 PUNK (UK) Formed by ex-Parkinsons front-man Afonso and including former members of Menace, The Shakin’ Nasties, the Jackoffs, the Chinese Lungs, the Stains and Urban Shocks, Johnny Throttle have been playing drunken, beer-soaked gigs since the tail end of 2008. They play snotty, moronic and straight-to-the-point gonzo-garage punk rock, banging out furious 20-minute (smoking ban-friendly) sets of short and catchy songs that bring to mind something like Slaughter and the Dogs meet the Electric Eels.  Longer if they like you.  This is probably London’s best punk rock band, and definitely the snottiest. Their debut release, “Stukas Über Shoreditch”, which came out on Wrench Records, was a two-fingered salute and a spit in the eye. If you didn’t know better you’d think it was a 1976 release recorded by glue-sniffing, speed-freaked, three-chord, angst-addled teens, frying up the airspace with sub two minute machine gun aural abortions, securing themselves a defining Peel session before splitting up and fucking off for a life behind a desk working in an insurance office. After a second 45 on the legendary Crypt Records, it’s now time for their first full length offering – which is a similarly abrasive kick to the head, a blistering, full-on, spiked slab of rampant frenzy, replete with 100mph serrating riffs, like a seriously wired Dead Boys having a party with The Stooges whilst the pub rock honk of Eddie & the Hot Rods unsuccessfully tries to calm things down. Like the best bands of the seventies punk era, Johnny Throttle are hugely influenced by the sixties garage bands, and were regulars in the audience, and on the stage, at the old Dirty Water Club during the last decade. But the main thing to them is that the music has to be sharp as a dagger, threatening but also beautiful. The 12 tracks on this album are inspired mini-operas, played with the kind of near incompetent teenage enthusiasm which only borderline middle-aged, lowlifes, has-beens and neverweres can truly muster. This is real rock’n’roll, the way it was meant to be – it has an urgency and honesty that no teenager today can manage to achieve, despite their skinny jeans and carefully studied attitude. Johnny Throttle have the attitude, learned from a life on the streets, hanging out in cheap dives and hanging out with cheap women. Johnny Throttle are for real.	11 EUR
JOLT, THE - S/T [BOOTLEG] 1979 MOD POWER POP (UK) Reissue with seven bonus tracks = the complete discography (1977-1979): Radio Man/ Whatcha Gonna Do About It/ I Can't Wait/ Chains/ No Excuses/ Decoyed/ You're Cold/ Again & Again/ Route 66/ I'm Leaving/ Everybody's The Same/ In My Time/ Hard Lines/ (Can't Tell You) It's Over/ All I Can Do/ Maybe Tonight/ I'm In Tears/ See Saw/ Stop, Look	11 EUR
JUMPERS/198X - PALACH MEMORIAL [RAVE UP] 2012 Punk (ITA) The 'Punk' style became quite popular in Milan only after the Adam and the Ants concerts in 1978. After this event (15th/16th october), the local kids became conscious that build a 'punk scene' in town was finally possible. Of course, some bands were started before those nights (see Decibel, that were the official supporters of the Ants). But 'our' focus in this story is dedicated to Mittageisen, Gags, TV Vampire, Jumpers, 198X. This album contains three tracks recorded in studio of Jumpers (more punk, in the same vein of Clash, Pistols) and rare sessions of 198X, a band inspired by Wire/Siouxsie and the Banshees/Adam and the Ants that were connected with Mittageisen, Gags. TV Vampire. This album is a true 'missing link' for all the euro-punk fans!	10 EUR
KIDZ NEXT DOOR - S/T [RAVE UP] 2012 Punk (UK) London based band with Jimmy Pursey's little brother on vocals. Jimmy Pursey (of "Sham 69") also produced their only and great 7” released in 1979 on major Warner Bros records. Their tracks were compiled on various punk bootleg compilations during these years. Finally on vinyl, the anthology that contains all their studio tracks + a bunch of great 'live' cuts. Limited to 500 copies!!!! Be fast to order!!	10 EUR
KORROSIO - KYLLA TYTOT YMMÄRTÄÄ [SVART RECORDS] 2012 PUNK (FIN) REISSUE Record Store Day release 2012. Gatefold jacket, black vinyl. Limited numbers available.	13 EUR
KURT BAKER - BRAND NEW BEAT [TORREZNETES] 2012 POWER POP (USA) Kurt Baker's exciting new full length album. Features 10 original songs produced by Wyatt Funderburk. Album features notable rock n' rollers Geoff Useless ( THE GUTS / THE QUEERS) and Adam Cargin (SCREECHING WEASEL). "This is the album Kurt Baker was born to make. It's nothing you were expecting and everything you've wanted all wrapped up in a tight little package. With his masterpiece upon us, I have to ask...where will Kurt Baker go from here?	10 EUR
LA PANTHER HAPPENS - SOLID GOLD BUZZ [RED LOUNGE] 2012 Garage (USA) The Short Version: A Solid Gold Mix Between Harlan T Bobo and Reigning Sound. Best Memphis Album not out of Memphis!!!! Summers Best! Cover art by Lindsay Shutt! The Long Version: La Panther Happens are hailing from Tulsa. According to themselves they inhaled 60's SOUL, psych, garage, girl groups, schlitz, memphis. I guess you can find all this in this album. You can definetly find a deep love for the Memphis Sound. You can hear a lot of Bands like Reigning Sound ( the rockin parts), Harlan T Bobo (the quiet parts), The Scruffs, Big Star, a bit of Magic Kids all paired with perfect songwriting: Loaded with Teen Angst, Love and Not Loved, yet an throbbing urge to let all this get out via record...GREAT!!!. Hands down the best demo I ever got by an unknown band...Cover art by Lindsay Shut!	11 EUR
LEGENDARY WINGS - MAKING PAPER ROSES [DIRTNAP RECORDS] 2012 POWER-POP (USA) “It happens very rarely (like a couple of times over the course of 120 releases) that we here at Dirtnap get a random CDR demo in the mail, pop it in, listen to it a couple of times, and then slap our fist down on the counter and say ‘fuck it, we'll put that out!’ And that's just what happened in the case of Kalamzoo, MI's LEGENDARY WINGS. Unsolicited demos are largely a lousy way to round up new bands for the label, but once in a blue moon you get one that's just THAT good. Musically, the apple that is Legendary Wings doesn't fall TOO far from the tree that is Dirtnap Records, (think caffeiniated, raw, fast pop), but they are also unmistakably, instantly identifiable as originating from the Midwest.Potential Johns meets Gaunt? Scared Of Chaka if they were from Minneapolis? Denton with jangle? Their mix of caffeinated instrumentation, and overly sensitive lyrics will make you melt if the mood is right.”	12 EUR
LENZ, THE - UNDER NEON [TIC TAC TOTALLY-12"] 2012 Punk (USA) 12"-I think we have found the perfect format format for Andy Jordan's (The Cuts, Time Flys, Andy Human) spacey glam-punk material of recent vintage. Under Neon is a beautifully concise and balanced record with a huge sounding vision. 4-songs that sprawl out nicely across a 12" dishing equal shares of Andy's awestruck John Hughes sugar, and the darkened melodramatic undercurrent of class-A punk gloss carved in marble. It leaves you with aural phantoms ringing of Roxy Music, Grauzone or any number of high-class power-pop bell-ringers. The guitar tracks of Ray Seraphin (Nobunny, Epic Sessions, The Impediments) chisel this vision into the grooves leaving a big, clean, self-produced fingerprint for maximum taste. Under Neon follows their sole S.S. 7", and we're sure those in the know will appreciate both incredible mission statements these records provide. This record was lovingly mastered by Jason Ward at Chicago Mastering Service, and it comes in a beautiful reverse-jacket with inner-sleeve and yes, includes a download code with purchase of the vinyl.	12 EUR
LIMIÑANAS, THE - CRYSTAL ANIS [HORIZONTAL ACTION] 2012 POP (FRA) On Crystal Anis, The Limiñanas are at the top of their game, crafting a highly-stylized sound that’s impeccably classic and undeniably modern, with their hypnotic beat and enchanting vocals, proving that once those hooks set in, it’s just impossible to resist.	13 EUR
LIMIT, THE - S/T [CHEAP REWARDS] 2012 POWER POP (USA) THE LIMIT sprang from fertile ground. In the early 1980s, New Orleans was home to a thriving punk, hardcore, new wave and metal scene. The Limit, who coined their brand of music “powerful pop,” began playing the local club scene in the spring of 1982. The trio recorded their debut EP at the end of 1982 and released it as a 10” in May of 1983 in an edition of 500 copies. Featuring four infectiously catchy tunes, the record sold well and received promising reviews. Although the band enjoyed modest success in Louisiana, drawing large crowds to their shows, they were unable to gain interest from major labels. The band lost momentum and ultimately broke up in January of 1984. 30 years after The Limit recorded the songs for their sole release, Cheap Rewards Records is excited to give new life to their music. The Limit LP compiles the songs from the band’s self-released EP, along with a demo of their shoulda-been hit, “Uh Oh,” plus an entire side of previously unreleased live recordings. Expertly restored from original source tapes, this record is a remarkable listen from start to finish. All copies come with a free digital download card.	14 EUR
LOCAL OAFS - POWER AND GLORY [P TRASH] 2010 PUNK-HC (SUE) After the MANIKINS hung up their guitars and called it a day, Kalle and Max roamed the nocturnal streets and met their old pal Nero who was taking Chewbacca for his daily walk. Together they went over to the 24/7 juke joint for some of that delicious and eyesight-robbing Swedish moonshine liquor and went insane. The rest is history documented on this second Vollgas album that was written in one go on the backside of an old Samantha Fox poster and recorded straight away in the drunk tank of the local police station. When the four OAFS were found in the morning, they had thrashed themselves into a rabid delirium and the shocked officers sent these 18 outbursts directly over to the P. Trash HQ. We see it as our duty to let this thrashy testimony be a warning for our youth to keep away from the evil spitits by letting you listen in indignation to such a wild blast of fast and beating songs entitled ''Dead by dawn'', ''The best thing that ever happened to me is nothing'', ''The dark ages are coming back (and I f**king like it)'' and the even more shocking ''Pissing on a drowning man'' and ''Surfin' on a big brown wave of shit'', together with a whole lotta more titles where those poor boys speak in tongues, clearly lost forever. Relentless and unforgiving. Keep away in a safe place, we know how hard it is to resist such tasty temptation.	10 EUR
LONG TALL SHORTY - THE SOUND OF THE GIFFER CITY [TIME FOR ACTION] 2009 MOD (UK) LTS were formed in 1978 as one of the earliest Mod Revival band, split up in 1982 and reformed in 2000. Now they are back with 15 new songs incl. a Re-working of their old live classic ANTI CND which has never been previously recorded by LTS. And the music is more or less the same as in the early stages - Mod Punk with powerpop and 60..s influences. So once again they epitomized the pure Mod Revival sound with incorporate the agression of Punk and call it today Giffer! Sleeve notes by Garry Bushell.	9 EUR
LONG TALL SHORTY - KICK OUT THE SHAMS [TIME FOR ACTION] 2010 MOD (UK) This is the aggressive 2nd album in less than one year and shows the band in top form. With his very angry and wry lyrics frontman Tony Perfect is the same insurgent as in 78 . Disputable album ? Maybe, but LTS prove that passion, honesty and integrity are still valid reasons for making music. This 16 songs are a cocktail of power pop , Mod and melodic punk. Produced , mixed and mastered by Pat Collier ( ex- Vibrators , Boyfriends). So LTS dont stand still or rest in their laurels, they don´t wallow in nostalgie. This is the new sound.....its Giffer...KICK OUT THE SHAMS...	9 EUR
LOVE IS ALL - LAST CHOICE [WHAT'S YOUR RUPTURE?] 2008 Pop (SUE) Don't be fooled by the self-deprecating title of Love Is All's newest EP. Last Choice is anything but. It takes its name from its title track, the stunning, swaggering disco-ish standout that first appeared on the Swedes' sophomore full-length, A Hundred Things That Keep Me Up At Night, and though the EP's five other songs are all new B-sides, they don't sound like leftovers. In fact, the EP's main fault is that it's too short; these five new songs deserve to be paired with another five on a full-length. With each subsequent effort Love Is All refine their sound, and Last Choice suggests their best work could actually be yet to come. Though they started as spazzy noisniks who joyously shouted and pounded so loudly that it was often hard to hear the "pop" in their heavily rhythmic pop anthems, on A Hundred Things they exerted more control over their delightfully messy sonics and placed greater emphasis on their wonderfully descriptive and direct lyrics. With their mastery of richly detailed yet simple storytelling, Love Is All offer lyrics that crackle with added resonance. Often overshadowed by the spastic din of her bandmates, singer Josephine Olausson's warbled words now have the space to be heard. So though the title track will immediately win listeners over with its glammy, steel drums-like keyboard intro and a plinky, sax-studded melodic interlude ripped from Bruce Springsteen's "Rosalita", it will earn repeated plays with its straightforward depiction of the kind of end-of-the-party loneliness that leads one to go home with their "Last Choice": "The same song is on repeat, something inappropriately upbeat/ And now people leave hand-in-hand, as if according to some mysterious plan/ I'm about to be left alone, I'm sitting on the sofa on my own." Olausson has intermittent regard for pop rhyme schemes and seems to care even less if her chosen words fit into the music's allotted space, either hurrying over syllables or drawing them out over extra beats. But her off-kilter delivery-- with its emphasis on her hard Scandinavian "r"s, babydoll-voiced run-on sentences, and explosive caterwaul-- adds character to her distinctive, first-person narratives. Who knows if the songs on Last Choice are autobiographical, but Olausson's unselfconscious approach to her subjects-- she often presents them at their worst, most selfish, or loneliest-- makes her a rare vanity-free frontperson. "Early Warnings", a Yeah Yeah Yeahs-ish stomp, describes an accident-prone, very bad morning-after. On "Jealousy" Olausson takes the guise of a demanding girlfriend having a public fight with her boyfriend, and "Vans Vans Vans", which returns to the harder-hitting, fuzzier, more lo-fi aesthetic of Love Is All's first album, recounts unglamorous tales from the road. If the band believes that their debut was, in fact, nine different versions of the same song (as its title jokingly claimed), then they must be proud of Last Choice's diversity. They display comfort with jangly, Clean-like pop (as on "From Your Corner") and surprising agility with heartbroken, tambourine-aided twee (as on "Loud Heart"), as well as re-pledging their allegiance to the funky, manic post-punk that they made their name on. This EP may be short-- it's less than 19 minutes-long-- but it makes a very big statement about the future of this Swedish quintet: They've only just begun to show what they can do.	9 EUR
LOW CULTURE - SCREENS [DIRTNAP RECORDS] 2013 PUNK (USA) Low Culture's Screens will probably be my favourite album of the year, as well as being one of the best I've heard in the last ten years. Now that I've gotten that out of the way, it should give some idea why I've rated this as five stars and anyone who disagrees can... well, I don't care because you're wrong. Now on to the business in hand: Low Culture are from Las Cruces, NM and features members from bands such as The Marked Men and Shang-a-Lang, both of which excel at punk rock played with big fat nods to garage and pop in suitable doses along the way. As good as both those bands were/are, I really do believe that the dozen songs on Screens take things to another level. It's not a case of a band creating something new, it's more that they've taken a punk/garage sound and used it as the foundation for a whole bunch of ridiculously cracking songs. The album kicks off with the title track and it's like a greyhound out of the traps, hurtling along at top speed and taking me along for a short, sharp ride. However, there is no time to catch a breath from start to finish really, as there is a momentum throughout the album which doesn't dip in terms of pace or quality, although the final track "Magical Thinking" does slow things down a touch as Screens reaches its conclusion. Don't be kidded into thinking that this album is just a blur, as there are huge chunks of melody within these songs, some great lyrics and hooks aplenty all delivered with a sense of purpose, which seems to be to do something that is simple and effective yet different enough to make it stand out. The production on the album, provided by Mark Ryan (Mind Spiders/Marked Men), is massively fit for purpose and gives a cleanish feel to the record, but one which does not feel overproduced and homogenised. The other thing that hits me each and every time I listen to Screens is the use of the cymbals: for me, this is what keeps up that frenetic pace, thus allowing guitars and bass to seem as if they're being played that much faster than perhaps they are. Each listen provides me with another favourite track on here and one day it could be "Pills," the next it's "Screens" and then it could be "I Feel Your Ghost"; each song has its own merits to have it vying for the best track on the album. Additionally, I find various tracks just leaping into my head without any notice, and to be fair it's always a welcomed arrival, guaranteed to cheer me up.  There you have it, the top spot on my Best Of 2013 List is almost certainly decided now and if you consider yourself to have any interest in music (and I deliberately do not use the word 'punk' because I think this transcends genres) then give this a listen and see what you think (but I reiterate, if you don't like it, I don't care!).	12 EUR
LURKERS - 1977 [------] 2010 PUNK (UK) The first two 7"es, a compilation track, unreleased studio demos and the first John Peel Session, all recorded in 1977.	12,5 EUR
MAGIC JAKE & THE POWER CRYSTALS - S/T [BURGUER RECORDS] 2012 GARAGE (USA) KILLER GARAGE PUNK STOMPERS OUTTA DETROIT COURTESY OF MAGIC JAKE (King Tuff) AND BOBBY HARLOW (The Go, Conspiracy of Owls)!!!	10 EUR
MALLRATS - FALLING IN LOVE ALL OVER AGAIN WITH [SCREAMING APPLE] 2005 POWER POP (USA) The MALLRATS are a hook laden power-pop trio from Sacramento, California. The band formed in late 2000 with Adam Miller on bass, Ted Angel on guitar, vocals and Mickie Rat on drums. Seventeen year old boywonder, Steele Strella later replaced Mickie solidifying the bands sound. Armed with Rickenbacker guitars and Vox amps, the MALLRATS play infectious power-pop influenced by the JAM, the BUZZCOCKS, Elvis Costello, Nick Lowe, Mr.T.EXPERIENCE and of course, the DECIBELS. They have already gained a loyal following in their hometown of Sacramento, which is now extending to the Bay Area and the rest of California and they will certainly conquer Europe with the release of their debut-album too. They have also found success on the internet, recently ranking in the top ten in the power-pop charts on mp3.com This past winter the MALLRATS went into the studio with the amazing Bart Thurber (ODD NUMBERS, WORKIN´STIFFS, HI-FIVES) and cameout with this full length's worth of super cool sounding, catchy as hell tunes,affectionately called "Fall in love all over again with" Youth, energy and the ability to write great songs makes them one of the brightest new stars in power-pop heaven. Listen and fallin love all over again with the MALLRATS. http://www.themallrats.com	8 EUR
MANIC DEPRESSIVES/0:30 SECOND FLASH - SPLIT MLP [RERUN RECORDS] 2011 PUNK (USA) Super swell Buzz Saw/Killed By Death Punk from two new Orleans bands! Complete Recordings 1980-1981!Both bands were the brain child of Larry Holmes who ran the legendary Vinyl Solution record label and the Final Solution fanzine in New Orleans. Beginning in 1979, Vinyl Solution released singles by early punk bands Red Rockers, Shell Shock, Toxin III and other locals, along with the scene defining No Questions, No Answers compilation LP. The vinyl releases are U.S Punk classics, and his Final Solution fanzine was by far, the best documentation of the early New Orleans punk scene. Making sure to cover all angles, Larry put the Manic Depressives together. He choose pals like local loonie Mandeville Mike and members of the Models to fill the line up. The band didn't last too long, but they managed to leave behind a 7"ep and a two compilation cuts of tough, yet melodic speed punk. When the Manic Depressives ended, Larry formed the similar sounding 0:30 Second Flash with another group of friends. They recorded a four song EP and played live a few times, but they were over even faster than the Manic Depressives. The EP was not released as planned, and Larry, like many others got bored with punk when it turned hardcore. We've collected the complete recordings of both bands on a 45rpm 12". Side one has the Manic Depressives 7”ep and compilation tracks from 1980-1981, while side two is the unreleased 0:30 Second Flash 7"ep from 1981. Pressed in a an edition of 500 copies on black vinyl, housed in a color jacket with previously unpublished photos and liner notes.	12 EUR
MARVELOUS DARLINGS - SINGLE LIFE [DERANGED RECORDS] 2011 POWER-POP (CAN) In a pretty hilarious essay about his brother, Paul, author David Sedaris describes how his brother, who refers to himself as ‘The Rooster,’ copes with hard times with the help of what he calls a “Fuck-It Bucket”–a plastic pail filled with jawbreakers and bite-sized candy bars. According to the Rooster, “When shit brings you down, just say, ‘Fuck it’ and eat yourself some motherfucking candy.” Given the more or less troubled state of the union, and the world in general, the Rooster just might be on to something, and applying his coping mechanism to recent trends in the garage rock scene could explain the number of punks currently playing power pop–a style of music that, with its quick-fix melodies and sugar-rush highs, is pretty much the candy of rock ‘n’ roll. Which makes a good power pop record one helluva good fuck-it bucket, and bands like Denton’s Bad Sports (and especially “Teenage Girls,” a song that repeat buttons were made for), Canada’s The Steve Adamyk Band, and Chicago’s Smith Westerns, to name just a few, have been saying “fuck it” with the best of ‘em. Add to that list Marvelous Darlings, the power pop side project of Fucked Up‘s Ben Cook. The band’s debut lp, a collection of 7″ singles appropriately titled Single Life, rocks like a high school kegger in a disco-ball basement loaded with kids just lookin’ to hook up. Opening cut “I Don’t Wanna Go To The Party” announces the band’s intentions with a driving melody that plays like Big Star or Cheap Trick channeling The Ramones, and things don’t let up from there. Hell, there’s even a little Billy Squier–a los grillos all-time favorite fuck-it bucket rocker–laced through Marvelous Darlings’ unabashed power pop trip. So don’t say no to this one–dig it!	12,5 EUR
MARVELOUS DARLINGS - LIVE AT GALES [DERANGED RECORDS] 2011 POWER-POP (CAN) How do you record sweat? I don’t know, but Marvelous Darlings have done it. Live at Gales is a non-stop fuzzed out 22 minutes and 35 seconds of pissed off power-pop injected with a raw rock ‘n roll energy you only fantasized about your own band having during daydreams in front of the stereo. Full of strained vocals, luscious garage rock guitars and idiotic yelps from the crowd make this as close to an actual MD concert experience as a Saskatchewan resident will ever get.	10 EUR
MATT K SHRUGG - GONE ASHTRAY [TIC TAC TOTALLY] 2010 PUNK (USA) You know MATT from the PIZZAS, ZODIAC KILLERS, and many more projects of note. This here is MKS's first LP and it's all the raw nugs collected from his various home recordings that Matt had been doing and then (awesomely of him) sending over to Tic Tac Totally over the last couple of years. His first vinyl release since his initial burst of three 7-inches (one on TTT, and two on Plastic Idol) in 2008. Since then TTT had been in touch for an LP that was carved up nicely from his first 35 song CDR, and then while recording that material, his ADD got the best of him and Matt wrote another 50-60 other new songs, all of which were sent over the years, pen pal style. Long story short, every demo clinched it deeper into "holy shit" territory. The songs were often far too good to leave as "demos" on a few folks dashboards. And Matt's home-recorded stuff always leaves a cool fingerprint from the demo takes anyway which works with it not against it almost always. Gone Ashtray features a solid collection of those demos all nicely mastered for vinyl. Edition of 300 copies on assorted colored vinyl with screened jackets by KEEGAN. Includes an insert with info and song notes by MKS.	11 EUR
MCRACKINS, THE - COMICBOOKS AND BUBBLEGUMS [SCREAMING APPLE] 1999 PUNK-POP (CAN) Brandnew eggciting album by Canada´s pop-punk sensation!Definately their best!	8 EUR
METRALLETAS LECHERAS - MELODÍAS PARA ROMANOS [BOWERY RECORDS] 2011 PUNK (ESP) Metralletas Lecheras are a mixture of Arabics, Celts,Irish and Moroccan who came to burn the cathedral and were left to eat.In their songs talk about what they are and where they are from,sometimes even would like to be,exactly as bravús and mods.They use subtly a musical and esthetic ambiguity:too much rednecks for the modern,too much modern for the rednecks.They embody the"I come here for fun and eat a good grilled meat",much more important than public approval.If they fell good and confortable,you will be caught in agonized skrieks or tiki-exotic dances.	8 EUR
MIDNITE SNAXXX - S/T [RED LOUNGE] 2012 PUNK (USA) MIDNITE SNAXXX is comprised of three of the loveliest, toughest, punkest ladies in existence. Dulcinea Gonzalez, Renee Leal and Tina Lucchesi have been key fixtures of San Francisco’s Budget Rock scene for ever - actually i think they own that cake! They been/ are in Bands such as Bobbyteens, Trashwomen, Top Ten, Loudmouths, Cyclops and countless others. Musically you get dreams-do-come-true Real Kids-Kidda Band-Ramones-Teenage Head-Donny Denim-early Donnas-Style Power Pop Punk.	12 EUR
MISS CHAIN & THE BROKEN HEELS - ON A BITTERSWEETRIDE [SCREAMING APPLE] 2010 POWER-POP (ITA) You'll either love her madly or hate her badly. Or both. And she's not alone. Disaster Silva and the Barcella Bros. are Italy's hottest pop sensatiton, THE BROKEN HEELS!! Together they deliver their unique mixture of rawdy pop, sixties beat and eighties dreams. It ain't no party, it ain't no disco, it ain't no fooling around, just charming songs appealing to your heart, soul, feet and skin! They're the last craftsmen of the perfect pop song. If you don't like them don't worry, you're probably dead but nobody told you yet. Lovely Miss Chain (or shall we call her Disaster Silva, ... or maybe just Astrid?!) explains the magic of their amazing debut abum as follows, ... "On a bittersweet ride, it's like climbing sunshine pop mountains and falling down into groovy bubblegum worlds ! Walking on garage punk streets, stomping our feet while dancing to our fav hits ! The KINKS and the BYRDS warm our heart, Phil Seymour and Dwight Twilley gave us the start, SHIVVERS and FLAMIN' GROOVIES made our teenage years, BIG STAR and RASPEBERRIES gave us smiling tears. We grew up with the Nuggets and 60ies Girl group sound, screaming "hold tight" and "I get around" ! Dave Edmunds, Nick Lowe, oh BADFINGERS's Baby Blue, all we wanna say : BAY CITY ROLLERS we love you !!!!!!! We sing about holding hands and love for eachother, summertime fun and mellow ballads, underneath a nostalgic vein you will feel but each track will blow your mind for real !! up and down, inside out, come on dance, twist and shout!" After having released three 45s, the band now comes up with 12 more impressive examples of what real power-pop is all about. This platter is a real little masterpiece. All tunes deliver the perfect blend of classic late 70's power-pop, 60's all-girl group sounds and the minimalistic charme of early punk-rock. We said it before and we will say it again, this band will be HUGE!!! If you really dig the sound of crunchy guitars, be a sucker for songs with the highest possible recognition value and go bananas for a full dose of harmonies, you need to have "On a bittersweet ride"	10 EUR
MISS CHAIN & THE BROKEN HEELS - THE DAWN [BACHELOR RECORDS] 2013 POWER POP (ITA) After four singles (“Common Shell”, “Boys and Girls”, “Lie” and the 2012 single on Bachelor, called “Rainbow”) that sold out in a flash, an album for one of the most prestigious power-pop labels already in its second pressing, raving reviews on both sides of the Atlantic, two US tours and lots of dates all across Europe, Miss Chain & The Broken Heels are once again among us. We had left them with “A Bittersweet Ride”, the LP which was released two years ago on Screaming Apple / Burger / Sonic Jett Records. Two years of relentless touring and personal change. Miss Chain was then singing about being 25 years old and the bittersweet thoughts and preoccupations that come with such an age. Now, two years later, the girl has become a woman: this journey has finally seen the light of dawn, it has changed its nature, turned into a rite of passage. Her thoughts have become a stream of introspection that is equal parts light and darkness, reason and spirituality, demons and hopes. Following this transformation, the music itself has changed, pushing the melodies beyond the usual rock ’n’roll/garage blueprint, such as we were used to.	11 EUR
MIND SPIDERS - MELTDOWN [DIRTNAP RECORDS] 2012 GARAGE-ROCK (USA) The Second album from MARK RYAN’s (MARKED MEN, HIGH TENSION WIRES) MIND SPIDERS, and it's a Meltdown, alright. This is a very different beast from the s/t Mind Spiders LP released just 13 months ago. The most obvious difference is that while the s/t LP was recorded piecemeal, with Mark more-or-less playing all the instruments, Meltdown is the first Mind Spiders recordings to feature the full live band. And what a band it is: members of THE BAD SPORTS, High Tension Wires, Marked Men, UPTOWN BUMS, etc etc. The fact that there are two drummers (MIKE from the Marked Men and GREG from The High Tension Wires both play drums at the same time) gives alot of these songs a rhythmic complexity that sets the songs apart from a lot of other "garagey" type bands. Loosely organized like the first LP, with the more straightforward, rocking stuff on side A and the weird curveball stuff on side B, Meltdown, while remarkably cohesive, blends a lot of different elements: Great sounding guitar tones. Happy, warm organ. Mean, buzzing synth. 60's pop sensibilities. Snotty garage rockers. Dark, brooding postpunk. Weirdo sci-fi soundtrack stuff. Nods to Krautrock.	12 EUR
MMOSS - I [BURGER RECORDS] 2012 GARAGE-PUNK (USA) KILLER GARAGE PUNK STOMPERS OUTTA DETROIT COURTESY OF MAGIC JAKE (King Tuff) AND BOBBY HARLOW (The Go, Conspiracy of Owls)!!!	11 EUR
MOBCHARGE - APOCALYPTIC HORROR [KREMON RECORDS] 2010 D-BEAT (ESP) Fuck yeah! There’s nothing new or innovative here, and there really doestn’t fucking need to be. This is 100 % pure D-beat in all of its slightly sloppy, raw glory with a singer who sounds remarkably like the late Kawakami (DISCLOSE, of course). He recording may actually be a little too clean for my taste, but if your crank the bass and listen to is as loud as possible, it sounds good. As far as the style goes, MOBCHARGE is more in line with second-wave bands like DISGUST and DISASTER both in their lack solos and the relative shortness of the songs. Nice Lyrical nods to CONFLICT and SORE THROAT as well, My only complaint is the way obvious Photoshop work that’s all over layout. What’s wrong with good ol’ cut ‘n’ paste (AU).... Más información: http://blogs.myspace.com/index.cfm?fuseaction=blog.view&friendId=205629344&blogId=534499171#ixzz11c729YE5	6 EUR
MONKS, THE - BLACK MONKTIME [] 2012 ROCK (USA) Black Monk Time is the debut studio album by Germany-based American rock band The Monks. It was released in March 1966 through Polydor Records and was the only album released during the band's original incarnation. The album's subversive content was radical for its time and today is considered an important landmark in the development of punk rock.	11 EUR
MOON UNIT - IN SIX MOVES [CLIFFORD RECORDS-10"] 2008 POP (ESP) De Moon Unit podríamos decir que hacen power pop, pero del reflexivo, como demuestran en la intensa "Insincere", o la directa pero estudiada, "I’m alive", sin renunciar por ello a las melodías básicas pero adictivas y a la frescura y color que mantienen en temas como "Shine". Ellos, dicen ser el resultado de un mix entre una buena dosis de rock, pop y punk bien triturado y, si por todo esto entendemos también a Paul Weller, puede que no se equivoquen, ya que en él parecen tener a su principal gurú y referencia. Sin duda, un buen guía espiritual cuyas lecciones han sabido interiorizar y llevar a su propio terreno.	6 EUR
MORDÄRE - VIENTOS DE MIERDA [DEVIANCE-12"] 2012 HC-PUNK (ESP) D-beat Crust al mas puro estilo Sueco. Version de Totalitar incluida.	8 EUR
MOTHER'S CHILDREN - ARE YOU TOUGH ENOUGH? [TAKEN BY SURPRISE-12"] 2011 POWER-POP (CAN) Canada seems to be the new fertile ground for smashing powerpop. MOTHER'S CHILDREN hail from Ottawa, the same place as great bands like SEDATIVES, STEVE ADAMYK BAND (who they share a member with), WHITE WIRES and many others are from and keep making me go GAGA. This 6 track 12" is the follow up to their well received THAT'S WHO! LP on DERANGED. Dirk Klotzbach from OX put it this way (I fully agree!): I really hope that you all followed my call up from OX # 92 in the meanwhile and have bought yourself a copy of MOTHER`S CHILDREN "That´s Who" Debut LP. So just to make it clear once again, there is no excuse ! The same as great as mentioned LP is this follow-up 12" from the Canadians. Power Pop Glam´n´Roll driven to perfection that should be spinning on your record player multiple times a day and that still is on a par with it´s musical archetypes. Take your personal hits from the first three Powerpearls Compilations add it up with the two episodes of Killed By Glam, listen to "Milk & Alcohol" and "She´s A Windup" by DR. FEELGOOD once again, don´t forget your BOYS, STIFFS and FAST CARS records and imagine you would be warped right back to the Seventies where you would be seeing all those bands live on stage, because this is the moment when you realize that you are dancing and beerspitting right in front of the stage of a MOTHER`S CHILDREN show. Maybe you´ll even meet Noddy Holder or Gary Holton there on your timewarp.	10 EUR
MUCK AND THE MIRES - HYPNOTIC WATER [DIRTY WATER] 2009 GARAGE (USA) Produced by rock and roll legend Kim Fowley, the cover features 3D artwork by award winning designer James Adame. 3D glasses are packaged with the album. Everyone has been waiting for the next rock-n-roll phenomenon, a piece of product guaranteed to go across all age group barriers, demographic boundaries, rock-n-roll hasn't had any sunshine lately on it's horizon and now the summer is going to last forever because of the existence of the radio friendly album 'Hypnotic' by Muck and the Mires. Muck and the Mires' songs sound like long lost classics...all two-minutes long and ALL POTENTIAL HITS!	12,5 EUR
MULLSTATION - WIR SIND DABEI [HOEHNIE RECORDS] REISSUE 2002 Punk (DDR) Reissue of the first album from 1993 of these veterans of the East German punk-scene (founded in 1980!). Great hard 77-influenced punk-rock with catchy choruses!	10 EUR
MUMMIES, THE -TALES FROM THE CRYPT [FAN CLUB] 2009 PUNK (USA) This was originally recorded in 1994 and was supposed to be an LP on Crypt Records for one reason or another, it never came out. Features a smattering of some of the best Mummies tunes recorded in actual proper studio! Unbelievable upon first listen. Limited edition pressing of 500 copies. European import.	15 EUR
MUNDO MUERTO - ENTRE EL KAOS [SABOTAGE RECORDS] 2012 PUNK (USA) lp comes with a really nice printed envelope and green vinyl the debut lp by California's mighty MUNDO MUERTO! Retaining the melody of the earlier 7" and 12" eps but with a harder, faster edge this lp is by far MM's best material to date. 11 tracks of pure hardcore punk greatness. From the build up on the first track to the last note this smokes all the way through!!!! The Spanish vocals only add to the amazingness of this lp and all the "whoa" parts will have you singing along even if you dont speak the language.This is some absolutely raging punk in the Spanish tradition, equally influenced by more melodic bands like Eskorbuto and RIP and the more raw bands. What you get is basic, four-the-floor hardcore with catchy as fuck, whoa-soaked vocals over the top of it. This thing is jam-packed to the hilt with hooks... fans of Vaaska and Peligro Social will dig HARD. Catch the Histeria!!!	10 EUR
NAMES, THE - YOUNG ROMANTICS [RAVE UP] 2012 Punk (USA) Punk Rock hit Phoenix, Arizona in a slow and violent way. The dirt brain mentality of "rock" fans in the area showed resistance to any new musical group that didn't conform to the model. Finally, after a Ramones show in town, four young guys decided starting to play punk rock: The Names were born! The band and headed into the studio. Songs like 'Young Romantics', 'Love/Hate', and the anthem 'I Don't Like Radio' gathered the band airplay on the AM radio station K-15. Bands such as the Rubber City Rebels, the Gears and many others came through the area and The Names opened for most of them. The last show of the band was on New Years 1980. The next day, the band became Red Squares, that recorded the amazing 7” 'Modern Roll/Time Change' (see American Lost Punk Rock Nuggets # 25). All studio tracks + 4 live cuts!	10 EUR
NEGATIVES, THE - NO TRUTH, NO JUSTICE [TRASH 2001] 2005 PUNK (SUECIA) As the name suggests the band are straight out of Sweden not from Bradford (or should that be ‘Not From London’?) 11 tracks of full on Rancid before they got shit style streetpunk with a poem to kick things off. Othen than the poem this album kicks in like a ecstasy rush and will have you jumping around all the way to the last track, which is a tribute to the late John Peel. All the songs are in English and the cd booklet has all the lyrics so late night sing a longs are possible. I particularly liked the track ‘Greatest Punk Rock Rip Off’ a song about bands who get back together with one original member for the money, a subject I’m sure a lot of you reading this know about. One of the best albums I’ve heard in a long time and a band I will be looking out for in the future.	5 EUR
NERVEBREAKERS, THE - HIJACK THE RADIO! [GET HIP] 2012 PUNK (USA) An anthology of mid to late 70s studio recordings, some of which ended up on the Nervebreakers' late-70's 7" vinyl releases on Wild Child Records, some on the 1979 Texas punk LP compilation Are We Too Late For The Trend? (ESR Records), some on a volume of Italian label Rave Up Records series of American Lost Punk Rock Nuggets, and others that have up-to-now never been publicly released. Includes the original (and best) hit recording of "My Girlfriend Is A Rock", the title anthem "Hijack The Radio", and punk classics like "Why Am I So Flipped?", "I Wanna Kill You", and "I Love Your Neurosis". Also included are proto-punk psych-y gems like "My Life Is Ruined" and "Beyond The Borderline".	12 EUR
NIGHT BIRDS, THE - THE OTHER SIDE OF DARKNESS [TAKEN BY SURPRISE] 2011 PUNK (USA) Yup that's right, we've been talking about this record for the better part of 2011 and now we couldn't be more thrilled to announce that "The Other Side of Darkness," the debut LP from NIGHT BIRDS, is now available for preorder! I think by now it's safe to say that NIGHT BIRDS need no introduction, so you should know what to expect from these NY/NJ boys ... they pulled out all of the stops on this LP and are very excited that it will soon be available for mass consumption.	10 EUR
NIGHT BIRDS, THE - FRESH KILLS VOL.1 [GRAVE MISTAKE RECORDS] 2013 PUNK (USA) Tracks 1 & 15 originally appear on the "Killer Waves' 7". Tracks 2 - 5 originally appear on the "Midnight Movies" EP. Tracks 6 - 10 originally appear on the "S/T" EP. Tracks 11-14 originally appear on the "2009 Demo".	12 EUR
NOH MERCY - S/T [SUPERIOR VIADUCT] 2012 PUNK (USA) Formed in San Francisco in 1977, NOH MERCY was comprised of only two women: Esmerelda and Tony Hotel. The band's motto was "No Boys On Guitars" as a reaction against male-dominated rock 'n' roll. They didn't need boys or guitars. They harnessed the angularity of DEVO, the punk/poet attitude of PATTI SMITH, and the art spectacle of ROXY MUSIC, all ground down to a minimalist core of voice and drums. Their only two previously released songs – "No Caucasian Guilt" and "Revolutionary Spy" – have long been considered essential recordings within Post-Punk/No Wave collector circles and by fans of other late 70's "girl" groups, such as X-RAY SPEX, THE SLITS, and THE RAINCOATS. This album contains almost entirely unreleased material, unheard for over thirty years. Recorded by Fluxus artist and electronics genius Tommy Tadlock (TUXEDOMOON) during their peak in 1979. As prescient as bands come, NOH MERCY preceded the defiant queer rebellion of Riot Grrrl and the frenetic art minimalism of the early 21st century by decades.	12 EUR
NODZZZ - S/T [WHAT'S YOUR RUPTURE?] 2008 Pop (USA) Nodzzz are Sean Paul on guitar, Anthony Atlas on bass, and Eric Butterworth on drums, with Pete Hilton as forever auxiliary drummer, now stationed in Bulgaria in the service of the Peace Corps. They're sweet dudes with an even sweeter sound, first honed on a killer single called "(I Don't Wanna) Smoke Marijuana" b/w "We Are the Only Animals," released on Eric's Make a Mess imprint. Barely three minutes long, each side tore the face off of the last days of 2007, revealing a candy skeleton that had the Modern Lovers' teeth marks in it. The group's self-titled debut is a grower, with ten new songs in a markedly more pop direction. You can hear the simple American pleasures of baseball, road trips and late summer within, plain as day within this record. More specifically, you can hear three guys examining where punk became something more, between notions of power pop and advanced songwriting on the Embarrassment/Big Dipper/ Pointed Sticks axis, but with the economy of the Minutemen or Beat Happening. They're in and out before you know it, having firmly planted the seeds of catchy melodies between your ears.	9 EUR
NOLLA NOLLA NOLLA - S/T [SVART RECORDS] 2011 PUNK (FIN) REISSUE Perhaps best known as the first real band of Jore Vastelin, of Musta Paraati fame, Nolla Nolla Nolla (also known as 000) produced only an EP and an album during their two short bursts of activity. Having broken up in 1982 after the EP "Oodeja simasuille", they reformed briefly in 1984 to record this album. Their original blend of classic punk rock and Killing Joke -style post punk was not a popular concoction at that time, and it is only in later years that their legacy has grown into a cult. The original pressing of this album has been known to change hands for several hundred euros. The Svart reissue features a sturdy gatefold jacket and a 24-page A4 booklet with bilingual liner notes from the band's guitar player Make and many previously unpublished photos from the era. The audio has been mastered for vinyl from the original tapes.	13 EUR
NORMALS, THE - SO BAD SO SAD [LAST LAUGH RECORDS] 2012 PUNK (USA) Extraordinarily acceptable for late-‘70s, recently-unearthed power-pop and will please those who most assuredly purchased it upon release earlier this year. This is a second LP of studio tracks from yet another no-longer-long-lost Hyped-to-Death/Teenline-style concern that hailed from New Orleans. The retro-stroke campaign for The Normals began with a reissued 7” last year, and ears that I trust claim it had a bit of Dictators pop-metal mixed in with its otherwise expected sound, but this LP is nicely-accomplished power-pop with energy/punk-rock edge, all of which makes for the perfect sonic ground for the addition of great big, unforgettable hooks, yet that never happens on So Bad, So Sad. The knuckle-draggers who operate as brainwashed disciples of this sort of stuff, as well as the new bands that ape it and add nothing of worth, will talk really loudly, in social situations or at record stores, of their unmovable opinion that The Normals are super-catchy and badass in that way or this way, but all I ask is for folks to be honest about what’s entering their ears and ask themselves if this needs to be added to the 1,945,923 examples of identical affairs that constitutes their record collections. (http://lastlaughrecords.us) (Andrew Earles)	14 EUR
NOT AMUSED, THE / X-PRAYS, THE - SPLIT [RUMBLE RECORDS] 2011 PUNK/POWER-POP (ALE) Compartido en formato 12 pulgadas por los berlineses The Not Amused, la mezcla perfecta entre los Jam y los Toy Dolls, y nuestros X-Prays, con su punk KBD con toques escandinavos y preciosas voces femeninas, este disco es una verdadera maquina de hacer pogo.	10 EUR
NOW, THE - HERE COME THE NOW [LAST YEARS YOUTH] 2008 PUNK (USA) 11 Unreleased tracks by these UK Punks. One side recorded songs from 1977, the other side an unreleased session from 1979. Including insert with liner notes + pictures.	12,5 EUR
NUEVO CATECISMO CATÓLICO - LOS AÑOS EN GOO RECORDS [SOLO PARA PUNKS-2xLP] 2012 PUNK (ESP) Espero sinceramente que te guste esta nueva edición del sello. Lleva mucho trabajo detrás y una fortuna invertida también. Ambos discos han sido cuidadosamente remasterizados para la ocasión y prensados como es debido. La carpeta doble viene con las fundas interiores impresas con la portada de cada disco, las letras de las canciones por primera vez y mogollón de fotos no publicadas hasta ahora. A finales de los ochenta, el furioso Punk vasco (de estallido tardío respecto a Madrid o Barcelona, pero de impacto y repercusión mucho mayores), una vez pasada la reconversión RRV, había terminado en manos de grupos mayormente mediocres, cortados por un patrón de indigencia estética, autocomplacencia lírica y musical, desastrosos conciertos etílicos y, en definitiva, cutrez. En medio de este panorama, en 1987 irrumpe La Perrera. La crítica especializada los amó desde el principio, el público tardó más en aceptarlos (demasiado rockeros para la punkarrada, definitivamente punks para los jevis, y un ruido infernal para el resto), pero poco a poco fueron congregando su propia parroquia. La herencia de La Perrera era más americana que británica, y además de adaptar referencias punks que en aquel momento nadie usaba y pocos conocían (intenta listar cuántos grupos versioneaban el Sonic Reducer de los Dead Boys antes de que lo hiciesen ellos, y cuántos la han tocado después), también mostraban querencia por el Hard-Rock clásico, el Glam, y el Pre-Punk (Thin Lizzy, Rory Galagher, Alice Cooper, Dictators, Stooges). Eran, ante todo, fans de la música, “presumían” de una cultura musical extensísima, y reivindicaban grupos menores con exquisitez de coleccionista. Su estética, de carácter vintage y mitómana, no era forzada, pero sí consciente. Sus letras, muy personales, odas alienadas de individualismo y autoafirmación, suponían una excitante novedad entre el analfabetismo en inglés y los sobados clichés carentes ya de convicción. Y, por supuesto, su demoledora puesta en escena, sin apenas pausas entre temas, marcaba un antes y un después en todo aquel que asistiese a uno de sus conciertos. Todos estos aspectos se fueron acentuando, expandiendo y/o refinando cuando, una vez desaparecida La Perrera, los hermanos Arturo y Gonzalo Ibáñez fundaron junto a Julen Atorrasagasti y Jorge Reboredo (ambos ex-Barrakos) y Arturo Zumalabe (ex-Hondakin), Nuevo Catecismo Católico. Y son, desde entonces, elementos inherentes en todos los grupos Punk/Rock’n’Roll underground. Sería exagerado atribuir únicamente a NCC la paternidad de una escena que consume sin prejuicios distintos estilos de música Punk, Hard-Rock o Heavy Metal, y que se interesa por investigar la historia del Rock’n’Roll. Grupos australianos, americanos, y más tarde escandinavos, ahondaron en ese enfoque, y gozaron, lógicamente, de mayor predicamento. Pero NCC estaban y hacían eso antes, y fueron “Nuevo Catecismo Católico” y “En Llamas”, y sobre todo, los directos de una banda que en veinte años de trayectoria no ha dado UN SÓLO CONCIERTO MALO, los principales responsables de la existencia de demasiados grupos como para enumerarlos, y de la transformación de toda la escena rockera underground española. El implacable paso del tiempo (esa gran obsesión del principal letrista del grupo, Gonzalo), no se ha atrevido a tocar los dos primeros elepés de Nuevo Catecismo Católico, colocándolos en el lugar que merecen: el de los Clásicos. Son dos excelentes, excepcionales, extraordinarios, discos de Punk-Rock. En cualquier contexto (vasco, español, mundial). Quienes perdimos el juicio cuando fueron publicados, seguimos sintiendo esa detonación en el estómago que se expande en carne de gallina y pelos de punta, al escucharlos hoy. Habrá otras maneras de quitarse veinte años de encima (al menos durante lo que dura una canción), pero no serán tan divertidas. -Daniel F. Marco.	17 EUR
OBN III'S , THE - THE ONE AND ONLY [TIC TAC TOTALLY] 2011 Rock (USA) New entry for the top-shelf, mid-tempo “City Slang”-vibed bangers contains zero frills and marries it down to a Stooges swagger. This debut long-player is as tight as it is unhinged. The double-deep-fried guitars and solo riffage render tunes of a hooky, hard rock sheen. Effectively transplanted from the S/T EP without a doubt. But OBNs use the stretching room an LP affords to also flirt with a Sabbath-like weight in their sound, add even further snotty attacks, and lay out ridiculously deliberate, locked-in grooves to serve on (Graham Low and Matt Hammer function as an incredible rhythm section). Of course the “Texas-tinged IVY GREEN” tag remains 100% applicable, but I’d also go for “VAMPS-meets-STOOGES” comparison here even more (101% I guess??). Matter of fact, the fucking Vamps are another Texas five-piece with a blonde guitarist too. Wha…tha…fuuuuck? 20-year time warp? Reincarnation?! All the killer riffs on this album just set it off for “front, man” Orville Neeley, whose howling episodes take over the tracks like a “front, man” should. Highlights on this thing include E-VER-Y-THING. No jokes, no riddles, no ham sandwich. I don’t care if you ARE Barrack Obama. Recorded by Orville Bateman Neeley III in hot-as-fuck Austin, Texas. As if enough sweat wasn’t baked into these tapes already. LP includes a free download and is pressed on heavyweight wax housed in a nice inner/outer sleeve deal. Get on board with this shit, and grab the singles on TTT and Super Secret Records if you ain’t dun diddit yet.	12 EUR
OBSERVERS, THE - SO WHATS LEFT NOW [TAKEN BY SURPRISE] 2004 PUNK (USA) Melancholy singalong punk. Combines the darker and more experimental aspects of bands like the Dead Kennedys and WARSAW & other late 70’s UK art punk with the anthemic choruses of LA’s Youth Brigade yet sounding nothing like any of those bands. Put these guys on a bill with the Stitches, Geisha Girls, Manikin and the Distraction and the art punks will go nuts!	10 EUR
OCCULT DETECTIVE CLUB - S/T [RED LOUNGE] 2010 PUNK (USA) Got a mail from a friend to check out this band, was addicted a minute later and had a record deal the same afternoon! Thank god for the internet, even so you can't punch people through it!! Including MAASTER GAIDEN Members, this band sounds like a Perfect Cocktail made out of 2/3 Hex Dispensers and 1/3 Marked Men. How the Hell can you not end up on the floor of the bar totally wasted yet still asking for your glasses (stereo!) to be filled over and over again?? I like my drugs..and this is one of them!!!!! But as always, please don't give a flying fök about the stuff this German idiot brabbles, take a listen at:	11 EUR
OI POLLOI - A CEOL A CANAN AR A MACH [CAMPARY RECORDS] 2009 Punk ( ESC) The latest full-length from this long-running Scottish Anarchopunk band, this time all the lyrics are in Gaelic	9 EUR
OUT ON A LIMB - DROWNED [TAKEN BY SURPRISE] 2011 PUNK (ALE) Out On A Limb are from Germany and play slightly-slower-than-mid-tempo post punk. The band claim Joy Division as an influence, which I hear a little bit, but the danceable drum parts remind me of the Cure for some reason. The feel of the record itself leans more towards bands like Heroin/Unwound/other early ‘90s Gravity Records offerings, but the post punk influences creep up and become a lot more apparent at times, which makes the listening experience more interesting. The vocals are clean and sort of just hint at melody, and fit in well with the music. I kept feeling that the vocals sounded a lot like another band I couldn’t place until I decided that the accent just reminded me a lot of the Peacocks. The production on the whole record is very subdued, which fits the sound, and the mixing is excellent.	10 EUR
OUTDOORSMEN - SHIT WILL HAPPEN IF YOU USE YOUR STUPID BRAIN [RED LOUNGE] 2012 Garage-Punk (USA) 10"-This release "was supposed to be our first lp but the label folded" or something like that... WHAT???????? GREAT!!! Giving RED LOUNGE RECORDS a chance to transform this shabby lo-fi-cheapo production into a 10" in deluxe gatefold cum-piss-bloodstain proof laminated RED LOUNGE RECORDS STYLE cover! OUTDOORSMEN are San Francisco's reigning kings of 'don't give a fuck' garage-punk. On this 10" here more aggressive then ever! P A R T Y !!!!! - Ultra Deluxe 10" "RED LOUNGE RECORDS STYLE" Gatefold	10 EUR
OUTFIT, THE - THIS IS ONE'S ON US [BORDS DE SEINE] 2002 Punk-OI (DINAMARCA) Muy buen Street Punk ingles al estilo clásico de Cock Sparrer o Business.	6 EUR
PANIKS - PANIK PICNIC [BI BATEAN DISKAK ] 2008 Garaje-Rock (ESP) Segundo disco de esta banda de Barakaldo de garage-rock primitivo en la liga de Oblivians, Gories y similares. Gran grupo	5 EUR
PANGEA - LIVING DUMMY [BURGUER RECORDS] 2011 GARAGE-PUNK (USA) One of our favorite cassettes this year is now one of our favorite LPs!!! Pangea is from LA and they are killing it with their awesome garage punk, KILLIN' IT!!! This album is perfect from start to finish, SO GET IT NOW SO YOU CAN SAY YOU KNEW THEM WHEN!!!	10 EUR
PAPERHEAD, THE - S/T [TROUBLE IN MIND] 2011 POP (FRA) Upon your first listen to this record you may thing that you’ve stumbled onto some lost nugget from 1968. THE PAPERHEAD take their name from a lyric in July’s golden-age psychedelic single “My Clown” and while the record may have a vintage sound, it’s mind boggling to learn that it was written and recorded in the summer of 2010 by three 18 year old kids from Nashville. Neo-psych fans may hear a more ambitious White Fence or a poppier Spacemen 3, while others may recall Pretty Things, July or a post-LSD Beatles. Twelve tracks that combine layers of orchestrated pop, Eastern influences and plenty of groovy intrumental work. Produced by CHEAP TIME’s JEFFREY NOVAK.	12,5 EUR
PARÁLISIS PERMANENTE - EL ACTO [MUNSTER RECORDS] 1982 Punk (ESP) REISSUE The only LP by cult band Parálisis Permanente came out in 1982 and is one of the definitive post-punk, gothic albums in Spanish. The line-up featured ex-members of other important Spanish bands such as Alaska y Los Pegamoides and Glutamato Ye-Yé. Includes covers of David Bowie and The Stooges. Liner notes by Diego Manrique.	18 EUR
PEACH KELLI POP – S/T [BURGER RECORDS] 2013 POP (USA) Super catchy lo-fi pop sounds played and recorded by Peach Kelli Pop! Do the Eggroll all the way down to the Eenie Meenie Minie Moe, this album will have you dancing in your sleep! Get it now!	11 EUR
PEOPLE'S TEMPLE - MORE FOR THE MASSES [HORIZONTAL ACTION] 2012 Rock (USA) The Peoples Temple have righteously returned with a sliver of their next wave, and with the anxiously awaited follow-up to their debut LP ‘Sons of Stone,’ we have a band on our hands here with their heads clearly going in the right direction. The Lansing, Michigan snarlers have constructed their sophomore LP, ‘More For The Masses,’ with a taste of what they’ve been working on since their last outing, and it’s got us seething with excitement to share it with the world. The new songs show a bold advance in the songwriting structure, with intricate arrangements, incredibly diverse new directions not far off from the pioneering material spurned forth from the iconic 60s band Love. We’re talking flashes of primitive baroque pop and British ‘Fading Yellow’-style songs, albeit not absent of their illustrious fuzz guitar flourishes we’ve all come to love and expect, laid on thick. ‘More For The Masses’ is a perfect example of what Peoples Temple do best, a direct shot to the dome of perfect rock’n roll snarl, classic pop, head-expanding fuzz, those two-part vocal harmonies, and an ever-compelling riff that takes you over the edge and back within minutes. Peoples Temple have built on their unusual knack for crafting original pop music sounding like it’s been stripped out of the ashes of time, only to emerge with some of the most creatively exciting sounds coming out of the Midwest in years. A band built on the rare structure of TWO sets of songwriting brothers is groundbreaking enough in it’s own right (can you think of any other band made up of two sets of brothers that all compose?), but their ability to crank out awe-inspiring classic songs at such a rapid clip is making our heads spin over here, and we can’t wait to unleash ‘More For The Masses’ on an unsuspecting public, destined to break the mold apart even further, and expose the raw guts of this unstoppable rollin’ machine. -Victimoftime.com	13 EUR
PERSONAL AND THE PIZZAS - RAW PIE [RED LOUNGE] 2010 PUNK (USA) BIOGRAPHY From New Jersey, these part-time workers of a well known Pizza Joint, made it to the world press. Just for fun, the recorded a couple of singles which all became huge hits and are constantly sold out everywhere. They toured even the West Coast. They really like pizza and cheap beer. They actually do not really know how to play their instruments. They only know three bands, RAMONES, THE STOOGES and THE DICTATORS. And they know how to look handsome! So here it is, the first full lenght record from PERSONAL AND THE PIZZAS, new recordings of all their massive hits, great artwork by Ben Lyon and as if this is not enough, you also get a ABSOLUTELY FREE PERSONAL AND THE PIZZAS SIGNATURE POCKET COMB. Classy! STATS: 700 copies on beautifully black vinyl with black pocket comb, and 100 on red vinyl with red pocket comb. We will ship with a red comb as long as supply lasts!	11 EUR
PIKES, THE - SOMETHING'S GOING ON [DIRTY FACES] 20129 PUNK-MOD (ALE) It is nearly three years since THE PIKES released their debut EP, but now they are finally back with a new album. THE PIKES again pay tribute to the true mod revival sound of the late '70s/early '80s, featuring some '60s influences to recreate a Mod-Punk sound. 'Something's Going On' is fast and wild. The secret? A perfect harmony of pop hooks and catchy background vocals, put together with blazing guitar riffs, a vibrant bass and forceful drums.	10 EUR
POBLACIÓN SUPERFLUA - S/T [10"-MALDITOS VINILOS] 2012 HC (ESP) “Evidentemente, toda vida es un proceso de descomposición” F. Scott FitzGerald Población superflua funcionó de forma más o menos estable entre finales de 1994 y el 2000. En gran medida su existencia estuvo ligada a la del Centro Social Anarquista de Xixón, donde además de ensayar, grabar y tocar en incontables ocasiones, participaban en la asamblea, la organización de eventos, la distribución anticomercial, y en diversos colectivos y proyectos anticapitalistas… El local estaba situado en los bajos de la casa sindical, espacio reclamado como patrimonio sindical histórico por la CNT, que finalmente negoció con el estado la propiedad privada y oficial del mismo. Esta potestad estatal fue aprovechada por la Federación Local para expulsar de malas maneras a las personas y colectivos que autogestionaban el espacio de forma autónoma y que pese a sus esfuerzos no conseguían captar ni someter a su disciplina. Hoy ese espacio continua triste e inutilizado, un panteón del placer o un monumento a la alienación ideológica, entendida la ideología como falsa conciencia de la realidad… Volviendo al grupo, que se nos va la pinza, después de varios intentos frustrados de okupación, comienzan un periplo por locales de ensayo de alquiler y conciertos en bares, ya sin el encanto de la autogestión anticomercial… Finalmente la supervivencia, la vida reducida a los imperativos económicos, fuerza a parte de los integrantes de la banda a desplazarse geográficamente y ya solo se volverían a reunir de forma esporádica… De esos cinco años salieron un montón de conciertos benéficos y anticomerciales, la mayoría en Xixón, pero otros en Uvieu, Llangreu, Coruña, Torrelavega, Lasarte, Valladolid y Madrid. También varias “cutredemos” grabadas por el propio grupo con cachivaches prestados, de las cuales solo se llegó a mover una (primero en cintas “DIY-Style” y luego editada más profesionalmente por un contubernio de sellos pequeños) Los temas de este disco son los únicos grabados en estudio, en concreto en ACME (Avilés) en mayo de 1999. En su día se iban a utilizar para un EP compartido pero el proyecto no llegó a cuajar. Se editan más de diez años después, más que nada por el propio interés de los miembros de la banda en ver su mierda plastificada en un vinilo, único formato que les produce cierta pasión y alimenta su fetichismo mórbido. Además, el espeluznante contexto sociopolítico en el que vomitaron su odio y rabia, en forma de poemas ruidosos, sigue vigente… Para el diseño de la carpeta, tras un duro trabajo buscando entre viejos papeles amarillentos y llenos de ácaros, se consiguió recuperar una copia del collage que iba a usarse, en su día, para el disco compartido y algunos carteles y entradas de conciertos… Respetando la filosofía de la banda, el disco se distribuirá a precio de coste y se intentará que se venda al precio más bajo posible… Por último, dar las gracias a todas las personas, colectivos y grupos que colaboraron desinteresadamente con la banda, en especial a Escuela De Odio y Odio Visceral por seguir en activo y a todas las personas que han echado una mano para sacar esto adelante… Este disco está dedicado a Fernan y Piñera, entre tantos otros, caídos en la batalla diaria por sobrevivir… Viejos patéticos 2012	5 EUR
POL POT - WHOLE MYSTERY [GO MONGO RECORDS] 2011 Punk (ESP) Los Pol Pot son de Zaragoza y son, para mi gusto, una de las mejores bandas actuales del panorama patrio. Cuando tocamos X-Prays con ellos en Zaragoza, simplemente flipé. Básicamente su sonido se basa casi todo en el rollo Punk siniestro a lo Crisis y a lo Warsaw/Joy Division (a veces demasiado calcado), pero también le meten otros matices. Matices a veces imperceptibles, muy diluidos, y en ocasiones más presentes. Por un lado, algunos temas tienen una línea de melodía más bailable, que puede emparentarles a grupos como The Cure, pero renunciando a la parte bonita y sin abandonar nunca la seriedad que impone la voz grave que recita sin compasión en medio del polo norte. Y, por otro lado, hay partes que te dejan un leve sabor a vanguardia británica 79-82 (en algunos temas más que en otros). No se parecen en concreto a ninguna de aquellas bandas, ni llegan a sus niveles deconstructivos, pero podrían haber teloneado a Pop Group, Gang of Four o PIL. Whole mystery es un disco muy sólido, con muy buen sonido, que se tiene de pie solo. Son solo 9 temas, pero son todos muy largos. Así que, para alguien que no esté muy puesto en este estilo, escucharlo entero puede ser como inyectarse muy lentamente plomo congelado. Pero para los que adoren la marcialidad y la seriedad de Joy Division, el disco se les hará incluso corto y, por supuesto, les encantará. A mi me parece uno de los discos del momento, con una calidad excepcional que no deberías dejar escapar.(http://soloespunk.blogspot.com)	10 EUR
POP RIVETS, THE - GREATEST HITS [DAMAGED GOODS] 2000 Punk (UK) The Pop Rivets (AKA TV 21) played their first show in 1977 at Detling Village Hall, Kent. Famous for their renditions of "Stingray" and "Hippy Hippy Shake", The Pop Rivets recorded the first truly independent punk LP in 1978/9, pipping Swell Maps to the post (who's LP was actually funded by Rough Trade). The Pop Rivets, on the other hand, borrowed £300 from AKA, a friend, who had just received a year's Social Security back pay. AKA was a type of fan who hated Childish and dismissed the Pop Rivets as a bunch of art school wafters. The mystified Pop Rivets took the money anyway and set about recording the "Greatest Hits" LP in the front room of a bungalow in Herne Bay. (They had to stop recording for the engineers mother to watch the 6 o'clock news). The resulting LP was described in the NME as "The youngsters as the future of rock 'n' roll" and then nothing happened.In 1979 The Pop Rivets embarked on two self-promoted tours of Switzerland and Germany and recorded their 2nd LP - Empty Sounds From Anarchy Ranch. Two further EP's appeared in 1980 before The Pop Rivets recorded a lost John Peel session and split up. For The Pop Rivets, punk rock had gone horribly wrong. Thatcher - Milk Snatcher was in and New Romanticism was rearing its poesy old head. Far from being dead and buried it seamed that Bowie and co we're on the ascendant. But there where still many questions the boys need answers for: Why did modern studios insist on making drum kits sound like the recording of a wet cardboard box with a dead fish in it? Why could no group keep its integrity beyond one LP, or even a single 45? Why were Link Wrays 2 track recordings more vital and exciting than anything a modern 8 track studio, or 16 track studio could knock out? Did spiders really see out of all eight eyes at once? Could it be that sophistication far from enhancing creativity, destroyed it? It was time for the Pop Rivets to stifle their intellects and devolve. There were plans to record a final double LP consisting entirely of rock n roll covers recorded live on half track to be titled - The Pop Rivets Meet the Whirling Dervish and survive! They didn't.	9 EUR
POP RIVETS, THE - MT SOUNDS FROM ANARCHY RANCH [DAMAGED GOODS] 2000 Punk (UK) The Pop Rivets (AKA TV 21) played their first show in 1977 at Detling Village Hall, Kent. Famous for their renditions of "Stingray" and "Hippy Hippy Shake", The Pop Rivets recorded the first truly independent punk LP in 1978/9, pipping Swell Maps to the post (who's LP was actually funded by Rough Trade). The Pop Rivets, on the other hand, borrowed £300 from AKA, a friend, who had just received a year's Social Security back pay. AKA was a type of fan who hated Childish and dismissed the Pop Rivets as a bunch of art school wafters. The mystified Pop Rivets took the money anyway and set about recording the "Greatest Hits" LP in the front room of a bungalow in Herne Bay. (They had to stop recording for the engineers mother to watch the 6 o'clock news). The resulting LP was described in the NME as "The youngsters as the future of rock 'n' roll" and then nothing happened.In 1979 The Pop Rivets embarked on two self-promoted tours of Switzerland and Germany and recorded their 2nd LP - Empty Sounds From Anarchy Ranch. Two further EP's appeared in 1980 before The Pop Rivets recorded a lost John Peel session and split up. For The Pop Rivets, punk rock had gone horribly wrong. Thatcher - Milk Snatcher was in and New Romanticism was rearing its poesy old head. Far from being dead and buried it seamed that Bowie and co we're on the ascendant. But there where still many questions the boys need answers for: Why did modern studios insist on making drum kits sound like the recording of a wet cardboard box with a dead fish in it? Why could no group keep its integrity beyond one LP, or even a single 45? Why were Link Wrays 2 track recordings more vital and exciting than anything a modern 8 track studio, or 16 track studio could knock out? Did spiders really see out of all eight eyes at once? Could it be that sophistication far from enhancing creativity, destroyed it? It was time for the Pop Rivets to stifle their intellects and devolve. There were plans to record a final double LP consisting entirely of rock n roll covers recorded live on half track to be titled - The Pop Rivets Meet the Whirling Dervish and survive! They didn't.	9 EUR
PRANKS, THE - MODERN COMMUNICATION [SCREAMING APPLE] 2010 POWER-POP (ALE) Move to the front of the line for "best of 2008". The Pranks "Modern Communication" pushes up there in a crowded field and I am guessing will slot in my Top 10 of the year after a few listen this is really, really FUN album of classic power pop. Fans of The Plimsouls, Paul Collins Beat and The Nerves, listen up - on the more modern, updated side of pop, I am name-checking Peachfuzz, Redd Kross and True Love. GEEK NOTE: this is NOT the late 70s power pop band featuring Jeffrey Foskett, whose unreleased material still languishes.The band proudly rape and pillage pop past. Bonding blazing guitars and jolts of exhilarating power, The Pranks are a mighty tasty and filling snack that is both healthy for you and going to put a big smile on your face because these unfiltered, high-octane, gems are just the right ticket for good rocking popping times! "Modern Communication" lives from the enormous drive all the songs own, from a production which perfectly fits to the sound of the band, from the loud, buzzing guitars and most of all from their ability to write great, dead catchy tunes. Just listen to Song #1 below, "Your world falls down around you", 120 seconds of pure pop heaven, without drowning in stereotypes and sounding too sweet and you will understand what we are talking about. Who is able to clothe a pop-tune in a tight punk-rock suit surely deserves an award. And this should definitely happen to these popmeisters, called the PRANKS, cuz what we got here is a power-pop band that like to rock. The "Yummy" for the best modern power-pop band goes to - The Pranks. EXTREMELY HIIGHLY RECOMMENDED!	10 EUR
POPPETS - S/T [P TRASH] 2010 Pop (SUE) On a cold Febuary morning the two POPPETS took out their caffeine addiction and their old drum computer pal to an empty warehouse where they met up with a cheap gang of guitars, a good-for-nothing bunch of synthesizers and a sock wearing, noise addicted microphone and together they wrung out these 8 minimalistic and animalistic lo-fi gems that were captuired immediately on a 4-track tape recorder. Their first longer effort to date clocks in at 14 minutes and is filled to the brim with damaged and beat-up Pop that shakes and twitches in every corner. None of the involved had to suffer mental or physical damage and will soon be operational for other releases.	11 EUR
POWER-CHORDS, THE - THINK I'M GONNA [SCREAMING APPLE] 2008 POWER-POP (USA) "If you stretch your memory far enough, you can probably remember a time when "pop" was still a three-letter word. Before TRL and Ryan Seacrest and teen actresses-turned-singers, pop was actually a legitimate art form. For the members of Chula Vista, California, band The Power-Chords, it still is. And if it isn't, that's your problem. These guys take pride in stuffing 10 pounds of melodies into a 5-pound bag. In fact, from the sound of their debut single, "Unattached Strings" (out November 7 on Mean Buzz Records), these guys eat, sleep and breathe pop hooks. "We don't like to stray too far from the rock and roll pop song format because it's a common language, although we try to twist it a bit by throwing in a weird chord here or there", says singer/guitarist Jon Hammer. "But let’s face it, the kids today need some energy, the kind of energy that was being exerted in the late ’70s, as exemplified by bands like the Clash and the Ramones, punk bands that started playing fast. The Buzzcocks are revolutionary for essentially making 'pop-punk' long before it was a generic term for modern commercial-radio punk music." What makes the music of The Power-Chords so striking is the band's ability to channel the grimy, blood-and-piss-soaked anarchy of ’77-era punk through the solid song structure of influences like the Rolling Stones, the Beatles and the Zombies. The result is something of an anomaly in the punk world – music that sounds as wild and carefree and couldn’t-give-less-of-a-shit as The Queers, but is bound tightly with thought-out chord changes and melody lines so sweet they could give you a cavity. It’s simple and smart, rebellious while proudly adhering to traditional form. The name "The Power-Chords" couldn't be more, or less, ironic. In the band's short career, The Power-Chords have already raised eyebrows up and down the west coast. The boys have been nominated for a San Diego music awards in each of their three years together. But as their music suggests, winning accolades is hardly the goal for The Power-Chords. "For me, playing shows to people exited for our music is the highlight", says bassist Craig Barclift. "It’s a great feeling to see someone going crazy for the music that you’re playing." "Nothing can touch the fact that a few kids have told us that we gave them hope in music today," Hammer says proudly. As The Power-Chords prove on their debut release, there is hope indeed. 12 simply amazing power-pop-punk pearls speak for themself. "... think I'm a gonna" is a true must have for all friends of euphoric, two minutes pop anthems and fans of bands like THE BUZZCOCKS, UNDERTONES and ADVERTS.	8 EUR
PREDATOR - S/T [DOUCHEMASTER RECORDS] 2011 PUNK (USA) Our new years resolution in 2011 was to refrain from using the words “pop” or “catchy.” We’re sticking to our guns on this release at least as this LP is a punk behemoth. If you remember the Frantic, you know that Mike and Brannon don’t pick up instruments without asking themselves what Rick Agnew would do. This record is short and deliberate, but you can definitely pick up tinges of post punk too. The Adolescents worship continues, but you get the idea they may be secretly digging Warsaw. Comes with a download, fool. 1000 black vinyls.	11 EUR
PRIMA DONNA - BLESS THIS MESS [WANDA RECORDS] 2012 GLAM ROCK (USA) "Kennt ihr noch den Rock´n´Roll in seiner Urform ? Den vor Schweiß tropfenden, sich mit Erdnussbutter einschmierenden, wahnsinnigen und zügellosen Bastard, der den Teufel beschwört und für den sich Teenager bis zur Ohnmacht kreischen oder ihre Jungfräulichkeit verschenken ? PRIMA DONNA sind ein solcher Bastard, eine von den Bands wie sie D-GENERATION oder die TRASH BRATS waren, die ihren Sound nicht an Klischees, sondern an den Wurzeln von Punk orientiert haben. Sie treiben sie sich in den selben verdreckten Gossen wie die NEW YORK DOLLS herum, Johnny Thunders ist selbstverständlich allgegenwärtig, doch dazwischen ist auch Platz für die SAINTS und Chuck Berry, die gemeinsam einen durchziehen, um anschließend dem Auftritt von MOTT THE HOOPLE beizuwohnen, deren Ian Hunter wie ein Besessener auf das Piano einhämmert, während sich Iggy Pop zum Luftangriff seiner STOOGES mit dem Mikro die Stirn blutig prügelt und David Bowie „Ziggy Stardust“ inszeniert" (Dirk Le Buzz)	11 EUR
PROTO IDIOT - STILL STUPID [RED LOUNGE] 2010 POWER-POP LO-FI (USA) Andrew form the HIPSHAKES getting Wacked in the Head by his instruments and desperatly trying to defend himself! Great trashy Power Pop. But hey, take it from the man himself: "Hello, I am Proto Idiot! I am one third of tard-punk trio the Hipshakes, one half of 60s pop plagiarists the Creep Outs and 100% of the rubbish rock Proto Idiot. That makes me 183.3% crappy. Do the math! In my none music time i read books, feed animals, play football, watch TV and explore my body/mind/soul."	11 EUR
PUMPHOUSE GANG - S/T [SING SING RECORDS] 2011 POWER-POP (UK) Formed from the ashes of a mid-70's rock band called Horse, the founding members of Pumphouse Gang - Ricky Wreckage (vocals), Ralph Von Wau Wau (bass), SG Coolbridge (guitar) and Dread 'Family Man' Jones (drums) were active on the fringes of the UK punk scene as early as late 1976. The band made regular trips from their base in Ryde on the Isle Of Wight to play London's live circuit at venues like The Marquee, The Speakeasy and The Nashville, and on the same bill as acts like Generation X, Fabulous Poodles, The Lurkers and The Only Ones. This album features the best of Pumphouse Gang's material for Splash Records, including eight tracks never previously released on vinyl. Lost classics like 'When We Were Young', 'Black And White' and 'Teenage Lament' together with those now highly collectable Splash singles only emphasise how wrong the record buying public were to ignore the band back then. Perhaps this LP will go some way to righting that wrong. - James Denholm (Worthless Trash)	12 EUR
Q, THE - SONICALLY SOUND [TIME FOR ACTION] 2011 MOD (UK) Finally ! Thumping bass lines, solid drums, gritty guitar riffs and memorable melodies are the trade mark sound of The Q.Mixed in the Modernworld Studios , the album is an edgy, autobiographical look behind the story of the band. Each song has been written about or inspired by events that have happend to one of the band members. Significant life events from when the boys were „Growing Up“ that have shaped their characters and the music of The Q into what it is today ! This album comprises 11 songs full of Mod and catchy Power Pop as well as some Soul tinged tunes.	9 EUR
Q65 - REVIVAL [BOOTLEG] 1969 GARAGE-ROCK (HOL) Along with the Outsiders this was one of Holland’s top groups. They predated the MC5 and Stooges by a few years, their sound was powerful blues derived garage rock with a nasty edge. Willem Bieler’s vocals were spit out with venom and in Frank Nuyens they possessed one of rock’s great underrated guitarists. Revival was their second lp released in 1968/1969. Prior to that Q65 had released a superb 1966 debut, plenty of great non-lp singles and an outstanding blues rock ep titled Kjoe Blues. It was a time of transition for the group, Bieler was tired of the club circuit and opted out for military service. Other members were making new music under the name Circus. These new tracks reflected the psychedelic era but it wasn’t long before Circus folded and Hans Van Hemert released a new Q65 album titled Revival. Revival was made up of earlier singles, stray album tracks and Circus material. Much of the music had more of a psychedelic vibe but still bore many of the classic hallmarks of Q65.	12 EUR
RATSIA - JÄLJET [SVART RECORDS] 2012 PUNK (FIN) REISSUE Record Store Day release 2012. On mushroom brown vinyl, limited numbers available!	13 EUR
RATSIA - ELÄMÄN SYKE [SVART RECORDS] 1980 PUNK (FIN) REISSUE Svart resurrects a Finnish punk cornerstone album, again! One of the most important Finnish new wave/punk albums, Ratsia's second LP has been unavailable on vinyl for three decades! Until now.	13 EUR
RATTUS - WC RÄJÄHTÄÄ [SVART RECORDS] 2012 PUNK (FIN) REISSUE This is the first ever authorised reissue of the -82 Finnish hardcore punk classic. 24-bit mastered for vinyl from the original master tapes. Features a gatefold jacket with all original artwork + added photos from the era.	13 EUR
RAYDIOS, THE - NOW - MELTDOWN [DIRTNAP RECORDS] 2009 ROCK'N'ROLL (JAP) Our first release from a Japanese band, and we couldn't really ask for a better one than this. For those not in the know, THE RAYDIOS is FINK from the legendary TEENGENERATE and current member of FIRESTARTER. This is their 2nd album, coming about 10 years (!) after their Demo LP on Screaming Apple. The CD version of Now is released by Japan's Mangrove Records last year (and is being distributed by Dirtnap in the USA), and is just now seeing the light of day on vinyl. It's been remastered for vinyl and remixed by Fink himself, and sounds GREAT. Musically this is no frills, crunchy, mid tempo rock n roll. Less trashy than Teengenerate, but not quite as ‘pop’ as Firestarter, this is kinda a middle ground between the two. Total dream release for Dirtnap. Pinch us.	12 EUR
REATARDS - TEENAGE HATE [GONER RECORDS-2xLP] 2011 PUNK (USA) 2XLP.Reissue of the first album from a teenage JAY REATARD plus a bonus lp of early cassette recordings... hear young Jay grow from a bucket-basher to a full-fledged punk! Black 120 gram vinyl, includes digital download, awesome pictures and notes from the original album plus material Jay put out (interview with himself?) at the time.	20 EUR
REGULATIONS - TO BE ME [NY VAG] 2009 HC-Punk (SUE) Still unwrapped you can already feel this new long release by Swedish Überrockers REGULATIONS buzzing inside its sleeve and in the moment you put the needle in the groove you know you're finally home and that this is the Christmas present you desired and deserved! Twelve new sharp fusillades that make this silly Hardcore-Punk heart inside of your beaten body jump with joy and pounding pleasure. When it comes to timeless and catchy early 80s US Hardcore sound in these fast and modern times of ours, the REGULATIONS take the biggest part of the cake. Once more they managed to step back to the classic Hardcore of the ADOLESCENTS, the CIRCLE JERKS or BLACK FLACK and stir it up with ingenuity, inspiration and passion in meldodic mid-tempo songs like ''Baghdad Beach Party'', ''Creature in a Cage'' or ''In the Shadow of a Mall''. You also find two excellent slower and distorted tunes with ''To be me'' and ''Down the street'' as well as the fast sweeper ''Busy night'' and the yet to be a classic ''Don't bother me'' which could have been recorded ages ago. This record sure will keep you warm and shaking your bones to these freezing days coming ahead.	8 EUR
RESONARS, THE - CRUMMY DESERT SOUND [BURGER RECORDS] 2013 POP (USA) Plenty of bands claim a garage rock influence, but The Resonars are one of the select few who genuinely sound like they could appear on a Nuggets-style compilation of vintage mid-'60s obscurities. For one thing, frontman Matt Rendon has a classic garage rock voice, rangy and just the right amount of snotty. Secondly, the band's high-energy delivery, powered by James Peters' hyperkinetic drumming and the twin-guitar attack of Rendon and Isaac Reyes, lacks the studied affectedness of so many mainstays of the underground garage revival, who too often play as if they're afraid to sweat through their perfect vintage corduroy-and-paisley outfits. But mostly, the songs on this vinyl-only release are near-perfect little two-and-a-half-minute blasts of teenage alienation ("Invisible Gold"), soaring uplift (the nearly Monkees-like "The World Is Wrong") and psychedelic quasi-profundity ("John Stone Will Be Christian') that are better than anything anyone else in this style has written since the Paisley Underground days. Put it on and dance.	11 EUR
RICKY C QUARTET, THE - S/T [WANDA RECORDS] 2012 PUNK (UK) MLP.8 new ´77 punkrock blasts from london! "Klatsch dir ´ne Ladung Seife ins Haar und rupf die Ärmel von deinem SLAUGHTER & THE DOGS Shirt, denn das neuste Snotrock-Quartett aus Londinium hat dir einen Platz an der Theke des Roxy vorgewärmt, auf dessen Bühne sie gleich in bester EATER Manier einen blutigen Schweinekopf opfern und mit Bier um sich rotzen werden, bevor sie schließlich zum finalen Surf auf der Welle grandioser Aussie-Punk Bands wie RADIO BIRDMAN und den FUN THINGS ansetzen. Nach der bereits direkt in der pickligen Fresse explodierenden TNT-Ladung von Debut 7“ dieser, mittels JOHNNY THROTTLE, BLOWOUTS und den TEN O SEVENS bereits einschlägig vorbestraften, Radaukollegen ist diese gloriose Fortsetzung genau der richtige Soundtrack, um angesichts der nahenden Apokalypse ein letztes Mal auf dem Feuerball von Exzess und Up & Down-A-Go-Go zu reiten. " (Dirk Le Buzz)	10 EUR
RIFF RANDELLS,THE - DOUBLECROSS [ALIEN SNATCH] 2007 Pop (CAN) Some folks see them as a notherhern hockey playing counterpart of the DONNAS, while they always appeared in a nice teenage way of understatement. They grew up on the smell of vinyl and share friends with music maniacs like The FEVERS, 5678s, Tina Luchessi & The BOBBYTEENS and The FLAKES. ALIEN SNATCH! released their 10” mini-album entitled “Lethal Lipgloss” which is seen as one of the most infectious bubblegum music and got them many fans – and also on the cover of MAXIMUM ROCK`N`ROLL. With their new album the RIFF RANDELLS found home on the highly praised and successful underground labels of the last years – ALIEN SNATCH! and DIRTNAP. Those cats roll since ´99 and are the new generation JOSIE COTTON & NIKKI CORVETTE. In their good-times attitude, musical taste and continuity in doing the most exciting thing besides having the crush on the weird geek from the Hot Dog stop is playing in a buzzing rock and roll band! “Doublecross” is a girl group power pop album driven by a JOAN JETT blend of rocking three chord guitar drenched with Kathy's spectacular, undeniable hot and saccharine vocals. She´s got what so many girl singers miss - shout it out as catchy as only girls can do and keep it punchy from start to end. No screams and tears but make the north pole melt! Get hooked on this awesome simple though catchy record you want to take right to the next party. On top they made a perfect matching choice on covering “Bandana” of the LITTLE GIRLS. Go get a lollipop! Who else than those girls are gonna sell out Converse girl sizes and make frustrated middle aged guys wear tight black jeans in combination with pasta stained horizontal striped shirts? The vinyl edition has a bonus song from the japanese session “Robot Man” and the first 100 copies are on clear red vinyl for mailorder only. Right at the LP release date in October 2007 they are heading for a european tour with CHIXDIGGIT. The RIFF RANDELLS are once more ready to play your town. Who said Girls can´t rock!? Listen up!	10 EUR
RIGHT NOWS, THE - S/T [SUNNY DAY RECORDS-10"] 2010 Garage-Pop (ESP) Mini-LP de debut de este rio de Cedeira (A Coruña) con un pie en el sonido garage más sucio de los 80 y en otro en las melodías del pop con más clase.	6 EUR
RIOTS, THE - TIME FOR TRUTH [TIME FOR ACTION] 2013 MOD (RUS) The Russian Modernists are back with a brand new album. Think of early/middle THE CLASH, catchy Power Pop anthems in the vein of THE BOYS (UK) with hooks and „Oh Oh Oh“ choirs as well as opulent arranged Mod stomper. In short, a quite perfect symbiosis of 77 sound and Power Pop/ Mod, mixed up with some swirrling hammond grooves or a Two Tone style track. And after the last track, a driving and hypnotizing 6.40 minutes song, there's nothing needed to be said. Enough said!	11 EUR
ROCKIN' HORSE - YES IT IS [SING SING RECORDS] 1971 POWER POP (UK) REISSUE REISSUE.Rockin' Horses' "Yes It Is" has been critically hailed as one of the true lost British power pop relics. When the late Greg Shaw (Bomp Records & Magazine) created his Voxx subsidiary, the first single he decided to reissue was Rockin' Horses' 1971 magnum opus single, "The Biggest Gossip in Town." Shaw declared that the single was the greatest power pop song of all time – heady stuff. The power pop sounds of "Yes It Is" have been favorably compared to the best of The Beatles' "Let it Be" era and Badfinger's early 1970 efforts. As an homage, the band's name was drawn from The Beatles' "Lucy in the Sky With Diamonds" and the album title itself from The Beatles B-side of "Ticket to Ride." Rockin' Horse was formed in 1971 by lifelong best friends Jimmy Campbell (The Kirkbys/23rd Turnoff) and Billy Kinsley (The Merseybeats/The Merseys) after the end of their respective Liverpool bands had split. Joining the Liverpool core duo were hired studio guns: Bobby Falloon (guitar), Stan Gorman (drums) and Michael Snow (keyboards). Having been schooled in the very same musical influences as the Fab Four, the end result is eerily similar to the sound the Beatles were creating at the end of their career during 1968-1970. The album was not an attempt to "ape" The Beatles' sound, but more the end product of having grown up as contemporaries of The Beatles in Liverpool and listening to the same records and playing the same circuits . How could they not end up sounding similar? Locating a copy of the original album is close to impossible and very expensive. Now you can own one of the greatest power pop recordings of all time on vinyl with its original Hipgnosis sleeve design. Release Country: UK Release Year: 1971 / Reissue Date: 01.12 Original Label: Philips	12 EUR
ROCKINSON, LOS - S/T [TTAN TTAKUN RECORDS] 2010 Punk (ESP) Por fin en vinilo la maketa de los 90 de los Rockinson, grupo de Lazkao, pre-fist fucking y pre- brigada criminal.400 copias en vinilo negro, 100 copias en vinilo de rojo y 15 test pressings con portada diferente y numerada. Contiene las 11 canciones de su maqueta, con un insert con fotos y algun dato.	9 EUR
RODILLERAS, LAS - HORROR PLENI [DISUNDEAD RECORDS] 2010 Punk (ESP) Cada cierto tiempo, surgen en el panorama musical español grupos que, con enorme imaginación y contundente capacidad musical, combinan a partes iguales acordes siniestros con ritmos primitivos. Las Rodilleras son un trío formado por tres mujeres, que, como en su día hicieron Desechables o Seres Vacíos, son capaces de agradar a punks, góticos más allá de la pose, seguidores de los Cramps o simples curiosos que tengan interés por conocer “al monstruo morboso, salvaje personaje, creado bajo el clima brumoso de Valencia” incluido en uno de los temas de su primer Lp titulado Horror Pleni.	8 EUR
ROYAL HANGMEN, THE - S/T [SCREAMING APPLE] 2012 RHYTHM'N'BLUES (AUT) Are you ready for another wylde garage-punk extravaganza? Do you fancy some hip-shakin’ 60’s Beat, too?Or maybe, you just wanna dance ecstatically, shout and scream in frenzy? Rightly so, then we certainly can help you out with the first long-playing record by Switzerland’s one and only kingly renowned garage band - THE ROYAL HANGMEN. The album contains 11 self-penned songs, full of tempestuous and raw energy, with plenty of hooklines, verve and style. Songs that are soaked with a sixties spirit, but were made in the here and now. It’s all in there: fuzz-guitars, VOX organs, snarling vocals, throbbing bass and rattling drums – always short, tight and efficient. And that’s exactly how the odd garage record should sound. Their self-titled debut was painstakingly produced by David Langhard (aka Admiral James T.) with much love for the detail and with heavy use of analogue equipment. Hailing from Zurich, THE ROYAL HANGMEN started eight years ago to proclaim the gospel of garage rock. First a simple cover-band, they soon found their own style and tunes and finally some attention amongst the international 60’s/retro scene. Their first 45 single Mary Jane was released back in 2009 on Greek label Lost In Tyme. Lots of concerts in France and native Switzerland followed thereafter, culminating in a support slot for the mighty SONICS. It took them some time to record their first proper album, but it was definitely worth the wait. So get on your go-go boots, put that marvellous wax on the turntable and shake your hips to the driving Turn Me On, the frantic Mary Jane, the melodic She’s Gone or Get Out Of My Way and all the other smashing tracks on this record, until you reach the final comedown with the moody, psychedelic “Wake Up”. What a trip. If you go bananas listening to bands like the SHADOWS OF KNIGHT, the ZAKARY THAKS, the BAD SEEDS, the CYNICS and the STAGGERS, this one’s for you babe! It’s fab! It’s groovy - It’s THE ROYAL HANGMEN! Now - exclusively on Screaming Apple Records (Germany)	11 EUR
SAM PECKIMPAH'S ORDER, THE - VETERANOS DEL DESORDEN [BAZOFIA RECORDS-12"] 2010 GARAGE-ROCK (ESP) Banda de Zaragoza influenciada por bandas como Lone Star,ilegales,o la primera hornada de bandas mod de Barcelona,aunque más garage,edición ultra-limitada de 300 copias.	10 EUR
SARKYNEET - EI ENAA [COMBAT ROCK] 2011 Punk (FIN) The debut album.. tuneful and driving punk with surf influences on the guitar and some 60s pop in the medley. For fans of late 70s finnish punk rock such as Ratsia, Kollaa Kestää etc, or the new wave of scandinavian bands like Masshysteri etc.. or just fans of plain good old punk-edged power pop like The Nerves, Undertones, Buzzcocks..	10 EUR
SCHLEIM-KEIM - NICHTS GEWONNEN, NICHTS VERL #2 [HOEHNIE RECORDS] 2002 Punk (DDR) The long-awaited SK-smasher with 19 cult-songs from the practice-room in Gotha from 1988-90 in fantastic sound- quality! No doubt – this is the best stuff that a GDR punk-band has ever recorded! Much more authentic than the "Abfallprodukte"-album that was recorded later in theWest (Hannover!). Including the original versions of classics like "Ata, Fit, Spee", "Schwarz-Weiss", "Der Diktator" + "Mein Weg"! First issue in yellow-piss vinyl, others in black! Each new pressing will have a new vinyl- colour! To order this goodie is an absolute must! Due to high royalties upfront, this record is more expensive than others!	10 EUR
SENSA YUMA - KICKIN & SCREAMIN [OJALA ME MUERA] 2011 PUNK (ESP) Sensa Yuma se formó originalmente en Stafford (Inglaterra) en 1980. Trás algunos cambios, la formación quedó estable estando compuesta por Agz (voz), Pid (batería), Minty (bajo) Trogg y Aid Davis (guitarras). Con esta formación estuvieron tocando a lo largo y ancho de Inglaterra con grupos de renombre en la escena punk como Discharge, Gbh Subhumans o Conflict. En 1988 la banda se separó y sus componentes emprendieron distintos proyectos musicales. Durante los años que siguieron, el miembro original Pid formó parte de distintos proyectos como cantante, grabando distinto material y realizando varias y extensas giras.	8 EUR
SHIMMYS, THE - BRUNETTES ON THE ROCKS [POP THE BALLOON] 2010 GARAGE-POP (AUS) Second album of garage trash from Australia's premier all girl combo. Suzi, Babs and Kitty return with a more ferocious garage stomp this time 'round. So beware, don't let their saucy looks fool you into thinking they're all sweet 'cause this album proves The Shimmys will dig their fingernails in DEEP once they get their hooks on you!! Includes killer new originals like "Doctor Doctor", "Two Pot Screamer", "He's My Werewolf" plus a few raunchy covers; "Don't Slander Me", "Whatcha Gonna Do". For fans of Gore Gore Girls, Headcoatees, 5678's, and "girls in the garage" styled trash.	12 EUR
SHITTY LIMITS - BEWARE THE LIMITS [SORRY STATE] 2009 Punk (UK) For the last two years The Shitty Limits from Reading and High Wycombe have easily been the most active, prolific and best punk band in the UK. They have released five untouchable 7" singles and now it's time for the debut album. Their myspace says their influences are 60's garage, 70's punk and 80's hardcore and that's exactly what you get inside this 23 minute album. It has attitude, tunes to kill for and that something special. Think a garage version of Minor Threat or 'Pink Flag' era Wire mixed with the L.A. punk scene of the late 70's. Each song is short, sharp and a fireball of energy. Hands down the best UK punk album in years.	10 EUR
SHOCKS, THE - BRACE…BRACE [DIRTY FACES] 2007 PUNK (ALE) The Shocks are back, the started their own style 77 Garage Punk with german lyrics 10 years ago. Now there tons of new bands playing this old/new style, but the Shocks prove with this album - they are still the best. The new album is more powerpop influenced, but not crappy pop music. Lp comes with a printed innersleeve.	10 EUR
SILLA ELÉCTRICA - RITMO SUICIDA [SOLO PARA PUNKS] 2011 Punk (ESP ) Después de sus recompendables singles por fin tenemos el debut en larga duración de Silla Eléctrica. Trío afincado en los Mandriles que le dan al punk cavérnicola cual chimpacé en celo se tratase. A guitarrazos simples y con bateria a piñon se meriendam 18 temacos huracanados que deleitarán a los simples de espíritu, porque de ellos será el reino de la felicidad.	8 EUR
SILVER COCKS - S/T [WHITE ZOO] 2011 Punk (ITA) The Silver Cocks are pure devastation Killed By Death style, their 'eastern' oriented punk rock, strongly influenced by former Yugoslavia bands such Pekinska Patka and Paraf, takes no prisoners! This is the debut Lp, after their awesome EP on the american label Zodiac Killers Records released one year ago. Superb cover, absolutely 'out of head'!	11 EUR
SINATRAS, THE - ARE YOU READY! [RAVE UP] 2011 Punk (USA) Rave Up records is proud to presents one of the greatest and obscure outfits of the early US punk scene... The Sinatras. Started in 1976, based in NYC, the band was quite popular at CBGB and MAX’s KANSAS CITY. In 1979 they released an amazing 7” ("TEDDY CRASHES BLOND DIES / SOME OTHER BOYS") now totally impossible to find. Their sound was directly inspired from bands such NY Dolls and Heartbreakers. Pure NYC punk’n’ roll sensations!!! This anthology contains 7 killer studio tracks and a bunch of ‘live’ songs, recorded from a mixer desk. Be fast to order this punk classic…this item will be ‘sold out’ in few weeks!!!!	10 EUR
SISTA SEKUNDEN - ALDRAS MED STIL [SOUL REBEL] 2010 Hardcore-Punk (SUECIA) This is the third LP from Swedish punkers Sista Sekunden. A mix of fast thrashy punk along with some melodic catchy riffs. A step up in progress for these internationally revered good dudes. Includes insert with song explanations in English. 13 tracks in total on black vinyl.	9 EUR
SMALLTOWN - IMPLOSION [DERANGED RECORDS] 2009 PUNK (SUE) Their second full length is IMPLOSION and as expected, it is a total melodic punk explosion. More of the same great melodic mod influenced punk found on their last album THE MUSIC (see reviews below) – full of ultra catchy, anthemic songs with raw tuneful vocals and teeth clenching riffs. Think the STRIKE and STIFF LITTLE FINGERS. Their last single was hailed as ‘one of the best disc of the decade’ in MRR, I’m not going to argue - this band should be huge. US tour in the works for this summer.	8 EUR
SOMETHING FIERCE / OCCULT DETECTIVE CLUB - S/T [10"-DIRTNAP RECORDS] 2012 PUNK (USA) Two of Texas’ leading punk monstrosities, Something Fierce and Occult Detective Club, joined forces for a split 10” for their recent tour together through the US. Both bands hail from Houston and Denton (respectively) and this release is pretty much dead on for the Dirtnap label. Something Fierce are coming hot off the heels of their 2011 release for Dirtnap, Don’t Be So Cruel, while Occult Detective Club put out their sophomore LP titled Crimes on Alive Records last year as well. For this limited-edition split, both bands capitalize on what made their recent albums so lethal. Something Fierce clearly has the edge for making up some catchy punk rock. That becomes clear in a song like “Get On or Get Off”, featuring a tight and mid-paced pop-punk vibe that splits off halfway through the track. Grungy bass lines and shredded guitars combine for a groovy, psyched-out midsection until the track finds its footing again in the final minute. As for Occult Detective Club, these guys offer short and blazing punk jams that on-average last about two minutes per track. Things sound a bit more sloppy and unhinged in these parts, but it makes for a blitzing good-time in a track like “Ships at Sea”. Sharp, crunchy guitar hooks lead the way through the stomping beat, revealing a fiery solo midway through the track that will quickly seal the deal.	12 EUR
SOMETHING FIERCE - THERE ARE NO ANSWERS [DIRTNAP RECORDS] 2008 PUNK (USA) Something Fierce take a great hook and beat the tar out of it—it’s as catchy as the Undertones but it’s a different kind of perfection, faster, louder, more frantic. Guitar lines that are simple and infectious. Lead vocals that melt into backing vocals as they hold the vowel sounds at the end of the lines.	11 EUR
SONIC AVENUES - TELEVISION YOUTH [DIRTNAP RECORDS] 2012 PUNK (CAN) SONIC AVENUES are just four Montreal kids who started riffing punk tunes in 2006, but since getting swept up in the booming punk epicentre of neighbouring Ottawa, they’ve been catapulted into the ranks of the best pop-punk acts in Canada! After releasing a few singles, SONIC AVENUES dropped a bomb in late 2009 with their debut LP on Ottawa’s infamous GOING GAGA RECORDS. Within a few short months, the record had sold-out twice, including out repress in cooperation with SABOTAGE RECORDS. Two years later, after obliterating eardrums from stages across North America and Europe, they returned home to record a crushing follow-up, Television Youth, this time prestigious Portland-based label DIRTNAP RECORDS will handle the pressing overseas. Featuring more of the over-driven guitars, infectious harmonized melodies and blazing 2-3 minute songs that powered their debut, the AVES have nonetheless pushed the limits into new territories with this latest offering. In short, TELEVISION YOUTH is punkier, poppier, louder and dirtier than anything they’ve done before. Armed with this devastating new arsenal, as well as ambitious touring plans spanning the (un)civilized world, SONIC AVENUES are sure to keep fists in the air and beers a-flyin’ for years to come.nes.	12 EUR
SPECTACLES, THE - RE-SPECTACLED [RAVE UP] 2011 Punk (USA) Finally one of the legends of the early S.Francisco punk music are on vinyl. These amazing tracks were in fact recorded in 1980 but they never saw the light! Now, after 30 years, Rave Up records discovered these pioneers of Art Punk music. The band was really popular in the Bay Area and opened for many important bands such Black Flag, The Lewd, The Mentors, Los Lobos, Red Hot Chili Peppers ecc... This album is ESSENTIAL for every fan of bands such Devo, Pere Ubu, Screamers, Von Lmo ecc… So, grab this incredible Lp, all recorded in studio right now! No filler! 100% American genius! Art cover designed by Winston Smith!!!!!!	10 EUR
SPENT FLESH - S/T [10"-FDH RECORDS] 2012 HC-PUNK (USA) Philadelphia based raw thrashy punk. This 3 piece band, rage through 13 songs in a little over 15 minutes. Fast precise hard hitting drums, loud distorted guitar that flirt with chaotic, noisy effects compliment dynamic and aggressive vocals that have just the right amount of snot and grit Their sound touches on classic 80?s hardcore, whilst paying homage to poppy and metal influences. Musically its amazing how big sounding this sounds for just drums and one guitar player. At points it reminds me of Void if they were influenced by Fuck on The Beach, Gorilla Biscuits, and even a touch of early Sonic Youth (mostly guitar wise) . Truly an original debut 10? co-released with P.Trash records (Germany) & Sit and Spin records (Philly). (Just a note we dont have a 10? section on the page yet so this is listed in the LP section of the store)	9 EUR
SPIKE PENETRATOR! - YEAH! YEAH! BABY [RAVE UP] 2013 Garage-Punk (USA) Rave Up has finally discovered the legendary Eliot 'Spike' Kagan 1973 tapes! Yeah, the king of basament rock started their career looong time ago, and this is the proof!!! Pure garage demented lo-fi rockn'roll at the same lavel of the garage rock masterpiece 'Kings of the Basement' album. Sloppy sound in the tradition of the rebellious rock'n' roll of the 60's! Great artwork. A "must have" for any punk and garage fan!!! "We're the Penetrators, we don't fuck around... Cause we're the number one band in this town!"	12 EUR
SPITS - S/T (I) [SLOVENLY] 2012 Punk (USA) REISSUE REISSUE.Originally released in 2000 on a shitty/tinny sounding compact disc, this legendary album is fully loaded with all the classics that sent sick-headed kids around the world on quest to throw bottles and bust noses at every SPITS show they could sneak into. From the skatepunk anthem "SK8," to the G.G. Allin-cum- Destroy All Monsters murder threat thump of "Die Die Die," to the thuggish declaration of "I H8 Pussies," this record has a top spot on Slovenly’s "Best Punk Records Ever" list for a reason! Poppunk pussies be damned, this is the essential, disaffected, synth-heavy, big-beat fueled weirdo party you've been denied for far too long. After numerous, hard to acquire bootleg/unauthorized versions, Slovenly has finally made it available for you to add to your growing collection of slimy Spits shingles. Remastered to boot.	12 EUR
SPIVS, THEE - TAPED UP [DAMAGED GOODS] 2010 GARAGE-PUNK (UK) This is one of the most talked about bands you’ve never heard off, Thee Spivs have been playing raw and primal garage punk music all over London for the last three years in any venue, party or street that will take them. After forming in 2007, members, Ben Edge (Guit/Vox) Dan May (bass) and Steve Coley (drums) quickly gained a reputation for their energetic and unpredictable live performances. They met up with Liam Watson from ToeRag studios in 2009 and recorded a few tracks of which two tracks came out as a limited one off 7” on 1965 records in late 2009. After a successful European tour in spring 2010 they set off recording their debut album, ‘Taped Up’ which is now complete and ready to be released on Damaged Goods in November 2010. It features 14 tracks including their first single ‘It’s True’ plus their new single ‘I Don’t Want It’. It’s an edgy mix of Punk, Garage and a bit of Rock ‘N’ Roll, it’s a storming debut ! Lookout for lots of gigs plus European dates being announced in the near future.	11 EUR
SPIVS, THEE - BLACK AND WHITE MEMORIES [DAMAGED GOODS] 2011 GARAGE-PUNK (UK) The Spivs are back with their second album in November, following their debut from 2010 the critically acclaimed ‘Taped Up’. ‘Black And White Memories’ was recorded in East London at Gizzard studios with Ed Deegan at the controls over the summer, it features 14 new tracks This album shows how the band have progressed and matured over the last year, alongside storming garage & 77 Punk tracks like the lead single ‘TV Screen’ and ‘Flicking V’s’ there are even a couple of ballads! The band recently played the MOJO awards gigs at London’s 100 Club alongside the Jim Jones Revue and they are heading back over to Europe for another sting of dates in late October. Thee Spivs are Ben Edge (Guit/Vox) Dan May (bass) and Steve Coley (drums) Rock ‘N’ Roll hasn’t been this much fun for years, give it a try, you might like it!re.	11 EUR
STALAG 13 - IN CONTROL [DR STRANGE] 1984 HC-Punk (USA) REISSUE Classic Nardcore reissue from 1984, remastered	11 EUR
STAMPLETONS, THE - EARLY TAPES [TIME FOR ACTION-2LP] 2012 POP (BIE) 2LP .Formed in 2009, the Stampletons is a 60´s style Beat band from Belarus. Shortly afterwards they released a first album as a limited local edition. Everything about the band was right – the clothes, the haircuts, the sound, the attidude and as a first appreciation the Russian band the Cavestompers invited them to play a show in Moscow. Not only that but one year later they recorded their 2nd album live at the Doo-Dah King bar, Minsk, which never saw the light of day and soon after this recordings the band fractured. This double vinyl here is an almost definitive over-view of the bands early recordings. Featuring a crystal-clear sound and lyrics about spring, girls, love and without any vulgarity or affectation they have laid down some mighty pure Beat/R&B/British Mod sounds. The first disc features the bands debut album of distinctive 60´s sound in the vein of early The Kinks, The Action, Small Faces, The Who and of course the Beatles, with chirpy vocals by Alex Stampleton being reminiscient of Steve Marriot or Ray Davies in their best days. The second disc features the previously unheard songs from their unreleased 2nd album of pure amphetamine fuelled excitement from the first minute to the last. Comes in deluxe gatefold edition w/ extensive sleeve notes, lyrics & photos. rom the first minute to the last. But wait.... The Stampletons are back on the map today! They’ve changed their line up a bit and their sound is now more embedded in 60´s psychedelia and baroque pop. Best of all they’ve already got the attention of British producer Fran Ashcroft. To be continued!	14 EUR
STASI, LA - LA ÚLTIMA ESPERANZA DE LA LOCURITA [DISCOS REGRESIVOS] 2012 PUNK (ESP) Discos Regresivos presenta.... La Stasi - La última esperanza de la locurita. La última esperanza de la locurita es la última esperanza del punk. Punk 77 mezclado con el garrulismo de los 80 y con unas letras ácidas,irónicas y costumbristas a la par que divertidas. Despúes de cuatro años la Stasi sigue demostrando que no hacen falta artificios, ni poses,ni consignas mil veces repetidas para hacer punk. 12 temazos y una locurita que demuestran que tantos años después siguen siendo los más grandes del punk patrio le joda a quien le joda. Todo el arte es por obra y gracia del gran Adso (adsoweb.es). FOTOS:Carlos Porras (http://www.carlosporras.es) Edición: 500 copias, 50 de ellas con pack especial "Anti guay". Precio normal:10€. Precio "Anti guay":12€. PUNK!!!!	10 EUR
STASI, LA - LLAMANDO AL MANZANARES [DISCOS REGRESIVOS] 2008 PUNK (ESP) Imagina un día lluvioso,es tu cumpleaños, lleno de asquerosa gente atravesando ojos con paraguas, en el que te gustaría mandar al de al lado a la mierda ,insultar y huir cual cobarde, acabando en un parque con un abuelo bohemio. Ese día, tú cáncer de nalga no te dejará mantener tu humor guay, ni podrás disfrutar la peli porno cómo te gustaría.Pero siempre podrás rendir pleitesía a tu ídolo Javier Clemente y pensar en matar enamorados en San valentín o a algún icono de la movida madrileña. Ese día es como el LP de la Stasi..................... 500 Copias, 50 Copias con Parche y 20 con póster A3 a cargo del gran ADSO. Junio 2008. http://myspace.com/lastasi	4 EUR
STATUES - HOLIDAY COPS [P TRASH] 2010 Punk (CAN) Canada is so proud of their native sons that the country erected a massive golden monument to the STATUES in the middle of their hometown and sent all cops on holiday so that the punks could dance around it singing 'Hurray Hurray! a new STATUES album saw the light of day!' The three Pop-Punk scientists refined their formula in these 10 brandnew songs and poured in some drops of DEVO, SPITS and WIPERS that lets the test tube eruptively foam over with joy, heart, guts and splendid melodies! You want your beloved poppy tunes? You got 'em in 'Holiday cops', 'Reflux' and your new hymn to youth and the weekend 'Young enough'. You need more cool and loud bass lines? Try 'Stop watch' and the critical, exploding 'Self Help Con Job' to satisfy your appetite. Choppy DEVO style guitar riffs and a good SPITS-like beat anyone? Then go listen to 'Uptime' and 'Up scope, fire one' and get the chills in the slightly more dissonant and yet fantastically melodic 'Broken parts' and 'Start time'. Fresh out of the laboratory and back on European stages everywhere soon!	11 EUR
STATUES - NEW PEOPLE MAKE US NERVOUS [P TRASH] 2007 Punk (CAN) The repress of their solid "new people make us nervous" album. Let this Canadian trio take you on a non-stop power-chord ride through 8 brilliant songs that lean on english mod-punk as well as taking straight canadian power-pop and stirring it up with slightly dissonant and sweeping guitar lines. You also get a fantastic and gritty singer with a wide vocal range and lyrics that deal with social problems in a very clever and non-preaching way. This ain't no wishy-washy power-pop, this record's full of melody, hooks and energy. It smokes! Perfect fodder for fans of CLOROX GIRLS, THE BRIEFS, OBSERVERS or THE TRANZMITORS.	11 EUR
STENCH - OBSSESED WITH THE EVIL [PURE PUNK] 2010 PUNK (UK) UK '82 Punks Stench return with another 12 tracks of depravity from their seedy archives. These tracks have not been heard since the halcyon days of the second wave of UK Punk. Do you wanna become "Obsessed With Evil" like they were? Well, buy the fuckin' album!! Suitable for punks, retards, weirdos, freaks, weazels, serial killers and YOU! Not suitable for pop punker, politically correct and plastic safe punks!	10 EUR
STENCH - CULT STATUS [PURE PUNK] 2009 PUNK (UK) Early 80’s UK snot rockers Stench have a 14 track album called “Cult Status” featuring unreleased material from the early 80’s anals of Wolverhampton’s most obnoxious Punk band. Not for the squemish or easily offended, an album of gun rubber anthems of Nihilism and desolation that no-one would release... TILL NOW!! Only 500 copies, first 100 on blood red vinyl!	10 EUR
STEVE ADAMYK BAND, THE - THIRD [DIRTNAP RECORDS] 2013 PUNK (CAN) The Steve Adamyk Band keep things straightforward and simple, and that goes for the title of the band's third album which has been named Third, so as not to confuse anyone, as well as in the type of music it contains. Now, that doesn't mean that musically this is something to be ignored, as that is far from the truth, but basically Steve Adamyk and his companions take from a number of genres to deliver an edgy, punky power-pop set of songs that are fun to listen to without being overly taxing. The other good thing is that this formula doesn't stray from the first two albums, although I feel that the second, Forever Won't Wait, was a slight improvement over the debut self-titled long player with Forever Won't Wait and Third being neck and neck in terms of quality. With "Not A Witness" providing a rip roaring start full of guitars and singalong parts in pure pop-punk style, the Steve Adamyk Band snatch my attention and keep it fixed on the dozen tracks that the album contains. Tracks skip along at a fair pace and it's reminiscent of the first couple of Ramones albums, the template for much of the pop-punk genre where you barely catch your breath between songs yet they still manage to implant themselves in your head. I'd also add a bit of the Dickies and Screeching Weasel into the comparison too, with Third having a frenzied yet measured, hook-laden delivery. Though a relatively consistent album it's the likes of the opener along with "Katacombs," "Wait For Your Number," "Nightmare" and "Won't Let You Go" that stand out as the markers of the highest quality on the record. The huge positive from listening to a record like this is that it puts me in a good mood regardless of how I might have been feeling prior to putting it on, and it also gives me a kick up the backside in terms of providing some often much needed energy to get me going: it's just so damn infectious. Thank you to the Steve Adamyk Band for sticking to the old adage, 'if it ain't broke, don't fix it' as this is a continuation of previous work, thus making for yet another highly enjoyable listen.	12 EUR
STEVE ADAMYK BAND, THE - S/T [DEAD BROKE RECORDS] 2010 PUNK (CAN) Repress de su primer álbum.	12 EUR
STEVE ADAMYK BAND, THE - FOREVER WON'T WAIT [DIRTNAP RECORDS] 2011 PUNK (CAN) THE STEVE ADAMYK BAND are a bunch of obnoxious, rowdy, "kids" from Ottawa, Ontario. While the name would automatically draw comparison to a blues, jazz or rock band given the layout, make no mistake; the Steve Adamyk Band are a punk band. The SAB play trash-pop inspired by seventies punk, the skinny tie bands of the eighties, and nineties garage rock. From the ashes of MILLION DOLLAR MARXISTS (Gearhead Records) and SEDATIVES (Deranged Records), the group was born out of necessity—a whack load of orphan songs with no band to call home. Frustrated playing in bands that would eventually call it quits, Adamyk formed a band that could have an endless timeline, even if the name is outside of the standard band name zone. Releasing two European singles before their first live performance, the SAB would go on to unload 4 seven inch singles and an LP in 2010. The self-titled LP in question sold out its initial pressing in three months and received rave reviews. The following year, the SAB toured Europe, performed at SXSW and recorded their sophomore LP Forever Won't Wait. More touring and releases are currently in the works for 2012, as it doesn't appear to be slowing down anytime soon.	11 EUR
STILETTOS, THE - PUNK TRAMPOLINE [RAVE UP] 2013 Punk (USA) The Stillettos were born out of the back room of Max’s Kansas City in the late sixties when, if you could get into the back room, you would be in the company of Andy Warhol and His Superstars, up and coming actors Al Pacino, Sly Stallone and Robert DeNiro, graced by the presence of Jimi Hendrix, Janis Joplin , The Stones and even an occasional night with Dali or Fellini holding court at the round table. Before the Sixties waned artists and freaks clawed their way to be in Warhol movies and some found themselves in Bizarre plays of Jackie Curtis appearing at La Mama Theater which turned out to be the seeds that grew the New York Punk scene. [close] Jackie’s “Femme Fatale or the Three faces of Gloria” brought together Jayne County, Patti Smith, Penny Arcade, The Winbrandt Brothers and Elda Stilletto, to act as the music scene began to explode with the Glitter and Glam of The New York Dolls, Eric Emerson and the Magic Tramps and KISS. In 1971 Elda formed Holly Woodlawn’s Pure Garbage - she sold her Andy Warhol cow to get a loft to live and rehearse in. She brought the show to the stage of New York’s top cabaret club Reno Sweeney’s, In 1973 bent on having a rock band, Elda left Holly to pursue the cabaret she was meant to do and recruited a Max’s Kansas City waitress who said she could sing, Debbie Harry. The Stillettos were one of CBGB’s first premiere acts billed with Television, The Ramones and Patti Smith. The fifteen year career of the Stillettos became a revolving door of some of New York’s most talented musicians: with Elda at the helm. And at any time you could find Sylvain Sylvain, Johnny Thunders, Lenny Kaye, Robert Fripp, Genya Raven, or Rick Danko sitting in for a song. On this album your ears will be candied with the sounds of Cheetah Chrome (Guitarist for the Dead Boys), Walter Lure, Billy Rath, (both of JT’s Heartbreakers) Tish and Snooky, (The Sick F**ks) Rick Derringer, Leon Neon and many others who believed in the talent and writing Elda Stilletto brought to the New York Scene. Limited edition of 400 copies of this grain of punk history!!!!!!!!!!!!	12 EUR
STRANGE ATTRACTOR - MUTANT LOVE [RED LOUNGE] 2012 Garage-Punk (CAN) In case you did not know and / or snoozed on the debut LP on our label: This is Jeff from the STATUES with his solo outfit, way more dirty and garage then Statues. Coming on Euro Tour in May so get the platter while it is hot!!!	11 EUR
SUMMER TWINS - S/T [BURGUER RECORDS] 2011 ROCK (USA) SUMMER TWINS are sisters CHELSEA and JUSTINE BROWN. They write dreampop and rock ‘n roll songs with a touch of California sun. They formed in 2008 with a focus on singing pop harmonies atop garage rock inspired by the ’50s and ’60s. Now in their early twenties, Summer Twins play live with MARCIO RIVERA on guitar and an additional bassist.	10 EUR
SUNPOWER - BONDAGE [DIRTY FACES] 2010 PUNK (BEL) Back to basics Hardcore PUNK from Belgium. These dudes have been around for most of the last decade and their efforts have largely gone unnoticed. That kind of endears me more towards them actually, but yeh they're one of the best live bands I've played with - and this record is good stuff; sped up punk with vocals that dip into Jello-esque territory. The guitarist too nods his cap to the Dead Kennedys giving the record a surf-ish vibe. It doesn't stop there though, I mean they're stealing riffs from plenty of your favourite bands. This record is great for anyone who's got bored of Dean Dirg.	10 EUR
SUPER WILD HORSES - FIFTEEN [HORIZONTAL ACTION] 2010 POP (AUS) HoZac Records is proud to announce the much anticipated debut album by Melbourne duo Super Wild Horses. It’s rare that such a striking balance between tough and tender can be executed as well as it has on this long-player, bridging post-punk simplicity with savagely primitive propulsion, all wrapped up in a scratchy indie-pop envelope, sealed and delivered right into your vulnerable skull. Super Wild Horses are two Melbourne gals who switch between guitar, drums and keyboard. Formed in 2009, they play taut, minimal and decidedly garage based pop music that relies heavily on dual harmonies over sparse arrangements. Following the release of their one sold-out EP in 2009, they have played around Australia with the likes of Eddy Current Suppression Ring, Jon Spencer, The Drones and My Disco, including a much-talked about Golden Plains Sunday morning set. In addition to this, they have garnered an international cult following and had a song featured on a Bonds TV commercial. The band’s debut album, ‘Fifteen’ is a heady concoction of hits, from the softly crushing sunny pop tracks that seduce and mesmerize on contact, to the impossibly catchy, noise-laden numbers that channel these ladies’ choppy expertise of stripped-down tension and texture. Recorded by Eddy Current Suppression Ring’s Mikey Young, this breakthrough album perfectly captures the chunky guitar/drum wallop and ripe vocal melodies. Truly an original sound in these modern times, which reflects nuances of alt-pop heroes from Dolly Mixture to The Breeders to later-era Bikini Kill, with all the hooks in between.	11 EUR
SUPPOSITORIES - MOMENTS OF SQUARE VIOLENCE [GOING GAGA RECORDS] 2010 Punk (CAN) Here’s a story…about a badass band from my home town. There used to be a really cool spot to hang out, small room, weird rotting old tiki shit everywhere, great beers, great silly drinks with fruits and umbrellas, and ALWAYS great music. The household Saturday night was so much fun. It was 3 dj’s who played rad punk rock shit. I used to go almost every Saturday night. It would get crazy in there, the capacity was about 40 people, but there would be people dancing, throwing shit, puking, screaming, laughing, it was the best. Anyways, the Saturday night dj’s, a little order than me, I would soon get to know and become great friends with…these guys had a band called the SUPPOSITORIES. I saw ‘em for the first time at a terrible club, on a Sunday night. It was pretty obvious that they had little interest in promoting their band, there was nobody there…so punk! I seriously couldn’t stop moving. I’ve been to pretty much every show they’ve played since…just can’t get enough of these guys. They recorded 9 songs in their jamspace…the bass player singer is a self-made recording whiz. By the time I found out they recorded, it had already gone to press. This explains why there is no mention of GOING GAGA anywhere on the record. Either way, I kidnapped the record, and became its surrogate father. I wanted people to hear it, it’s so good. The name of the album came from a review of the band I wrote for the STANDARD ISSUE zine earlier on. These guys turn 1 chord into a whole song…minimalist perfection, with lots of violence, and noise. Could have been KBD, will be OOP, OMG, FU.	13 EUR
SUZY & LOS QUATTRO - STICK WITH IT [SCREAMING APPLE] 2008 POWER-POP (ESP) "Ever wondered what The Dictators crossed with The Records with Brenda Lee singing might sound like? Well, you stopped by the right place. These guys ain't dealing in nostalgia. This album features future classics that could actually please all of the people all of the time". This above is an excerpt from the liner notes on Suzy & Los Quattro's new album, "Stick With It" (WPR/Screaming Apple 2008), penned by Lindsay Hutton, founder of the legendary magazine The Next Big Thing and collaborator in MOJO or SOUNDS. "Stick With It" is a great step forward in the band's career, proving they can beat any obstacle after two years of line-up changes. Now working as a four-piece, the band plans an extensive tour that will take them to 9 different countries. Musically speaking, the band sticks to their magic formula of catchy pop songs fuelled by crunchy guitars, you only have to listen to Crazy On The Phone or Because Of You to realize they still have it when it comes to writing immediate hits. But something has changed, this time the production and arrangements are taken up a notch, without losing a grip on punkpop. This time Suzy & Los Quattro have broadened their horizons to a lot of the sounds they worship so much as die-hard music fans. H.A.T.E! is soaked wet in glam, winking an eye to bands like The Sweet, Slade and featuring some guitars likely to remind you of "Billion Dollar Babies" by Alice Cooper. Too Late will get your feet on the dance-floor like the disco Blondie did in the 70's and The Sounds have done recently. But Suzy & Los Quattro don't forget their 60's pop heritage, penning the beautiful ballad Maybe I'm Wrong, that would surely make Phil Spector proud with two pianos, strings and horns playing under Suzy Chain's voice, shining through every track of this album like never before. Of course they didn't miss their date with new-wave in cuts like Go On, which might remind you of Baby Let's Twist with Chrissie Hynde on lead vocals. And for the more straight-forward crowd, tracks like Comeback Superstar will please the surfers and Rock Boys (dig those harmonies!) will do it for the rock'n'rollers. Special mention to Donna Donna, an amazing track with one of the catchiest choruses ever, dedicated to Donna, a rescue dog that recently became part of the Quattro-Chain family, and that will be linked to animal rights camapaigns. And watch out for the ending, Henry Rollins, easily the best proof of a new level of versatility the band has reached. A fully a capella track done exclusively with Suzy and B.B. Quattro's vocals and dedicated to the tough and muscled DC singer. This album consolidates all the things that Suzy & Los Quattro promised on their first album, "Ready To Go!" (2004), which got rave reviews and was licensed in Germany and Japan. During 2005 they embarked on their 2 week Japanese "Lipstick To Japan Tour", which confirmed their "pop idol" status in the land of rising sun, selling out two nights in Tokyo and receiving an almost beatlesque warm welcome. You can see it for yourself on their Lipstick To Japan video here http://www.youtube.com/watch?v=vygzxCQHViU This tour was followed by a compilation of all their singles, "The Singles" (2006), a record that kept them on the road again, playing two times at the legendary Cavern Club in Liverpool, where John Otway from the BBC included their show on his top 10 of the festival (out of 150 bands on the bill!). So for any Ramones / Blondie / Beach Boys / Raspberries fan, here's your new favourite band!	8 EUR
SYMBOL SIX - S/T [DR STRANGE] 2013 Punk (USA) Awesome reissue of this early '80s, Southern California Posh Boy Records band. Features all their Posh Boy material (self-titled 12"ep from '82 and their comp track on "The Future Looks Brighter" from 1983) plus unreleased demos and live songs from 1980-1982 as well as never-before-seen Ed Colver photos. For fans of Adolescents, Channel 3 and Social Distortion. 14 Songs.	12 EUR
TEAM ROBESPIERRE - EVERYTHING'S PERFECT [SABOTAGE RECORDS] 2008 PUNK (CAN) Formed in Brooklyn during the winter of 2005, the members of Team Robespierre were initially connected by their roots - having all grew up in similar punk rock scenes in New York, Denver, Minnesota, Texas, Poland and Jersey, playing in bands like Thulsa Doom, Morning Glory and Hipster Bloodbath. But as Rex, Tom, Ty, Mike and Jim got older their record collections expanded to include noise, indie, electro and new wave among other genres. All and none of these genres can be heard in their recordings or live shows. But what comes across most when seeing these guys is their raw energy and unwillingness to separate themselves from the crowd. With a sound that melds the future and the past, the Team brings back memories of 80s new wave and 90s hardcore, with the ability to share stages with bands as diverse as Dan Deacon, Japanther, An Albatross, Leftover Crack, Parts And Labor, Best Fwends, USA Is A Monster, Japanther and Kylesa. Having already embarked on 3 tours in 2007, and recently enlisting a live drummer to add another layer to their complex electro-punk arrangements, the Team felt the timing was right to record an album's worth of material. With the help of Colin Marston (Orthrelm, Ghengis Tron, Stay Fucked), Team Robespierre spent most of their summer recording an album and playing dance parties. Powered by a dirty punk rock ethos, synth hooks and programmed dance beats, Team Robespierre has helped resurrect a Brooklyn punk scene that has been waiting to embrace the raw energy of our nation's basements and late night warehouse dance parties. With a sound that melds the future and the past, the Team brings back memories of 80s new wave and 90s hardcore, and after IMPOSE owner Derek Evers saw them play a show in the spring of 2007, he ended up so drenched in beer and human sweat that he had to sign these guys – making "Everything's Perfect" the first official full-length.	10 EUR
TEAM ROBESPIERRE - EVERYTHING'S PERFECT [SABOTAGE RECORDS] 2008 PUNK (CAN) Formed in Brooklyn during the winter of 2005, the members of Team Robespierre were initially connected by their roots - having all grew up in similar punk rock scenes in New York, Denver, Minnesota, Texas, Poland and Jersey, playing in bands like Thulsa Doom, Morning Glory and Hipster Bloodbath. But as Rex, Tom, Ty, Mike and Jim got older their record collections expanded to include noise, indie, electro and new wave among other genres. All and none of these genres can be heard in their recordings or live shows. But what comes across most when seeing these guys is their raw energy and unwillingness to separate themselves from the crowd. With a sound that melds the future and the past, the Team brings back memories of 80s new wave and 90s hardcore, with the ability to share stages with bands as diverse as Dan Deacon, Japanther, An Albatross, Leftover Crack, Parts And Labor, Best Fwends, USA Is A Monster, Japanther and Kylesa. Having already embarked on 3 tours in 2007, and recently enlisting a live drummer to add another layer to their complex electro-punk arrangements, the Team felt the timing was right to record an album's worth of material. With the help of Colin Marston (Orthrelm, Ghengis Tron, Stay Fucked), Team Robespierre spent most of their summer recording an album and playing dance parties. Powered by a dirty punk rock ethos, synth hooks and programmed dance beats, Team Robespierre has helped resurrect a Brooklyn punk scene that has been waiting to embrace the raw energy of our nation's basements and late night warehouse dance parties. With a sound that melds the future and the past, the Team brings back memories of 80s new wave and 90s hardcore, and after IMPOSE owner Derek Evers saw them play a show in the spring of 2007, he ended up so drenched in beer and human sweat that he had to sign these guys – making "Everything's Perfect" the first official full-length.	10 EUR
TERRIBLE FEELINGS - SHADOWS [SABOTAGE RECORDS] 2012 PUNK (SUE) The album was recorded at Tambourine Stu­dios in their hometown, in January 2012. Co-producer Erik Sunding spurred them to use more than ten different guitars and amps, a quirky violin bass played over a massive amp from the 70s, old beat up drums, farfisa, hammond, piano and tons of rippling percussion. The outcome is 12 quite different songs, somehow all tied together by a common notion; walking hand in hand towards a bleak future. For those with a weakness for melancholic yet danceable punkrock, this record might just prove to be an essential staple in any collection.	10 EUR
TERRIBLES, LES - QUELQUE CHOSE COME ÇA [SCREAMING APPLE] 2012 GARAGE-BEAT (FRA) They did it again! The french ambassadors of the yéyé beat return with their third album "Quelque chose comme ça"! So, are you ready for an amazing 60's dance party? Well, don't forget to bring this platter to the DJ! LES TERRIBLES deliver an incredible mix of 60's garage-punk & big-beat shouters and give all of you Beatkeller-dwellers an excuse to dust off your winklepickers and give your mojo a workout! The band that includes members of THE NO TALENTS, LES SYNAPSES, DUTRONC, CECILIA UND DIE SAUERKRAUTS & OPERATION S goes back to the sound of the French Beat & Roll when it was bitten by the Big Bad British Bug back in 1965. Imagine how THEM, THE SMALL FACES, THE YARDBIRDS or the early STONESwould’ve sound if they were from France, never turned professionals and Van Morrison, Keith Relf or Mike Jagger were chicks. All the songs are in French, with that glamorous 'mademoiselle' accent! The band could've been described best as the great french sixties rock band that should have existed but never did. Owing to cultural impediments and lame business practices, there were very few outstanding french rockers from that period. Ronnie Bird, Larry Greco, and a dozen others you've never heard of: LES TERRIBLES cover them all, and every song makes you wanna dance. The band rounds out their set with some originals, as well as their own french versions of some great foreign songs that never got adapted before, all done with a perfect ear for the style. Fronted by the charming and talented chanteuse Rudie this hard-working orchestre delivers the groove that gets the dance floor moving to the Swim, the Jerk, and the Hully-Gully. Les Terribles are sur scene ! (Jon Dragueur) A Top 10 forever-must have this one is. What more can we tell you?	11 EUR
TERROR VISIONS - WORLD OF SHIT [FDH RECORDS] 2011 PUNK (USA) Back in 2007 FDH released the first and only full length record from Jay Reatard’s harsh electropunk project Terror Visions. World of shit was a collection of songs recorded between 2002 and 2006 as a outlet for songs Jay wrote that didnt fit with his current projects (Lost Sounds, Angry Angles, Jay Reatard). The record was released as a picture disk LP and CD limited to 1000 copies each. Within months we ran out of the LP’s and had only had the CD available. We are very excited to announce a re-release of this record on vinyl. This reissue is really more of a band complete discography then a reissue. It collects the entire World of shit album (including 2 tracks that were originally CD only tracks), as well as the 2 tracks that were never released, one original and one Brian Eno cover (Baby’s on Fire). For this reissue we had new artwork put together for a gatefold cover including a stack on uncirculated pictures of Jay. We went with 180 Gram black vinyl and had the tracks remastered to greatly improve the quality over the picture disk from a few years back.	15 EUR
TITLE TRACKS - IN BLANK [WINDIAN RECORDS] 2011 Garage-Pop (USA) Title tracks is the latest project from front man john davis, who’s served time in q and not u and other dc mainstays. This is their third release following a 7″ single on dischord and their debut lp on the ernest jennings record label. Well structured / crafted pop tunes recorded at inner ears studios, a mecca for dc recording artists for the last 20 years, so you can trust pure analog warmth at its finest. The lp’s first single “turn your face” defines the simplistic, moderate sound of this band, pounding it out in a desperate calm. John usually records all the instruments himself, but this time, found himself a pretty steady, rumbling rhythm section. Eleven tracks of quality, mind mesmerizing, pop hooks that are easily their best yet.	13 EUR
TONGAN DEATH GRIP - CHULA VISTA [P TRASH] 2011 Punk (USA) Holy fox, this Halifax machete swingers cut right to the chase on their debut album which P. Trash delivers right on time before your Power Pop shakes start kicking in again and you start scratching off the wallpapers on a cold Punkrock turkey. This sounds like the DICKIES holding a lighter under a tin foil where the MARKED MEN are ready to take a big drag while the grinning BRIEFS are throwing peanuts at them. Burning down fast on 45 tokes a minute, the pacing ''Rad moves'', ''I'm not listening'' and ''Pizza jerk'' will cause a head rush and the full pack of melodies and hook-filled choruses in ''Scientology'', ''Something's wrong'', ''Stupid kids'' or ''Watching you'' , mixed with the unknown psychedelic substances of ''Billie's genes'' will keep you nailed on the floor with your own personal Chula Vista projected on the bedroom ceiling of your inner eye. Once more, this is pushing some serious Punkrock stuff to the needy. Rehab is futile. Limd. 500 "Regular Edit." Black wax.	11 EUR
TOREROS AFTER OLE - GRABACIONES RNE 1984 [RADIKAL 1977] 2011 PUNK (ESP) Por fin publicadas lasciones grabadas por mi banda favorita de Madrid para Radio Nacional en 1984. Sinceramente, esperaba ansioso el día de escuchar estas canciones. la gente hablaba delo bien que sonaban, grabadas con los medios de la radio estatal. Me cago en dios vaya melocotonazos, dos de llos inéditos, no vienen en el mini LP. 100% Punk rock gitano, aquí se notan aún más la raíces de estos pioneros.	11 EUR
TRACAHOMBRES, LOS - ROCK AND ROLL DESPECHADO [TUCA RACA] 2010 ROCKNROLL (ESP) 2º Lp de LOS TRACAHOMBRES (Valencia) exclusivamente en vinilo y en una limitada edición repartida entre la gentuza de los sellos Discos Calamidad, Sonámbulo Records y Tuca Raca, un puto placer. Después de su anterior trabajo homónimo (2009) LOS TRACAHOMBRES nos asaltan con una nueva propuesta, “Rock and Roll despechado”, un nuevo Lp mucho más trabajado, con una presentación y sonido más cuidado, coros y registros vocales y unos teclados que trastornarán (aún más) tu jodida masa cerebral. Diseño y arte a cargo de don Rogelio J., guitarra y cantante (podéis ver más diseño en http://donrogelioj.blogspot.com/ y http://www.myspace.com/milcamilos). Ritmos frenéticos y melodías manteniendo el espíritu crudo marca de la casa, parte de la cortante personalidad de la banda. Mete en una vieja batidora de funcionamiento desfasado y cuchillas oxidadas a bandas como LOS SAICOS, LOS CRAMPS, LINK WRAY, GABINETE CALIGARI, TOM WAITS, SEX PISTOLS, CHUCK BERRY… y te haces una idea. Garaje, Rock&Roll y Punk Rock a partes iguales con una personalidad y actitud que acompleja. Un disco que repasa sin pegas las distintas vertientes del Rock a lo largo de sus décadas. Como dijo el poeta: ritmos primitivos, vidas salvajes. Sonidos primitivos que te devolverán a las cavernas los que destilan las 12 canciones (incluyendo una versión libre de MERLE TRAVIS) de este Lp registrado en directo en solamente dos días! Y con una masterización especial y específicamente cuidada para una única edición en vinilo! Cuidando graves y medios para que suene POTENTE, como debe ser! Fresco y salvaje, ácido y dulce, gamberro y “maduro”…es el resultado plasmando excelentemente un fresco álbum de Rock&Roll salvaje de los que hacía tiempo que no escuchabamos. Con letras dementes y atormentadas que te recordarán a tus pesadillas favoritas, esas de las que te levantas brutalmente empalmao.	7 EUR
TV IDOLS - 17, DESPERATE AND ALL MESSED UP [SCREAMING APPLE] 2001 PUNK (JAP) Do you remember the PHANTOM RATS? These guys have put out some of the most impressive punk´n´roll platters of the nineties and together with bands like TEENGENERATE & the 5,6,7,8´S they were responsible for the beginning of the japanese rock´n´roll invasion in America and Europe. Unfortunately they broke up in 1997, but singer, songwriter and guitar player Kazand drummer Tetsu couldn´t do without playing and formed this new and even stronger outfit called the TV IDOLS. 17, desperate and all messed up is their debut albumand it´s the hell of a record. While the PHAMTOM RATS had a strongrock´n´roll influence, the TV IDOLS are more fixed on late 7t´s, earlyeighties US punk, like the DEAD BOYS and the early REPLACEMENTS. Great songs, catchy hooks, a hard edged guitar sound and a real driving rhythmsection, that describes the TV IDOLS sound best. 12 powerful and energetic punk-rock anthems including covers of the DEAD BOYS and the RICH KIDS make thisrecord one of the punkin´ highlights of the new millennium.	8 EUR
TYRANNA - S/T [RAVE UP] 2011 Punk (CAN) Whenever Toronto’s punk scene of the late 70s is discussed, it’s usually the Diodes and the infamous Viletones that get name-checked, while other important bands of the era are overlooked. In some cases, there are good reasons why groups that regularly played the main punk venues of the era like the Turning Point, Larry’s Hideaway and the Crash ’n’ Burn are now largely forgotten. Tyranna’s best work wasn’t released on singles at the time, and they rarely ventured outside the city during their brief run in 1978 and 79. This explains why the energetic pop-punk crew led by the snarly Vera “Rabies” Skye, who split bills with Iggy Pop, Jane County, the Members and the Dils, isn’t better known today. The band also appeared on 'My Girlfriend Was a Punk' compilation with the track 'Back Off Baby'. It may be 30 years too late, but Tyranna’s long-rumoured early demos, finally being released on album on Rave Up records!	10 EUR
ULCERS, THE - SKIN AND COLD CA$H [DAMAGED GOODS] 2004 PUNK (UK) Straight out of London, Damaged Goods presents the debut album by The Ulcers (Mr Potts/ guitar, Steve Legend/ vocals, Lord Cunbluster/ bass, Eric Baconstrip/ drums). Following hot on the heels of the band's The Golden Shower EP (out on the Oddball label), The Ulcers started playing their brand of high energy punk n roll in 2002. Having had half of London in their line-up, they've finally settled on merely sharing Eric (the drummer) with The Parkinsons. 'Hot Skin & Cold hard Ca$h' is fast furious fun full of dirty rock n roll and filthy punk rock in the same vein as early Rocket From The Crypt, New Bomb Turks etc.	9 EUR
ÚLTIMO RESORTE - DEMO 1980 - DIRECTO 1983 (BILBAO) [VOMITO PUNK ROCK RECORDS] 2012 Punk (ESP) Bueno en el título queda bastante claro lo que contiene este disco. Un vinilo hecho por fans con cariño (eso se nota) para darle una sorpresita a Silvia. Incluye un libreto extenso con comentarios de la propia Silvia y de músicos de grupos como Desechables, Vomito, Monstruacción, Decibelios, TDEK, Familia Real, Vulpess (ya sabéis, barriendo para casa)... y gente tan sobresaliente como Punkike o TGL. Sin duda lo que más me gusta es la maqueta del 80 (grabado en la sala Garaje y con un tema que no conocíamos (Johnny cogio su fúsil). La etapa que más me gusta de Último Resorte es esta primera, mucho más Punk y menos Hard Core, rozando incluso la Nueva Ola. Las tomas grabadas aquel día no son tan brillantes como las que salen en el Post Mortem (insuperables para mi gusto) y el sonido es mucho más crudo, incluso cavernoso. Sorprende la lentitud con la que están grabados temas que en el PM son superacelerados como Me Excitas, La Quiniela o Año 2000 y no digamos ya los anfétaminicos Cementerio Caliente o Peligro Social que en el single van a una hostia increible y aquí son tan pausados que a veces tienes que comprobar que el disco es a 33 RPM y no a 45 RPM. Eso sí, el que sean tomas más lentas no quiere decir que sean malas. A mí me gustan bastante (porque son temazos, qué duda cabe) y porque ayuda a descubrir matices, entender mejor las letras y verlos de otra manera. Por no hablar que ese sonido (bastante aceptable) a caverna que mola mogollón. En la cara B tenemos el directo del 83 que dieron con Las Vulpess, en donde se dedican a pisar el acelerador (aunque sin llegar a la velocidad de su última etapa). Y en el repertorio comienzan a aparecer ya temas tardios (Una Guerra sin fondo), pero aún se mantienen bastantes clásicos pre-single. Eso sí, a pesar de la velocidad, el sonido (muy muy malo) destartalado hace que todo suene mucho menos HC de lo esperado. La batería parece un tambor de Colón y la voz superalta, tapa las guitarras. Más que UR parecen un grupo de chavalillos de 14 años haciendo versiones de UR en el garaje de su casa y grabándose con un radiocassette situado en el piso de arriba, jajaja. A mí eso me mola mogollón, ya lo sabéis. Pero supongo que a mucha gente le parecerá un poco tomadura de pelo. A esa gente les recomiendo que se centren mejor en la cara A (documentazo histórico), donde el sonido, sin ser la leche, es bastante aceptable para lo que suelen ser estas cintas rescatadas. No es, desde luego, lo mejor de UR, pero sin duda se trata de un documento muy interesante, solo para fans, eso sí. Pero, ¿quién no es fan? Punk!!! Mgrtn.	10 EUR
ÚLTIMO RESORTE - LA LARGA SOMBRE DEL PUNK [LA VIDA ES UN MUS] 2009 Punk (ESP) Último Resorte fueron el puente entre la primera generación del punk español y la primera oleada del Hardcore egpañol. Durante sus 5 años de existencia (1979-1984) sólo lograron grabar una demo, y dos registros imposibles de encontrar en la actualidad. Un EP 7" titulado 'Ultimo Resorte' con 7 pistas y un Maxi 12" titulado 'Una Causa Sin Fondo' con 5 pistas. 'La Larga Sombra Del Punk' recopila pues estos dos registros además de contener un libreto con 16 páginas de 11"x11" con una larga entrevista la banda hecha para el fanzine americano MRR además de toneladas de fotos y recortes de fanzines. Musicalmente UR ocupaban la vertiente más agresiva que estaba entre Vice Squad, Discharge, Electric Deads, o acaso Siouxsie and The Banshees. Liderados por Silvia Resorte, su voz se convirtió en su propia marca de distinción y siempre estaba respaldada por una banda que con urgencia trataban de averiguar donde estaba su propio fondo, además de un sintetizador que jugaba creando ambientes fríos en la mayor parte de sus canciones. Esta banda seminal proveniente de Barcelona, se puede decir que destilaban cierto sentimiento de desesperación en sus canciones. Sus letras tenían el sentimiento de angustia adolescente que sólo las bandas de principios de los 80 eran capaces de escribir. Junto con Rip, Kangrena, Anti-Dogmatikss, Vulpess o Larse, el grupo ayudó a poner a España al día en el mapa internacional del punk. Primera edición de 'La Larga Sombra Del Punk' es de 860 ejemplares con 160 de ellos en vinilo de color rojo para la venta por correo.	11 EUR
URSS, LA - SONIDOS DE UN DERRUMBE [LA CORPORACIÓN] 2012 PUNK (ESP) Los granainos atacan otra vez. Un tremendo disco donde superan su fijacion por los Dead Kennedys, aunque siga estando presente, y se adentran en terrenos mas oscuros de la mano de Crisis o Paralisis Permanente. Evidentemente hacen honor al punk nasal de su tierra y los guiños a KGB y TNT estan nuevamente. Impecable presentacion grafica.	10 EUR
USELESS EATERS - ZULU [P TRASH] 2011 PUNK (USA) “Zulu” mix a weird post-punk sound to KBD fucking punk. Include the song "The Nausea" recorded together with JAY REATARD! So you will get an unreleased JAY song here, plus 8 other new ones!	11 EUR
V/A - BILBAO, MIERDA Y R'N'R [VOMITO PUNK ROCK] 2013 Punk (ESP) Un disco homenaje..no a las bandas, si no a un local llamado "El Garage" que existio en Bilbao entre 1985-86, por el cual pasaron infinidad de grupos del momento!! El sonido esta sacado de la mesa y masterizado por Kasba studio por Marc Llobera. Con un fanzine 30x30 a todo color explicando la historia y anecdotas de la sala garage contada por sus protagonistas!!! A1 - Kortatu & Vulpess - el ultimo ska A2 - Decibelios - viento de libertad A3 - Gazte hilak - no quiero ser del ONCE A4 - Zer bizio? - joder ke bien! A5 - Jotakie - burrundaie A6 - M.C.D. - vomitare A7 - Radikal H.C. - miedo a la religion A8 - R.I.P. - antimilitar A9 - Irula express - mujer fatal B1 - Cicatriz - escupe B2 - Zarama - latsegui da B3 - Vomito - ama shantalen jaiak 85 B4 - Baldin bada - jotake B5 - Vulpess - warhead B6 - Distorsion - el rey B7 - Primitivos - alucine en el bar B8 - Viciosa - viciosa	12 EUR
V/A - LAND OF NOD: AN ATLANTA PUNK AND HARCORE OMNIBUS [SCAVENGER OF DEATH] 2013 Punk (USA) Local and regional compilations used to connect listeners with obscure punk tunes long before the Internet furthered the reach of fledgling bands. Compilations such as the recently released Land of Nod: Atlanta Punk and Hardcore Omnibus still have a purpose in the digital age, serving as timestamps that capture the state of underground rock music at a certain time and place. Land of Nod showcases 13 different bands, 11 from Atlanta and two based in nearby Athens, compiled by G.G. King and COPS band mates and Scavenger of Death label bosses Ryan Bell and Greg King. It's a pretty cohesive list of local punk acts, as only Resons is conspicuous by its absence. Album opener "Born Dead Generation" by Bukkake Boys captures the now-defunct hardcore band in all its brutal glory and sets the tone for the rest of the album. Punk compilations often contain both bands that have called it quits and the first officially released track by newer acts. Land of Nod is no exception, as it includes what are likely the last two officially released Bukkake Boys songs and the vinyl debuts of Athens-based American Cheeseburger offshoot Shaved Christ, local grind standard-bearers God's Balls and Predator spin-offs Acid Freaks and G.H.B. Speaking of Predator, their two offerings show the group coming off a lengthy hiatus sounding stronger sonically and lyrically. Whether this is the intention or not, these songs should sway several listeners to pick up a copy of another new Scavenger of Death release: a Predator cassette featuring new songs and unreleased demos. Other punk and hardcore highlights include G.G. King's dim yet catchy "Eternal Feeling," which stacks up well against both sides of the band's stellar "Joyless Masturbation" seven-inch, and Ralph's hilarious, eponymously titled slice of 1980s hardcore that cements that the band's name is a reference to puking. Not every band on the compilation can be considered hardcore or, depending on whom you ask, punk. Still, everything from bands on the noisier end of the spectrum (Vincas and Wymyn's Prysyn) fits the flow of the album. This is probably less of a surprise than the seamless inclusion of a song by power-pop songsmith Gentleman Jesse Smith. The track in question, "Fence Yourself In," owes more to catchier Killed By Death deep cuts than Stiff Records power-pop. Overall, this is a solid collection of modern local punk songs. Like 1980's Standard Deviations, which captured the aftermath of the Sex Pistols making their U.S. debut two years earlier in a Buckhead shopping mall, and The View: An Atlanta Compilation, 1984-1990, a Lunchbox Records cassette that showed a local shift from early American hardcore to the sounds associated with more visible acts on SST and Dischord Records, this will someday serve as a history lesson to young Atlanta punks. Until that day comes, Land of Nod will be an exciting listen for the bands' peers and, if we're lucky, will let outsiders know that more goes on in Atlanta than a now slim garage-rock scene.	13 EUR
V/A - RUSSIA BOMBS FINLAND [HOEHNIE RECORDS] 2012 Punk (FIN) Recopilatorio de bandas Finlandesas, editado en 1983, por el sello Propaganda. Clasico! Reeditado por Hoehnie Records.	10 EUR
V/A - GALICIAN BIZARRE II [AUOTEDITADO] 2012 PUNK (ESP) Segundo recopilatorio que repasa la escena gallega actual, garage,punk, ... El tracklist Sr. Anido - Buraco Negro, Trajano! - Mono, Carrero Bianco - Horse Cum, Wild Balbina - Spit Your Love, Fantasmage - Cambia De Ciudad, Lobishome - La Muerte, Mano De Obra - El Ogro, Mullet - Laioso, Tora! Tora! Tora! - Crematorio, QVEK - Tella, Me Enamoré De Ella, Los Televisores - Mona Lisa, Alarido Mongólico - El Ataque De Los Belenes Vivientes, Terbutalina - Hostias , Los Thyssen - La Bola , Tetra & Freak - Frota Vaginas , Pastillas Mamut - Fiesta De Mierda.	11 EUR
V/A - ITALIA NEW WAVE [SPITTLE RECORDS] 2012 NEW WAVE-PUNK (ITA) What exactly happened in the Italian underground / post punk scene 30 years ago, is not entirely clear. Therefore, this collection of 13 incredible tunes helps tracking down the feeling and focuses on the blurry images of a period that was mixing influences from the UK/USA scenes with a more “national” approach to new music developments. The damage began in 1977 when a series of urban / suburban musical agitators, whether skilled or complete amateurs, decided to embrace instruments as weapons for a war against sonic stereotypes. Here’s the result: a multiform sonic attack that marks the history of a movement that may have remained local in most cases but whose echo reflected the amazing creativity of a generation.	11 EUR
V/A - KILLED BY SYNTH VOLUME 1 1977-1986 [KILLED BY SYNTH] 2012 PUNK (USA) 16 KILLER SYNTH PUNK TRACKS 1977-1986 TRACKLISTING: 01. Shox Lumania - Signals - 1981 - New York 02. Last Four (4) Digits - City Streets -1980 - Indianapolis 03. Red Asphalt - Red Asphalt - 1981 - San Francisco 04. A-mos - Modern Noise - 1980 - Detroit City 05. Active Ingredients - Laundromat Loverboy - 1979 - New York 06. Bpa- Bus - 1983 - Cincinnati 07. Asbestos Rock Pyle - Police State - 1983 Detroit City 08. Oil Testers - Rip Me- 1982 - Milwaukee - Wi 09. F-systems - People - 1980 - Austin Texas 10. Bob - Thomas Edison - 1980 - San Francisco 11. Girls - Pedestrian Walk - 1986 - Belmont- Massachussets 12. Anti-matter - Industrial City - 1981 - New York 13. Cardboards - Electrical Generator - 1981 - Pittsburg 14. Screamers - Mater Dolores - 1977 - Los Angeles	11 EUR
V/A - KILLED BY DEATH #5 [REDRUM RECORDS] 1993 PUNK (USA) REPRESS Side One Black Easter-What the Fuck; Nubs-Job; X-Terminators-Microwave Radiation; Molls-White Stains; Stalin-Romantic; Dieter Meier-Cry for Fame; Maggots-(Lets Get, Lets Get) Tammy Wynette; Cowboys-Teenage Life; Hubble Bubble-Look Around Side Two Neo Punkz-If I Watch TV; Shitdogs-Reborn; RPA-Shoot the Pope; Teddy & the Frat Girls-Clubnite; Annonymous-Corporate Radio; Riot 303-Drugs; Cracked Actor-Nazi School; Stiphnoyds-Afraid of the Russians Kids-No Monarchy; Hubble Bubble-Sweet Rot;	10 EUR
V/A - KILLED BY DEATH #1 [REDRUM RECORDS] 1993 PUNK (USA) REPRESS The one that reall got the madness rolling. Many records on this are really great and are among the greatest punk rock classics. The first pressing varies a lot from later pressings. Not only did the first press come with an insert, it also has the entire Pollywog Stew ep by the Beastie Boys, as well as a "special bonus track" at the end of side two. Interestingly, the first pressing also has a picture of the Nasty Facts' 7", but doesn't include any of their songs. Later pressing omit the Nasty Facts sleeve, as well as the other records that don't appear, which are the Beastie Boys songs and the bonus tracks(*). This is still one of the greatest comps ever!	10 EUR
V/A - KILLED BY DEATH #8.5 [REDRUM RECORDS] 1993 PUNK (USA) REPRESS All American punk, no foreign junk.	10 EUR
V/A - KILLED BY DEATH #6 [REDRUM RECORDS] 1993 PUNK (USA) REPRESS REPRESS.Side One- Kids-This is Rock 'n Roll;Funeral Dress-Army Life;Dirt Shit-Exit;Next-Monotony;Insults-Just a Doper;Ed Nasty & The Dopeds-You Sucker;Hitler SS-Slave;Tampax-UFO Dictator;Revenge 88-Neon Lights Side Two-Screaming Urge-Homework;Schund-Schund;Gism-Exlamations; Frantix-My Dad's a Fucking Alcoholic;Glueams-Mental;Psykik Volts-Totally Useless;Fire Exit-Time Wall;Mark Truth & The Liars-Prisoners of Time;Se-Meilla Voisi Tunaau Olla Hauskaa	10 EUR
V/A - BORED TEENAGERS VOL6 [BIN LINER RECORDS] 2012 PUNK (UK) VICTIMIZE - DAY I MET GOD / SOCIETY’S CHILD / INTERCITY / WHERE DID THE MONEY GO? / INNOCENCE STEREOTYPES – COUNTDOWN / CHAMPAGNE SUICIDE / PARISIAN / TELEPHONE AFFAIR UNORFADOX - I’M A LONER / AT THE ROXY / HARD ON MY HEELS MACHINE - BORED WITH THE CITY / BROWN EYED GIRL F-X - SOUTHS GONNA RISE AGAIN / OBE / SLAG / QUEEN BITCH VOX PHANTOMS - TIME IS RIGHT / NOTHING NEW UNDER THE SUN DEAD AIRMEN - NOT ONLY DRESDEN / SEARCH & DESTROY VILE BODIES - MISS STUPID / OUTLAWED / FRONT PAGE PEOPLE / BLANK SCREEN (8mm Cinefilm Frenzies) THE DAZE - I WANNA BE A STAR / AT THE SEASIDE / THE ALUM ROCK / LIVING MUSIC INCLUDES A 20 PAGE BOOKLET THAT IS CRAMMED FULL OF RARE PHOTOS AND WRITE UPS BY THE BANDS THEMSELVES!!!!	12 EUR
V/A - BORED TEENAGERS VOL5 [BIN LINER RECORDS] 2009 PUNK (UK) The vinyl version features 16 tracks. As always, the vinyl version is limited to just 500 copies and come with it’s A5 booklet with rare band photos and information. The bands featured are BLITZ who first found fame by playing more gigs than any other band at the famous ROXY CLUB in 1978. Next up is THE VICARS from outta Southend-On-Sea who were featured on the ‘Southend Rock’ compilation album way back in 1979. Then we are graced with THE RATS who are from Cornwall and released an amazing track on the rare compilation album “Double Booked’ in 1977. Then we are treated to old Roxy favourites THE TARTS who feature a very young ’Max Splodge” on drums and also released one old 45 way back in 1979 which was the ‘Rolf Harris’ hit. PETE NEWNHAM hits us next with his incredibly rare solo single and tracks by his band T.H.E. The interesting thing about Pete is that he was in the first line-up of ’Cockney Rebel’. Now we venture down to sunny Worthing to find THE EGOS who deliver two ultra catch gems! Back up the M6 to find THE REZIZTERS who feature the brother of one of the members of ’U.X.B.’ who were on volume 2. Lastly we are overjoyed to feature THE NEGATIVES back again with their long lost first EVER Recordings from 1978! ALL VINYL COPIES COME WITH A BEAUTIFUL A5 16 PAGE BOOKLET WITH RARE PHOTOS AND BIOGRAPHIES THAT WERE WRITTEN BY THE BANDS THEMSELVES!	12 EUR
V/A - BLOODSTAINS ACROSS MIDWEST [BLOODSTAINS] 200? PUNK (USA) Third record in the Bloodstains series. This, along with ...Texas and ...California were the originals of this series. The information given about the bands/records is as often fiction as it is fact. The Gynecologists, for example, were definitely not from Hogfuck, Indiana. I should know--that's my hometown! Actually, next time you are in Indiana, go to Bloomington, head to the corner of Kirkwood and Walnut, right on the town square. You'll see a video store called Plan 9 Video. It's downstairs, under a book store. Ask for Kerry Scott. He's none other than Tommy Afterbirth! Then you can go take a shit on John Mellencamp's front porch. Like Texas and California, this is one of the best in the series! However, being from the Midwest, this one has a special place in my heart.	10 EUR
V/A - BLOODSTAINS ACROSS CALIFORNIA [BLOODSTAINS] 200? PUNK (USA) Essential volume of this series with tracks by Injections, The Jonses, Plugs, Gears, Chiefs, Eddie & The Subtitles, and the all time greatest punk song ever "I'm Gonna Punch You In The Face" by the CHILD MOLESTERS!!!!	10 EUR
V/A - BEST OF BOMP [BOMP] 1978 POWER-POP (USA) REISSUE REISSUE.Bomp was a singles label prior to 1978; that year's release of this compilation marked our graduation to the 12-inch leagues. Included are all the early classics: 20/20 - giving it all / The Flamin' Groovies - him or me / The Poppees - if she cries / The Wackers - captain nemo / The Choir - i'd rather you leave me / The Rockfield Chorale - jingle jangle / Venus & the Razorblades - punk-a-rama // Iggy & the Stooges - i got a right / Snatch - i.r.t. / The Weirdos - a life of crime / Willie Alexander & the Boom Boom Band - kerouac / Shoes - tomorrow night / The Zeros - wimp / DMZ - busy man / Iggy & the Stooges - gimme some skinplus a few that haven't made it onto any of our later comps. Back in print now, with the classic original artwork.	11 EUR
V/A - TURIST I TILLVARON VOL1 - A SWEDISH COMPILATION [TURIST] 2011 Punk (SUE) A brand new swedish punk compilation featuring Suicide Syndicate, Bäddat för trubbel, Slöa Knivar, E.A.T.E.R, Beyond Pink..among others! A Must have! TRACKLIST SLÖA KNIVAR - SLUTA LÅSAS STRINDBERG SOM TORTYR-YUPPIESVIN SPOTLICKS - DU FETA BARN E.A.T.E.R - JURASSICA BÄDDAT FÖR TRUBBEL- EN SJÄLFULL MAN DICK TRACY - LÅT BARNEN VA! DICK TRACY - ÅK PÅ TUR ABJEKT - RAKBLAD OCH RÖDVIN BLACK FEET - BACK ON THE ROAD SUICIDE SYNDICATE - DIE KIDS DIE EPIDEMICS - DON'T GET IT KRONOFOGDEN - IN I KRISEN VARSEL - DUM I HUVUDET VARSEL - SKANDAL VARSEL-SKATTEFIFFEL BEYOND PINK . FATTIGA RIDDARE SNUTJÄVEL - HJÄRNDÖD PRINS CARL - ROCKPOSER GLIDSLEM - SVERIGE ÄR INTE SOM DET	10 EUR
V/A - TURIST I TILLVARON VOL3 - A SWEDISH COMPILATION [TURIST] 2012 Punk (SUE) Yet another compilation from Turist i Tillvaron are now released. The different genres are significant for this compilation collection. I find both old and new acquaintances. The Negatives who've belong to one of my favorite bands for a long time give me strong pogo feelings with their brilliant punkrock. Hyrda Knektar, another punkrock band, but with more pop feelings than The Negatives suprise me in a positive way. Uppgång & Fall have that classic swedish 80.s punkpop sound and the female/male vocals make it really good. Vervain, who use to be a good band isn't good this time, I think they have to decide how they wanna sound, it's the vocals who disturb me most it just doesn't sound good. The crust/hardcore bands on this volume is the mediocre Total Aggression, the good Träshers and another good band Livet som insats who play really raw and fast kängcore. Just like Uppgång & Fall have Vånna Inget that old punkpop sound, and I think it's allt the bands from that genre I like most from the Turist i tillvaron compilations. I didn't realize how good Vånna Inget really are, I wanted more and found more on Spotify, I have to buy their records when I get more money. Antipati is the last band on this volume, and if you've read all reviews in this issue do you already know how much I like them.	11 EUR
V/A - TURIST I TILLVARON VOL4 - A SWEDISH COMPILATION [TURIST] 2012 Punk (SUE) Cuarto volumen de esta serie sueca Sida 1 Desperat - Anarkist javisst Desperat - Panikångestattack? Din Skevf - Idag börjar livet? Burning Kitchen - Vacker dag? Rännstensorkestern - Tony 2ton? Le Muhr - Varför kan jag inte få båda två?!!? Crash Nomada - Trivseldöden? Kapitano - Jag blundar inte mer? Gamla Pengar - En vacker grav Sida 2 The Great German Re-Research - Jag är ett problem (Mesk) The Great German Re-Research - Raggare is still a bunch of motherfuckers? Tiger Bell - Na na na? Makabert Fynd – Maktbegär Makabert Fynd - Oljud? Våldsamt Motstånd - Revolver? Bombfors - Kuka ur? Nobelkommittén - Sparka neråt? VA!? - Du är inte min Hitler? Aggrenation - Bridgeburner	11 EUR
V/A - TURIST I TILLVARON VOL5 - A SWEDISH COMPILATION [TURIST] 2012 Punk (SUE) V/A- Turist I Tillvaron Vol. #5 LP. Wanna know what Sweden has been up to lately? Well this is a pretty good place to start. This is the fourth in a series of compilations that will document the Swedish punk landscape in all it’s facets. On here you'll get raw punk, catchy punk rock, wierd punk and a bit of hyper fast hardcore. It's a great way to get to know the Swedish scene at the moment with pretty solid contributions overall. The bands on the comp. include Angelpiss, Blaslampa, Brottsvag, Fredag Den, Math And The Blah Blah Blahs, UX Vileheads, Spinkykter, Lurken Boogieband, Gatans, Vinnarcirkeln, Sub Alert, The Volcano, Hjartattack, Ned Slagsplats, Utbrott and Jealous Cowards. All exclusive tracks and LIMITED TO 500 COPIES IN A SNAZZY LOOKING GATEFOLD SLEEVE.	11 EUR
V/A - BRAINKILLER LOST PUNK HITS AMERICA 77-82 [RIP Records] 199? PUNK (USA) Jim Basnight  *She got fucked ; Cinecyde  *Radiation sickness ; Dennis Most and the Instigators  *Destructive love ; CRIME  *Frustration ; Hollywood Squares  *Hollywood square ; Symptoms *Be on top ; Los Reactors  *Be a zombie; Suburbs  *Memory ; Bob *Things that you do ; Ed Davis Band *Asshole ; VS  *Magnetic heart ;Tanks *Bongo Congo; Reind Dears  *White christmas ; Gizmos  *1978 ; Mutants (Michigan)  *Piece o shit ; Units  *Cannibals ;Clocks  Confidentialy, Renee ; Familia Real  *Destruye	18 EUR
V/A - OH NO IT'S MORE FROM RAW [DAMAGED GOODS] 1999 PUNK (UK) REISSUE Raw Records was one of the UK's first ever independent labels, having been formed in 1977 by Lee Wood. This was the second compilation they issued in early 1978 following up the ‘Raw Deal!’ album (Damgood 209). This reissue includes 4 bonus tracks including the ultra rare ‘Into the 80’s’ by The Now. 16 of the label's best tracks feature here alongside a comprehensive discography of one of the most important but vastly underrated indie labels of our time. Bands such as The Users, Killjoys, Lockjaw and The Unwanted later provided members for the likes of The Cure, Psychedelic Furs, UK Subs and Dexy's Midnight Runners whilst the scarcity of Raw's releases made them highly prized collectors' items.Two Soft Boys tracks from one of the rarest Raw singles fetaure here, unavailable elsewhere. The CD also features original photo’s, posters and adverts from 1978. As with the RAW DEAL compilation the vinyl version comes in two different colours, Red and Blue	9 EUR
V/A - THE WORLD'S LOUSY WITH IDEAS Vol. 8 [ALMOST READY] 2009 LO-FI/POP/GARAGE (USA) 9 songs - 31 mins. Vivian Girls - Lake House;Blank Dogs - Ages Ago;Pink Reason - Going Home;Guinea Worms - Soiled Sender;Times New Viking - A Lot of Paintings; Tyvek - Flowers (different/better version than cd-r);Intelligence - The Beetles;Sic Alps - STREPIX;Thee Oh Sees - Schwag Rifles. Basically I think comps are pretty worthless these days. Maybe ever. Unless you are attempting to sum up the state of a 'scene'. Which is what records like All The Presidents Men did. And what "The World's Lousy With Ideas Volume 8" does. For this record features the cream of the cop in the new Yankee garage / lo-fi - pop / indie scene, and it's not just a bunch of throwaway crap like on various comps what have been released over the years. Vivian Girls open up and present us with "Lake House" which is a gorgeous slice of fuzzed out laziness that could have come straight off of that awesome Katie the Pest CD that not enough people know about. Rectify that please, if you enjoy this sound you need to be listening to Katie the Pest. The absurdly prolific Blank Dogs bounce off the end of that with their typical synthy "dark wave" or whatever you're supposed to call it, basically they sound like Joy Division gone wrong. I can't say I regularly sit down to listen to Blank Dogs, but I do enjoy them and in small doses they are particularly enjoyable. If you listen to that 2 x 12" thing in one sitting, you are a tougher person than I. Times New Viking may steal the show on here with the stunning "A Lot Of Paintings". I've struggled with this bands albums but this song is so super sweet. No production, messed harmonies, complete failure - plenty of bands do the thing where they record into something with the fidelity of a dictaphone, but Times New Viking are capable of writing an awesome song, and that is what sets them apart from the knuckle dragging masses. Intelligence did a fairly unremarkable LP on In the Red recently, but this loping fuzzy garage rock piece is eminently listenable, good work chaps! Guinea Worms wind down side A with a lumpen, loafing punk effort, great bassline and it sounds pretty drunk. I reckon this is somewhere between Moss Icon and something hipper. I like this a lot. Flipping to side B, Sic Alps do the throw away track of the record, pointless noise and feedback, zzz. Easy to skip them to the ultra hip Thee Oh Sees, who actually disappoint with their effort, a fairly average slice of their garage rawness with echoing vocals. You'll find far better on their most recent LP, but that's not to say this is terrible. An average Thee Oh Sees effort is of more interest than song A by generic garage band B. Next is Tyvek (you should be getting the picture by now, the line up on this comp is astonishing), who deal a slow burning effort that meanders and like Guinea Worms is somewhere between Moss Icon and something hipper. This band is seriously impressive, and I just wish their LP on Siltbreeze had been a bit better. Rounding things out on here is Pink Reason, who do this towering epic, spiralling guitars and stoned vocals, there is so much to like on this track, teetering on the edge of falling apart. The way it builds and with the tribal drumming, this sounds really in the ball park of any number of mid 90s emo bands that anyone who likes this kind of music would be so quick to disown. It's just the vocals that differ. I'm not making this up. This could have been on Goldenrod or something. Best track on the record. So, um, easily the best comp I have heard in a lot of years. This record makes me very excited about new music. I hope it does for you too.	12 EUR
V/A - FIRST BELGIAN PUNK CONTEST VOL.2 [GNOME RECORDS] 2001 Punk (BELGICA) The previously unreleased complete sets of MODERN WORLD and THE RAZORS, recorded live in March 1978 in the series of shows documented in the original "First Belgian Punk Contest." Mastered from the original master tapes, and pressed in a limited edition of 500.	9 EUR
V/A - SPANIARD PUNK OLE 1983 [BOOTLEG] 2011 Punk (ESP) 2LP Few copies of this spanish punk lost gem. Unreleased stuff of classic 80's spanish bands like Vulpess, IV Reich or Familia real, along with other rare stuff of obscure bands like Slip & Sperma (pre MG15), Alma y Los Cadaveres (pre Cocadictos), Radio Oceano, Los Niñatos... Do yourself a favour and get it.	18 EUR
V/A - SICHER GIBT ES BESSERE ZEITEN... Vol #2 [HOEHNIE RECORDS] 2002 Punk (DDR) The long-awaited SK-smasher with 19 cult-songs from the practice-room in Gotha from 1988-90 in fantastic sound- quality! No doubt – this is the best stuff that a GDR punk-band has ever recorded! Much more authentic than the "Abfallprodukte"-album that was recorded later in theWest (Hannover!). Including the original versions of classics like "Ata, Fit, Spee", "Schwarz-Weiss", "Der Diktator" + "Mein Weg"! First issue in yellow-piss vinyl, others in black! Each new pressing will have a new vinyl- colour! To order this goodie is an absolute must! Due to high royalties upfront, this record is more expensive than others!	12 EUR
V/A - UMEÅ VRÅLJAZZ GIGANTER [NY VAG] 2010 Punk (SUE) (Almost) all NY VÅG bands on one album, exclusive songs, all in Swedish. Bands on the compilation: The Most, Invasionen, UX Vileheads, the Bombettes, Kommunen, Regulations, Dom Döda, Masshysteri, Knugen Faller, AC4, Brottsvåg, Tristess.	6 EUR
VANNA INGET - ALLVAR [P TRASH] 2011 Punk (SUE) To our humble ears, the alloy of Scandinavian melancholy and perfect melodies somehow always seems to work whenever we put on Swedish bands like the BOMBETTES, TERRIBLE FEELINGS, VICIOUS or INVASIONEN. But never has a comparable sound emulgated into what awaits to be discovered inside the blurry cover of this record. The unlocked potential of the small-town blues of Småland and the ardent post-teenage angst bundled in 10 songs that slowly burn a hole into a gray and bland surface. Singer Karolina's crystal clear and intense voice covers a tight texture of melodies that brachiate from hookline to hookline, somehow comparable to the early 80s Californian Punk of THE AVENGERS that meets the more New Wave sound of Swedish Feminist-Agit Punk bands TANT STRUL and PINK CHAMPAGNE. The three slower songs on this LP perfectly fit inside the steady mid-tempo and increase the feeling sadness and anxiety expressed im- and explicitely. A piercing ray of sunlight on a cold autumn day. This LP has all the hallmarks of being a killer instant classic!!!	11 EUR
VAPID - PRACTICALLY DEAD [DERANGED RECORDS] 2009 Punk (CAN) Cuatro chicas de Vancouver, CAN, forman Vapid en 2006. Un par de años después editan un single de punk sencillo y quedón y en 2009 consiguen sacar su primer largo, Practically Dead, con el que añaden cierto empaque y sustancia a la constante. Punk con sensibilidad pop y no pop con toques punk aderezando el conjunto para la ocasión y el pegolote. Completan el aliño ecos al bubblegum, al hardcore americano de primera generación, el garage punk marca de la casa de la factoría Billy Childish, sutiles toques ramonianos -sobre todo los que aluden a las girl bands de los 60- y mucha actitud Riot Grrl. Rabia y ternura en un mismo nanosegundo. Y una propuesta que engloba distintas y variadas influencias en un conjunto ya no sencillo, sino maravillosamente simple. De ese modo recuerdan a los Samoans en Choke, alardean doblando voces melódicas en Die, garagean ala Monks en Take a Walk, Baby y con Bruises destruyen el mito para los que creen que la chicas no saben roquear. Y todo esto es sólo la mitad del camino.www.myspace.com/xxxvapidxxx	9 EUR
VIGILANTES, LOS - S/T [SLOVENLY] 2011 Garage-Punk (PRI) The debut full-length bruiser from San Juan, Puerto Rico's LOS VIGILANTES. Fourteen original tracks of juvenile delinquent garage-punk smash. Heavy on the '60s side with a healthy dose of droopy / 50s doo-wop back-up vocals, rocked with additional organs, tape loops and swagger. Jota Vigilante filled in for DAVILA 666's lead guitarist on their maiden European tour and played lead guitar on Davila 666's Tan Bajo LP.	14 EUR
VINCAS - BLOOD BLEEDS [DOUCHEMASTER RECORDS] 2012 POWER-POP (USA) You would think that because only about 60 miles separate the cities of Athens and Atlanta, Georgia that maybe the same sphere of influence would affect both. In the past decade, Atlanta has seen the growth of a creatively sustainable music scene, and we sort of forgot about our neighbors up the road. There is no shortage of great bars, restaurants and clubs in Athens, but it’s been a little while since an Athens band made me want to jump in my car and make the trip. Vincas have given me that much needed excuse. Blood Bleeds is a monster of a record. They are playing dark and heavy songs that at once will draw Birthday Party and Gun Club comparisons. I’d bet they have some later Scientists records in their collections too as there is a discernible element of swampishness weaving itself throughout the record. It’s sexy in a super-bitter dark chocolate kind of way and has a pounding cohesiveness throughout. Vincas demonstrate total control from start to finish, and it’s pretty clear that they didn’t just stumble onto a style of music like this. We truly hope the folks over in Athens realize what they’ve got on their hands. Vincas self released the first 100 copies with screen printed covers. Good luck finding them. We do not have any. There are 500 total. All copies are on black vinyl and come with a download code.	13 EUR
VISITORS - AVENGING THE VISIGOTHS [GOING GAGA RECORDS] 2010 PUNK (CAN) The VISITORS come from a faraway place. They keep an apartment in Ottawa to stay in touch with the scene. This is the scene that built their empire, an empire which they rule over, and visit often. Ottawa knows a good band when it hears one, and the VISITORS are definitely a local favourite. This 3 piece male ‘n female combo have the songs and the raw energy that can turn a stranger into a fan. What you have here is the latest 6 cuts of the VISITORS best! Trading off vocals between all three members, the righteous 3 piece format delivers unrelenting downstrokes, fast 4’s, and great melodies. They say they wanna sit between the Riverdales, the Ramones, and Iron Maiden. I always think of the Tyrades, Marked Men, and the Distillers (in a really good way, even though I don’t think I’ve ever listened to a full song, it’s just that Erin has a voice that’s rough in all the right ways…no wimpy girl voice!). Skottie from the CREEPS is on guitar duty here! And Berger’s been playing pop punk drums (well!) for like 15 years! Highly recommended for fans of any of those name drops. This limited edition pressing of 300 copies is housed in a full colour jacket, with a 2 sided full colour insert. A MUST have for any punk rock record fan!	14 EUR
VIVIAN GIRLS - S/T [IN THE RED] 2008 Rock (USA) As usual, things always happen faster in New York, and this week's Breaking Sounds feature shines the spotlight on a group of three upstart females who have taken the noisy pop mantra and dipped it in pure gold, the Vivian Girls. If you're familiar with outsider artist/Chicago janitor Henry Darger's bizarre paintings (he coined the term 'Vivian Girls') that have turned the art world on it's ear over the past decade, it's prime time for those oddly alluring innocent nuances to be absorbed and reconfigured in a most pleasant musical format, contrary to the similarly-named bands HERE and HERE. With their debut 7" on their very own Plays With Dolls Records already sending out waves of panic and adoration to the outer limits of the underground pop contingent, they have become the newest breakout sirens of the New York loft-pop brigade. Within seconds of hearing their seductive three-part vocal harmonies lushly interwoven with chest-pounding rhythms of beautiful feedback, it's obvious that their songs are hard to resist, especially if you find yourself keen on the mid-80s noise pop trifecta of Jesus And Mary Chain, Black Tambourine, and most notably, The Shop Assistants. As anticipated, the Vivian Girls' debut LP surfaced this month on Mauled By Tigers Records, and is available from the band on their current nationwide tour for an essential pop platter that your bummer of a summer won't be complete without. Swirling noise topped with sweetly angelic vocals is practically a can't-miss concoction, so expect your fruity neighbors and your attention-starved friends to chime in with unabashed praise. As a matter of fact, In The Red Records has already snatched up the 'Girls with plans to reissue their debut album within the coming months, after the first MBT pressing inevitably sells out. With another action-packed tour in the works for August along with cohorts, Crystal Stilts, look for the Vivian Girls to be everywhere you want to be this year, and catch them live before they blow up like their predecessors. Fanning the flames of their grassroots support circuit, the added help of extra publicity from the similarly-titled play As Told To The Vivian Girls (which just ended a month-long run in Chicago by the Dog & Pony theater group) pushes their presence ever further to the forefront of modern pop. Pick up the LP from Mauled By Tigers, right HERE or better yet, buy it from the band on the West coast this week, and on throughout their Midwest tour next month for a lethal dose of female-powered raw pop perfection that breaks out like few others have before them.	11 EUR
VONBRIGOI - O REYKJAVIK [MAUERSTADTMUSIK] 2010 Punk (ISL) A1 - Originally released on Hugrenningur „Rokk Í Reykjavík“ Compilation in 1982, text by Didda A2, A3, B3 - Recorded by Kjartan Kjartan in 1982, different from the 1983 lp-versions B1, B2 - Originally released on Gramm Records in 1982 B4 - Demo tape recorded in 1981, text by Didda Mannskeppnur and Kjöt remixed by Ragnar Jónsson.The tracks here are taken from different sources and may vary in audioquality.Re-Mastered by Sven Mühlender at Not Not Fun Studio, Berlin. Record produced by Thomas Pargmann.A4-Insert included	10 EUR
VULPESS - BARBARELA 83 [PUNKAWAY RECORDS] 2012 Punk (ESP) 12 temas en directo que dieron en Mallorca en 1983. Fotos ineditas y vinilo de 180 gr. Editado por Punkaway.	12 EUR
WARM JETS, THE - WANNA START A WAR [RAVE UP] 2010 Punk (USA) Philadelphia’s punk rock finest band! Started in 1977, the band was really popular at the ‘The Hot Club’, one of the main punk venues in USA. They had a punk ethos, but laced with a potent pop mentality and a big sense of pure theatricality that reminded one of suck disparate outfits as Sparks, The Weirdos, Lance Loud’s Mumps and The Dickies, not to mention The Monkees! Unfortunately the band recorded only one acetate and few studio tracks that you can find in this anthology that contains the best production of their unlucky career!!! Pure US punk genius, grab this!!!	10 EUR
WARSONG - ANCIENT TIMES [THE PRESSION RECORDS] 2011 Punk (ESP) Warsong are a relatively new band from Spain featuring members of Insomnio and No Escape. Warsong deliver the goods with their debut Lp entitled Ancient Times. Ancient Times features 9 tracks of melodic and anthematic songs that have definite Strike Anywhere, Dag Nasty, and Red Tape Parade type influences. The nine songs on Ancient Times make Warsong easily accesible and will appeal to fans of both hardcore and punk in a way bands such as Strike Anywhere, Avail, and Hot Water Music can do. The guys in Warsong craft some really well done melodic hardcore/punk with a slight rock edge to it. Ancient Times is a definite must for fans of Strike Anywhere, Hot Water Music, and other rock leaning bands of that nature. Good stuff. Enjoy!	7 EUR
WAX MUSEUMS - ZOO FULL OF RAMONES [TIC TAC TOTALLY] 2011 PUNK (USA) Billy’s Room, TX. Peering across the floor through beer cans, garbage and vomit-encrusted B-movie clamshells...something moves. You slowly look into a shaking cheeseburger bag...AND THE WAX MUSEUMS EMERGE TO CLAW YOUR NOSE OFF! It lands on a rotting hamburger. You die. They've crafted the sickest spectacle of partying, sharp humor, and Steinberger basses since they crawled out of a VCR in 2006. And if you've had an eyeball (Yes? No?!)...you've seen them. But do not dismay if you've missed any of their out-of-print wax previously issued on Hozac, Douchemaster, Kenrock, Rehab or Fashionable Idiots. Because here's the entire carnivorous monkey-house in one 24-track LP...Zoo Full Of Ramones! Our scientists at TTT have recreated the very primordial ooze of the band. Returning to print every dose of concentrated hyperactivity, and enhancing them with an extra beaker of UNRELEASED, and rare material, circa 2006-2008 AD.	11 EUR
WHITE FACES - S/T [WINDIAN RECORDS] 2011 Garage-Pop (USA) White Faces debut S/T LP is a perfect mixture of pop  gone blasted, from the fiery L. A. swagger vox, to the driving bass, to the completely under-out-of-control drum bashing, this album lives up to the hype, and  will be spinning on your turntable for quite some time. From the furious, out of the gates riff of “Disconnected” this album will keep your attention as one after another of well written, pop laden, cock-sure rock ‘n rollers are feverishly screaming out of your speakers. The albums “Happy” and “Ain’t Havin’ Me” are the perfect example of the bands direction, tight, dance-able pop garage with a West Coast swagger. Also includes a cover of Milk ‘N Cookies “Nots”!	13 EUR
WHITE TRAINERS COMMUNITY, THE - THE LONG PLAY [TIME FOR ACTION] 2012 MOD (RUS) Pre-THE RIOTS!!! Moscow´s newest sensation provide a foretaste of their upcoming album. The Libertines meets the Jam with powerful distorted guitars is a way to describe the sound of the youngsters. If you dig bands like the Jam, Secret Affair, Chords, Circles, Cigarettes & all the 1-Hit singles from this era, then this LP should not be missing in a well-stocked collection. Songs like "Modern Boys" and "Face to Face" could be the soundtrack for the next revolt. Go! Put on the Parka, jump on the scooter and ride straight to the club. Limited fully remastered reissue for the first time ever on vinyl, which comprises the debut album plus 5 bonus songs as well as an inlay sheet with lyrics and photos. Note: we´re the WTC !!!	10 EUR
WHITE WIRES - II [DIRTNAP RECORDS] 2011 Garage-Pop (CAN) Tras la meteórica edición y reedición de su primer lp, ya había ganas de escuchar este nuevo disco que el sello de Oregon anunciaba como nuevo fichaje. Entre medias, pequeños disparos de punk con nervio en formato de siete pulgadas. Portada de esas que a un servidor le encantan y temas que giran a 45 revoluciones en formato de lp y el trío de Ottawa que sigue el mismo esquema que nos atrapó con su primer álbum, guitarras rudas pero sin complicarse en buscar nada nuevo, melodías arrebatadoras, canciones de poco más de dos minutos y temas para caer en sus redes como  “Did you forget my name”, “I can tell”, “Be true to your school (‘til you get kicked out)”, “Popularity”, si cuando eras un “chinorris” te gustaban los Buzzcocks no tienes excusa para pasar por alto este disco, que a medida que sigue sonando  con temas como “Hands” y “Summer girl” hace que mi cabeza vuele por completo. (Oscarkotj-2011)	12 EUR
WICKED - ARE YOU? [SPRINTER RECORDS] 2008 Punk (SUI) Brand new 9 track mini LP by this long running swiss punkrockers ! Every songs is a real winner ! A must have !	7 EUR
WIMPS - ROLLIN' ON [INCOGNITO RECORDS] 2003 Punk (HOL) Algo más melódico que el material al que nos tienen acostumbrados los de Incógnito records, llegan los Wimps. Desde los países bajos, pero sonando alto, llega esta mezcla entre el Lo Fi R'N'R de Steve McQueens y la melodía sucia de Burger Kings (el grupo paralelo de Steve McQueens). Para completar el cocktail añádele a eso un toque a lo Supersuckers pero en plan meloso y unas gotitas muy suaves de Country. Se les puede emparentar con los Demonics, incluso, a veces llegan a aburrir tanto como ellos; pero cuando llegas a la versión de Rezillos ("Somebody's gonna get their head kicked in tonight") descubres que tienen más estilo y clase que aquellos demonios de tercera división. Si te gusta el punk melódico con algo de suciedad, te gustará.	5 EUR
WRONG WORDS, THE - S/T [TROUBLE IN MIND] 2011 POP (USA) For those of us who take our record collection maybe a little too seriously, it’s a comfort when a band just seems to get it. While there isn’t much left to be said about the current music scene in San Francisco (where The Wrong Words hail from) we like to think they have combined all of its best elements (power pop, punk and a dab of flower-psych) on this amazingly solid debut LP. Recorded by Greg Ashley of The Gris Gris and mastered by Mikey Young of Eddy Current Suppression Ring, The Wrong Words have been referred to as a “West Coast Gentleman Jesse”. While there is no denying the Californian influence, there is a midwestern blue collar pop feel as well a’la The Scruffs or more than a few tracks off of the Yellow Pills comp. This album has pop hooks galore, great lyrics and ripping guitar work.The Wrong Words take tried and true themes such as hating your day job and letting your girl down but put their own ‘catchy as hell’ spin on them. Stick it on the turntable, but be warned, it’s going to be there for a while. RIYL: Gentleman Jesse, Jaill, XTC, Nick Lowe, Barracudas	12,5 EUR
X-BELIEBIG - OH TANNEBAUM [RAVE UP] 2012 PUNK (ALE) X-BELIEBIG was founded in Wiener Neustadt in 1980 by the two then-17-year-olds Rene Adamecz (guitars/vocals), Franz Heuschneider (bass), as well as Bernd Bechtloff (drums)—Bechtloff had just turned 13 years old at the time. The primary musical focus was at first German-language punk, although none of the musicians considered themselves punk rockers.They rehearsed for several months and, in 1980, gave their first concert at the Snack-Bar, a highly popular venue in Wiener Neustadt at the time. Performances near Wiener Neustadt with various smaller bands from Wiener Neustadt (among them Zerbrechlich and Dämmerattacke), mostly in self-organized concerts, followed. The band later went on to perform in Vienna, at the Amerlinghaus, Metropol, Gassergasse and the U4.In the spring of 1981, the original bassist [close] Franz Heuschneider switched to the Wiener Neustadt band Dämmerattacke and was replaced by Zoltán Daróczi. Starting at this time, a clear change in the band’s musical focus, away from punk and towards music inspired by the band Joy Division but with German texts, could be observed.In the spring of 1981 a cassette recording was recorded for the Panza-Platte label, and the single Leben ist Blut / Illusionen (english: Life is Blood / Illusions) was recorded in the summer of 1981.	11 EUR
X-CERTS, THE - RATED XXX [BRISTOL ARCHIVE RECORDS] 2011 PUNK (UK) As 1978 wore on, we thanked God for the likes of UK Subs and Angelic Upstarts, and here in Brizzle...the mighty X-Certs! With Clive Arnold (vocals and guitar), Simon Justice (guitar), Taf (bass) and Neil Mackie (drums), The X-Certs served up welcome blasts of Clash-style punk anthems. They were politically charged and passionate, friendly and down to earth, and a great live act, but for some reason their recordings were relatively few and far between. One track, Blue Movies, on Hearbeat Records' 4-Alternatives EP, and another called Anthem on the same label's acclaimed Avon Calling compilation album. And that's yer lot with the original line up. This edition includes a Limited Edition Insert with stories from all four members of the band, Introduction by Shane Baldwin and never seen before pictures. Artwork completed by the legendary Bristol designer Sam Giles	13 EUR
X-PRAYS - S/T [BOWERY RECORDS] 2011 PUNK (ESP) X-Prays son un trío madrileño de Punk formado por miembros de Webelos, Grupo Sub-1, Obediencia... Surgen de las cenizas de los desaparecidos Asiatics con una propuesta más agresiva, más directa y, definitivamente, más Punk. Las flipantes voces femeninas son las protagonistas absolutas y en seguida traerán a tu memoria a grupos KBD como VKTMS, Electric Deads o UXA. Tampoco desentonarían compartiendo cartel con bandas más actuales del calibre de Spastics, Tyrades o Gorila Angreb. A pesar de ello, no renuncian en ningún momento a tener un sonido propio y composiciones originales, que combinan, de un modo bastante original, la sencillez instrumental con unas audaces melodías vocales. El resultado: hits instántaneos tan pegadizos como inmediatos. Pero lo mejor es que eches una escucha y juzgues tú mismo. http://soloespunk.bandcamp.com/album/x-prays	8 EUR
X-RAY SPEX - I AM A CLICHE! [FAN CLUB] 2011 Punk (UK) A1-A4 Peel Sessions 20-02-1979 A5-A7 Peel Sessions 06-11-1978 B1-B2 Backing Tracks B3-B4 Rough Mixes B5 Re-recorded version for 1980 Polystrene LP B6-B7 Mari Elliot 7" aka Poly Stryne 1976 Tracklist: Genetic Engineering, Art-i-ficial,I Am Poseur,Identity,Germ Free Adolescents,Warrior In Woolworths Age,Prefabricated Icon,I Can't Do Anything,Obsessed With You,The Day The World Turned Day-glo Age, Silly Silly,What A Way	13 EUR
YEAR ZERO - YEAR ONE [P TRASH] 2011 PUNK (CAN) Great new band featuring current and ex members of the SEDATIVES, STEVE ADAMYK BAND, LAST COMMUNION and MOTHER'S CHILDREN. Combining elements of early-90s Lookout-era punk (Green Day, Monsula, Samiam, Cringer) with a prominent 70s/80s UK influence, Year Zero effectively crams three decades of punk into one digestible mass for the ears. If you like any of the aformentioned bands, or bands like the Replacements, Husker Du, the Jam or the Buzzcocks, you’ll dig this.	11 EUR
YELLOW MELODIES, THE -THE CHAMPIONSHIP CUP [CLIFFORD RECORDS-10"] 2008 Pop (ESP) The Championship Cup nos devuelve a The Yellow Melodies después de un largo periodo de inactividad, tiempo que a la vista de lo aquí presente ha sido aprovechado. Las seis canciones que integran The Championship Cup logran atraer nuestra atención de modo sincero, The Championship Cup es una perfecta muestra de cómo no complicarse la vida en este oficio del Pop, directa, enérgica y con bonitos toques de cuerda que acompañan un estribillo que incita a ser seguido por el oyente.	6 EUR
ZACK ZACK - WIR HABEN ZEIT [DIRTY FACES] 2011 PUNK (ALE) Zack Zack is the new band from Smail and Lotze from the legendary Berlin Punk outfit THE SHOCKS. They were completed by Andy from THE CREEKS and the drummer from THE MINUS APES. This is the continuation of the last Shocks album, but instead highspeed Punkrock you'll get more poppy melodies. The album contains 10 originals plus a cover from the New Zealands finest 60s garage Punk Band THE BLUE STARS. Most songs are sung in German, but there are some English parts as well.	10 EUR
ZORRAS ADOLESCENTES - AULLOLUNASOLO [DISCOS REGRESIVOS] 2012 PUNK (ESP) Por fin un LP de las zorras mañas, 5 años después de sacarles un single, Discos Regresivos tiene el honor de sacar este LP (junto con Bazofia,Go Mongo y Collectors Series) a estos punkis verdaderos.Discazo!!	10 EUR